Just got back and I pretty much agree with your review, Yoda.
I absolutely adored this film. And I'm in love with Michel Gondry. I shed a tear at the end of this film -- what a beautiful little moment about the power of community and how film sometimes brings us together. I love Gondry's spirit and creativeness, but also his heart. He proved it in
Eternal Sunshine of the Spotless Mind. I often thought that Kaufman brought the cerebral part to that story and Gondry supplied the heart. After seeing this film, I'm even more convinced of Gondry's heart. Gondry brings a different style to his films and this doesn't play out as your usual comedy -- the characters seem a tad more human and the amateurish theme of the story plays out with the way Gondry shot the film. At times if felt like we were watching a bunch of people playing in front of a camera and it worked rather well, imo.
Some yahoo users were saying that they didn't laugh out loud very much. Well, I did quite a few times and my son and I laughed all the way home reliving almost the entire movie. I especially enjoyed the "ladder gang," the recreation of
Rush Hour 2 and the "bamboo," and especially the scenes from
2001: A Space Odyssey.
Gondry is so great at the smaller moments, too. Seeing Mia in Driving Miss Daisy ("the movie has heart"), Sigourney Weaver's little nod as she's watching the tapes.... (don't want to spoil anything), Black's walk back to his place after being magnetized, and Glover's reaction to the guy in the DVD shop. And Black's desire to play Fats Waller was pretty funny. As a matter of fact, there are many, many little moments in this film that were just flat-out wonderful.
Most of all, it seems Gondry knows exactly when to go for the sentimental and he did it extremely well when it was needed.
And I think "sweded" should be added to your dictionary.
A couple of weeks ago, btw, there was a "sweded" version of the trailer made by Gondry on Youtube.