Oh, I'd like to see this list of gay British films too. It's in my top 5 but to be honest I can't think of many more. Maybe we could get a good list of gay films for the mofo lists section (and Prestige can tell us all why they're not really gay films...
)
Well there's; Another country, Maurice, If..., Beautiful thing, Bent, Sunday bloody Sunday, The crying game, Caravaggio, Edward II, Sebastiane and other Jarman films, A taste of honey, Victim etc...
AfterElton has a really good list of about
40 groundbreaking gay films.
I think Prestige was referring to Gay films as films that are generally considered to be part of the New Queer Cinema movement. I haven't studied the particular movement as they started it year after mine
I'm not sure who thinks gay films are only those by filmmakers belonging to this particular film "movement" (if you can call it that). From what I understand, it's a term designed to refer to a string of American independent gay films that started to emerge in the late 80's and early 90's that features an unapologetic and aggressive take on queer subculture. As I've previously pointed out, gay films have been made and continue to be made outside of this "movement". I mean the very title indicates this,
New Queer cinema. And in any case, to make any sort of argument you'd have to be familiar with at least some of the films that are categorized as such, which neither of you (apparently) are.
I can understand why Prestige doesn't want to answer Adi as it's not particularly constructive attempting a conversation on the subject with him.
What would you deem a constructive conversation on this topic, for me to agree with what you're saying? For me to say yes, Brokeback mountain is NOT a gay film? Seriously now...it's not my problem that the bloke can't find any valid reason for denying either of these films their "gay" prefix. When he was asked to elaborate his views further, he stopped discussing it. :\
When he says not a 'gay film' i think he means not considered within the aforementioned movement (Brokeback not necessarily being part as it wasn't independent) or from one of the more prominent auteurs involved with it, who has more of a personal level of involvement with the subject matter.
See above.