L'Age d'Or Showgirl Hostess: Hello, you.
Jo le Suedois: Hello, kid. Sit your moneymaker down.
One of my "I REALLY need to see this" and DEFINITELY one for the Rewatch List - that's for D@MN sure!! now that I have.
I can't guess, without any likelihood of being correct, but, like the three previous watches so far, it is totally up my alley, entirely! So, whoever, where ever you may be:
THANK YOU!!!
I will make one feeble attempt: this feels like a @
cricket nomination. I'm probably wrong, but it feels like it.
Why, so enthusiastic?
Excellent question. It has a kismet connection to what I nominated for the ongoing Noir 2 HoF, to which I'll simply cut and paste my comments there, starting with Cosmic's eloquent description:
Outside of the opening and closing sequences, there is a distinct lack of music in The Asphalt Jungle. The silent soundtrack helps set a bleak tone and manages to enhance the tension in certain scenes more than a dramatic score ever could. The shots are very well balanced and framed, and when combined with the editor's apparent aversion to unnecessary cuts, it looks and feels very realistic. In this context, the choice not to use Expressionistic lighting effects actually helps the film achieve a darker atmosphere as well.
Regarding the lack of music and how it helps: "
set a bleak tone, and manages to enhance the tension in certain scenes more than a dramatic score ever could--" I just finished
Rififif for the Recommendation HoF and I found several comparisons being made between these two films when researching
Rififi. A French "heist" film that also uses the sans music for the entirety of the heist with a very similar effect. (I believe they said for a length of 30 mins - which it did NOT feel like AT ALL). I remember
Le Trou doing the very same thing with equal effect.
I have NO DOUBT this is an iconic film in France for, not only criminal/noir genre but for its own merit as a film in general.
While I know, for a fact, I have not seen this film, I do remember seeing the very ending,
WARNING: " specifically" spoilers below
the drive back to Jo's house with his son, and Tony bleeding out.
the drive back to Jo's house with his son, and Tony bleeding out.
somewhere. Perhaps some sort of Behind The Scenes or Film Studies video of some kind.
Not that it ruined it for me at all. I love this film and will be watching it. . . well, a lot, in the future. So my only response was a bigger smile and appreciating The Ending along with, pretty much, every aspect of the film.
As I've mentioned, the execution of the Heist was top class AND VERY INNOVATIVE. In fact, it played out a little too much like a Self Help diagram to commit the Jewel Heist that, according to IMDb Trivia:
Mexican authorities pulled the movie from theaters after multiple burglaries were committed employing methods similar to those shown.
How awesome is THAT!?
Also, the Director, Jules Dassin (one of Hollywood's Black Listed during the witch hunts aka McCarthism-ran Communist Trials, plays the safecracker, Cesar le Milanais

Who changed what becomes of his character from the VERY explicit book it is based upon. Or, more specifically, something that occurs within the novel. Making it a bit personal and symbiotic to when friends betray friends.
And those friends were all excellent, across the board. From the above Cesar, to the lead, Tony le Stéphanois, played byJean Servais. Capturing the "fresh out of jail", been through the wringer in the worst possible way, a shell of a man. Who says "f@ckit" when asked to join in a simple "Snatch & Grab" by the final two friends and insists they go for the Full Monty and take the Jewellers for everything they got.
Even though after hearing that, my man! Jean Gabin was considered for the role, I'm thoroughly happy with Servais' performance and take on the character.
Of the remaining two,
Robert Manuel's smooth-talking, man with the connections, Mario Ferrati (Center) was my favorite. Utterly loved him.
Doing a reread of this, I already see just how long this is and how much more it could be if I continued, so I'll shut th' f@ck up and sum up:
For entertainment and re-watchability, this is the one to beat for me.