The MoFos Top 100 of the 90s Countdown - Redux

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7. True Romance (1993)
9. My Cousin Vinny (1992)
20. Sonatine (1993)
23. Porco Rosso (1992)
25. Stay Tuned (1992) (1 pointer)

First 15 in, 4 made my list so I guess I voted correctly. I don't know how many comedies are going to make the cut so happy to see My Cousin Vinny score highly.

Stay Tuned was my 1 pointer, it's a John Ritter comedy about a man sucked into a TV with the catch being it's Hell. Eugene Levy and Jeffry Jones also star in the film. It's really a remarkable use of blending the society of the 90's Cable with episodic set pieces of torture told in a tight 90.



I was going back and fourth on animated or foreign titles, so I compromised and put Porco Rosso. Sonatine also made my list mostly because the other foreign options left me with a sense of apathy.

True Romance made my top ten, it's my favorite of the Tarantino films, mostly because someone else directed it and focused it more to a cohesive story that didn't take all those side trips that Tarantino loved. I don't think Tony Scott would ever make another list from me in any category.

As for the other nom's,


Red - It's fine, I rewatched White recently and they are good films but not really that memorable.

Gummo - hated it, the extreme film era of the 90's had a ton of overrated dogs in it I think Gummo is the worst of the bunch.

Deadman and What's Eating Gilbert Grape - Johnny Depp two-fer, I really don't care for Jarmusch films I find them to be incredibly dull. Gilbert Grape is okay but it's aged poorly and they wouldn't make it today.

The Celebration was fine when I first watched...got worse on second viewing.

Office Space, nice to see a comedy showing up it was good but somewhat overrated.

Interview with a Vampire, I think this might be underranked to be frank one of the better Vampire movies of all-time and a damn solid period piece. This might be Brad Pitt's best work.

The Crow, one of the best comic films of the 90's that led to a terrible franchise.

Gattacca is fine I think this could use a prestige TV remake because the ideas where great as a science fiction neo noir but they didn't have the focus to tell a good noir story.

Total Recall a film that I consider one of the last of the 80's films, the parts are better than the final result

Sleepless in Seattle a romcom made the final 100...bit of a shock I wonder if a second one will make it.

Seen 14/15







Another fine pair to make the countdown. Same as yesterday, both of these are in my top 150 of the decade but not on my ballot.
Dead Man, is also my 27th favorite Western of all time, Jarmusch is dope. It would be cool if Night on Earth and Ghost Dog: The Way of the Samurai also make the list but I doubt they will. I've re-watched Gattaca for a Sci-Fi Hall of Fame and that made my appreciation for it grow. It's currently 64th on my all time Sci-Fi 100.

Seen 15/16
Ballot 00/25
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I recently rewatched Gattaca and it holds up pretty well. I wish we got weird little sci if noir movies like this more often.

Haven’t seen Dead Man.



A system of cells interlinked
And we have reached one of the most glaring omissions from my ballot, with Gattaca. What a shame I managed to space this one out, as I place it in the top echelon of science fiction filmmaking. Really chuffed off about it, but at least it made it onto the list. Believe it or not, this isn't the most egregious mistake I made with my ballot, with a couple of other films I am stunned I somehow missed still to come. This is what you get when you don't put enough time and effort into the ballot process. It's my own damned fault!
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I blame Maria Montessori.
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"Film is a disease. When it infects your bloodstream it takes over as the number one hormone. It bosses the enzymes, directs the pineal gland, plays Iago to your psyche. As with heroin, the antidote to Film is more Film." - Frank Capra



My name isn't Robert, but I have so, soooooo many lists it's easy as pie to find the appropriate one, and pop out a quick 25, easy peasy.

And people laughed and said I was wasting my time on such things... but who's got the last laugh now, who?! Certainly not the people who don't have a ready-made list when they need one in a pinch.



Gattaca was limping on the outskirts of the list, before some late votes, and one big ranking near the end, threw it into the big show.
Yeah, that was me. I'm really happy I was able to get it onto the countdown at all, though I'm slightly aghast that my contribution was necessary to make it happen, because it's a minimalist masterpiece (in part because it doesn't feel minimalist).

The film's title is based on the letters G, A, T, and C, which stand for guanine, adenine, thymine, and cytosine, the four nucleobases of DNA.
One of many lovely little details throughout the film. There are literally dozens, some of them extremely clever. We detail most of them in the podcast we did about Gattaca almost exactly ten years ago, actually! You can listen to it immediately:



And here's the discussion thread for it where we get into even more.



Don't know where you stand on Jarmusch in general, but Dead Man is probably the best thing he's done. It retains the idiosyncrasies of his earlier, smaller work, but has enough blood and colour to dispell those rumours that nothing ever happens in his movies
Gimme Danger is actually the only thing I've seen from him.



You can listen to it immediately:
There's a Mofo Podcast playlist on YouTube!
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Trouble with a capitial 'T'

Dead Man (1995)
Dir. Jim Jarmusch

I first watched this over 10 years ago and it was the 9th movie that I reviewed here at MoFo. I watched this again for this countdown. My rating hasn't changed and I'm still impressed for the most part but damn if that score by Neil Young didn't start to grate on my nerves this time around, and I like his music too but it was played at a very loud volume compared to the dialog and played all of the time. After about the 1st hour I became accurately aware of the score and it did diminish the movie's impact for me. I do believe a lighter but same score would've made the movie better for me.


Glad it made the countdown!



My pants ran off with an antelope.
Dead Man is a movie I love so much, it's on my ballot! It's the first movie, out of three seen and sixteen revealed, I actually like, and it's on my list. I wasn't sure if it'd even make the countdown.
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There's a Mofo Podcast playlist on YouTube!
Indeed. Should've done it sooner. I do have an embedded player for the MP3s on here which I used in all the threads and stuff, but I find people are just a lot more likely to click if it's YouTube/familiar. So they're basically all up there now.



Trouble with a capitial 'T'

G...A...T...T...A...C...A


Uma Thurman sure looks good in this film. She's coldly dispassionate and emotionally controlled. All the genetically superior employees of Gattaca are like that.

That photo I used conveys well the 'perfect world' of those who have superior genes. They're almost dehumanized by their superior conformity. And that's just what the corporations want.
The director expertly down plays any sci fi elements in the film, which then gives focus to the existential ideas. The cars are old models, the clothing is sedate, there's no high tech props. In fact the film starts off by saying it's set in the very near future.

The sets are stunningly reserved elegance, done in a mid century modern retro look. Damn beautiful. I can't think of another film that makes such striking sets. I loved the choice of the old Studebaker Avanti cars and other classic car models. The vastness and use of negative space in Jerome's apartment is way cool! What a great looking film.

I thought Ethan Hawke was excellent. The huge amount of effort that he was willing to undertake so that he could go on a space missions, speaks to the human need to overcome obstacles. And that's what the film is really all about.


Glad it made the countdown!




RIP www.moviejustice.com 2002-2010
More later but Dead Man is the first film from my list to show up. It's spectacular and is my no. 10 pick. More later if I get time, but it's a clever and unique film - a tone poem and hallucinary revisionist western made by a great filmmaker. It's a film that I absolutely love despite my misgivings about it's all too simplistic "white man bad" and "nobel savage" characterizations and world view. While the themes were done many many years before and presented far more dynamically and less obviously in Little Big Man and even moreso in The Searchers, Jarmusch's style and atmosphere is anything but conventional.

Dead Man is a film that I infinitely admire and also is a prime example that we don't have to agree with a film's message or view to find brilliance in it.
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Top 100 Films, clicky below

http://www.movieforums.com/community...ad.php?t=26201



Gattaca and Dead Man fall into that category of "always meant to see but still haven't." No excuses, just haven't. Therefore, not on my list, dammit!
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Victim of The Night
It would have been so easy to make Trotter, the prosecutor, the villain. But they don’t. He’s good at his job and passionate about it and competitive, but he’s not a bad guy. I always thought that was so smart, especially for a comedy.
Exactly. That is definitely one of the things I think of when I say "It's a good script." I quite liked Trotter at the end. Same goes for the Sheriff.



Victim of The Night
Yup, different tastes for sure ... I got my feathers ruffled early by Stan's bit about them being inbred and sleeping with their sisters. It's a retread; not clever, not funny. But I did like that the "good old boys" like the sheriff in particular, the judge, the prosecutor, all had their moments of fairness. I lived for eight years in "mildly upstate New York" (Newburgh/New Windsor) area and so spent a lot of time conversing with various coworkers and friends. Tomei's very good (maybe not "Oscar good" but still good) but I always felt I was listening to someone putting on an accent rather than having an accent. Yeah, just me ...
I didn't take that as a joke by Stan but as a demonstration of how ignorant he was about this place and people.
I hear what you're saying about Tomei, I guess the fact that I met people whose accent seemed that outlandish to me when I finally went to Brooklyn and the fact that she's from there made it more credible to me.



Victim of The Night
It occurred to me when watching Alphaville that Uma's character in Gattaca had echoes of Ana Karina's Natacha von Braun. Maybe not quite as innocent but I thought it was there. Anyone else get that vibe?



A system of cells interlinked

...also is a prime example that we don't have to agree with a film's message or view to find brilliance in it.
Totally agree with this.