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Originally Posted by Sedai
The Limey - Interesting editing. I watched this one as more of a lesson on shots/editing. The script was good, but I felt stamp didn't have the acting muscles to carry the character in some places. Still, well crafted film. I kept wish Jean Reno was playing the lead.
I think it would be a bit hard for Reno to play a limey. And one of the most interesting aspects of this film I think is how Soderbergh uses 60s icons Stamp and Fonda and shows how they've followed different paths in life. In Fonda's case there are obvious parallells drawn to his
Easy Rider character and in Stamp's case there is even old footage from another older film with him used in
The Limey (I don't remember which one). They were both "60s rebels" with one ending up in prison and the other one having a successful career. But who's failed the old ideals and who's the real bad guy?
I have to say that
The Limey is probably the most thought provocing of Soderbergh's films I've seen.
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The novelist does not long to see the lion eat grass. He realizes that one and the same God created the wolf and the lamb, then smiled, "seeing that his work was good".
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They had temporarily escaped the factories, the warehouses, the slaughterhouses, the car washes - they'd be back in captivity the next day but now they were out - they were wild with freedom. They weren't thinking about the slavery of poverty. Or the slavery of welfare and food stamps. The rest of us would be all right until the poor learned how to make atom bombs in their basements.