The MoFo Top 100 of the 60s: Countdown

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The Battle of Algiers is the most realistic depiction of terrorism I've ever seen in a movie, and it is at times super intense. I had it at #23.

I didn't love Belle De Journey but I thought it was certainly a good movie.

My list-
Hud #6
The Battle of Algiers #22
They Shoot Horses, Don't They? #23



Belle de Jour is a great movie, it's subtle surrealism and pretty effective. Huge fan of Bunuel, but I prefer some of his other movies over it.

My list:
20. Through a Glass Darkly (1961)
24. Knife in the Water (1962)
25. Belle de Jour (1967)



Thursday Next's Avatar
I never could get the hang of Thursdays.
I watched Late Autumn and really liked it. I loved all the quiet shots of corridors and buildings. The story wasn't quite as engaging, but better than I thought it might be at the start. I really liked Yuriko and how she ran rings around the three old men, although didn't seem to come to anything in the end (but I suppose it might yet). I quite liked that in the end Akiko makes her own mind up, rather than being manipulated by the matchmakers. And Akayo's relationship with Goto seemed genuine. I really liked the colours. I'll admit being underwhelmed by Tokyo Story and Late Spring, but this film had a lighter touch and I think the colour really did make a difference.

I have An Autumn Afternoon as well in the same pack so I might watch that too.



Belie de Jour is good but not one of my favourite Bunuel films and The Battle of Algiers is very good - neither made my list.

My list:

1. Late Autumn
2. Guess Who's Coming to Dinner
8. The Human Condition III
17. Red Desert
22. Viridiana
25. Fail-Safe

Seen 25 of 32



Oh hey another one from my list! I am on a roll right now! I expect a few others of mine to show up rather soon. Anyway I had The Battle of Algiers at number 11. Fantastic film-making and cinematography. The realism of the film felt like news footage more then a motion picture. I also really liked the fact that they used non actors ala Italian neorealism for the Algerian actors. Very brutal, very well shot, and one of the best war movies I have seen. I also have seen Belle De Jour, but I did not vote for it. But still, I did like it.

1. ?
2. ?
3. ?
4. ?
5. ?
6. ?
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9. ?
10. ?
11. The Battle of Algiers (1966) # 69
12. What Ever Happened to Baby Jane (1962) #73
13. ?
14. ?
15. ?
16. True Grit (1969) #72
17. ?
18. ?
19. ?
20. ?
21. ?
22. ?
23. ?
24. ?
25. Manos: The Hands of Fate (1966) (1 Pointer)

Seen 9/32



Master of My Domain
I am so excited right now. Finally a film from my list, hallelujah!



Belle De Jour was my #7.

Out of Bunuel films I've seen so far, Belle De Jour stands out as an all-time favorite. No, not because I have a fetish for curvy female bodies... I mean, yes, it's partially because of that, but I love it because it's a masterpiece. Has there ever been a better film about sex? Belle De Jour examines the life of Severine, our main character, and her journey into a whole new sex life for her, in the shape of a brothel. She decides to work at the brothel after her sex life with her husband is restricted to fantasies.

The motive behind Severine is no different from a character that wants riches or a meaning in life. To her, sex is riches that can fill her heart and a desire to keep being alive. It's not a man's point of view believing that women are sex addicts, but how low we human beings can become when it comes to instinct, desire, temptation, and most of all, dangerous imagination, which Bunuel handles well with his impeccable, unique styles. This can be proven by the fact that sex scenes are rarely shown. The camera hides in corners and seemingly hidden areas and lets the action unfold through the audience's mind and purely sound - a perfect understanding of eroticism. Severine is not turned on by solely vigorous sex, she is turned by the many sounds that inhabit the world, which become part of her when having sex.

Belle De Jour is truly a great film, a little rebellion by Bunuel and satire of sexual repression. If you don't like this film, you should (1) become a regular member at a hostel or (2) attempt to observe the subtle themes hidden inside the naked flesh of characters. A mysterious box and the sound of cat meowing, what does it all add up to? I'm still exploring and thinking, you know you've seen a brilliant piece of cinema when it keeps lingering in your head over and over again.




The Breakdown...

The Swimmer


2nd (24 points), 3rd (23 points), 13th (13 points), 2x 16th (20 points), 18th (8 points), 24th (2 points)

The Virgin Spring


2nd (24 points), 8th (18 points), 10th (16 points), 12th (14 points), 16th (10 points), 20th (6 points), 22nd (4 points), 23rd (3 points), 25th (1 point)

Notes


The Swimmer tied with Belle de Jour and appeared on the same amount of lists, but it's 2nd place ranking on someobody's list means it appears higher. The Virgin Spring tied with another film, but appeared on less lists so appears firts.





Though easily my least favorite of all of the Bergman films I've seen, The Virgin Spring is very beautiful. Although I must say I felt much more strongly for Ingeri than I did for Karin. I had it at #23.

My List
2. How the Grinch Stole Christmas (#101)
10. Through A Glass Darkly (#81)
18. In Cold Blood (#78)
21.The Jungle Book (#88)
23. The Virgin Spring (#67)
25. Something That Didn't Make the One Pointers List



Another one from my list! I'm on a roll here. I like to think that me nominating The Swimmer for the 3rd Hall of Fame is part of the reason why it made it so high.

Anyway, The Swimmer was my number 16. I've talked about it extensively in the 3rd MoFo Hall of Fame and there are also a few interesting disussions about the film there. I'm very glad to see it included. It was one of the most powerful film experiences I've ever had.

Here's what I wrote about it in my Top 101 thread:

47. The Swimmer (1968)

"When you talk about 'The Swimmer', will you talk about yourself?"



Every MoFo who knows me, knew that this film was going to appear somewhere on my list. When I first discovered this film, I was enchanted by its premise. I was actually almost certain that it would not be able to live up to my expectations. Surprisingly, it even exceeded them. I nominated it for the 3rd MoFo Hall of Fame for that reason and I'm glad that the response to it was mainly positive.

The Swimmer lets us experience a metaphorical journey through the life of a middle aged 'upper class' guy (played by Burt Lancaster). It's summer and we see him jogging through a forest and reach the house of some people that he seems to know. He notices that pools are spanning the valley and he decides to go from pool to pool and to take a swim in all of them. He starts on top of the hill and slowly descends into the valley, which is filled with nice villas, big pools and also - we are told - the ultimate destination, his own home. His interactions with the environment and the people he meets, slowly reveal the man's life story... Because of the original and interesting premise, I immediately found myself being captivated with this film. I, myself, grew up and still live in the kind of social environment that this film is tackling and therefore the tale was very relatable for me.



As the film develops, it becomes sort of an allegorical reliving of the main character's past experiences. Slowly, he's becoming aware of the personal mistakes and misjudgements he has made, because he had let himself become absorbed by the conceited, egotistical and materialistic shallowness that so many people become a prey of when they start realizing that they are (finally) part of the social elite. When people think they ARE living the (American) dream, that dream can very quickly turn into a disastrous nightmare, especially when you blindly give in to its immoral and self-destructive temptations. Our main character starts realizing that, but is it too late?

I will not say too much about the film's conclusion, but let's just say that it worked extremely well for me. My heart was bouncing. I was totally into it. The film is probably not telling something particularly new (although it did reach some new refreshing depths and meanings for me personally), but the original storytelling and the way it slowly builds up to an inevitable climax is simply magnificent. The film very much succeeded in delivering an emotionally and intellectually profound meditation about the human condition and a firm moral message that is particularly (but not exclusively) directed to those people who are facing the three top parts of Maslow's pyramid: "social needs", "esteem needs" and "self-actualization". When you're not (morally) cautious enough, you might fall down the pyramid much faster than you deem possible...


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My list so far:

15. Late Autumn (1960)
16. The Swimmer (1968)
19. Blow-Up (1966)
21. Belle de Jour (1967)



My list so far:

3. The Swimmer (1968) (#68)
5. Red Desert (1964) (#82)
25. I Even Met Happy Gypsies (1967) (one pointer)
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A normal man? For me, a normal man is one who turns his head to see a beautiful woman's bottom. The point is not just to turn your head. There are five or six reasons. And he is glad to find people who are like him, his equals. That's why he likes crowded beaches, football, the bar downtown...



Wow Cob. I figured you were who had it #2. You have a bunch of 60's movies in you top 50 or is that just how the list shook out?
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Wow Cob. I figured you were who had it #2. You have a bunch of 60's movies in you top 50 or is that just how the list shook out?
I had a bunch of '60s films in my top 50 to begin with and as a result of watching plenty of '60s films for this list, there are also quite a few movies, which aren't included in my current top 101 list yet, that I put higher than The Swimmer. I still love it as much as I used to, though, and the order of my lists is always partly arbitrary anyway.