Pair a major franchise up with a surprising director

Tools    





Movie Forums Squirrel Jumper
I mean... If it's a really good script... and he's told to stay really really far away from the script... Like, if the script was in some kind of vault at all times, and the script supervisor was armed and under orders to literally shoot Michael Bay if he tried to tamper with it. Then yeah, I'd be down to see a Bond flick with his style. Dude does have style.

Actually thinking about it he probably would have worked really well in the Brosnan era. Tomorrow Never Dies or World is Not Enough would have suited him pretty nicely actually.
Well Bay likes action movies with hot women in, and that is what the Bond movies are, so I thought it would suit him. But yes, the producers should keep him on some of a leesh and do not give him complete free rein on the script.



The more I think about this one the more I like it. And Bring Reynolds back again for it. I'm sure he'd do it if Bigelow was involved. He'd just love the way it mirrored his experience with Deadpool.
Thanks, I recently read Emerald Dawn, a retelling of Hal Jordan's origin story (which I recommend if you want to get into Green Lantern), and there's a part where Hal hangs out with the other lanterns and learns the potential of his new powers. It recalls when Johnny Utah starts hanging out with Bodhi and his new surfer friends in Point Break, so Bigelow seems like a natural fit.

Speaking of Ryan Reynolds, should I take a chance with the 2011 movie? I've read and heard much more bad than good things about it.



You ready? You look ready.
I just wanna see Ridley Scott direct a romcom and give new meaning to the word "facehugger"
__________________
"This is that human freedom, which all boast that they possess, and which consists solely in the fact, that men are conscious of their own desire, but are ignorant of the causes whereby that desire has been determined." -Baruch Spinoza



Thanks, I recently read Emerald Dawn, a retelling of Hal Jordan's origin story (which I recommend if you want to get into Green Lantern), and there's a part where Hal hangs out with the other lanterns and learns the potential of his new powers. It recalls when Johnny Utah starts hanging out with Bodhi and his new surfer friends in Point Break, so Bigelow seems like a natural fit.

Speaking of Ryan Reynolds, should I take a chance with the 2011 movie? I've read and heard much more bad than good things about it.
It's a huge miss from Martin Campbell, who is normally pretty reliable. Miscast lead, cliched script and ugly special effects really bring it down. It's not Catwoman or Fant4stic bad but it's in that "completely soulless and void of entertainment" level of bad that the likes of Ghost Rider and Elektra fall into.

The casting of Sinestro and Kilowog is good though.



It's a huge miss from Martin Campbell, who is normally pretty reliable. Miscast lead, cliched script and ugly special effects really bring it down. It's not Catwoman or Fant4stic bad but it's in that "completely soulless and void of entertainment" level of bad that the likes of Ghost Rider and Elektra fall into.

The casting of Sinestro and Kilowog is good though.
That's too bad, especially considering how good of an action director Campbell is. It looks like the better-received animated movies First Flight and Emerald Knights are the best options until this dream pairing happens.



That's too bad, especially considering how good of an action director Campbell is. It looks like the better-received animated movies First Flight and Emerald Knights are the best options until this dream pairing happens.
Campbell's greatest strengths in action are reliant on practical effects and stunt work, as shown in GoldenEye, Mask of Zorro and Casino Royale.

However, GL reduces almost all the action to weightless and poor CGI, where even Reynold's spends most of the film digitally inserted due to the nature of the suit. It needed a special effects wavy director if it was going that route and it just doesn't seem like Campbell has that.

The animated films are enjoyable and First Flight effectively tells the same story, much faster and far less embarrassingly.



Timing is not my forte. But I'd like to see Hitchcock's take on the Alien franchise. I consider it a mistake to take outlandish filmmakers ŕ la Caro or Jeunet or Gilliam or Lynch or whatever to make a film about this nightmarish creature's intrusion in our world, because its impact comes from the contrast between its horror and our tight environment, and a more sober, clinical cinematography in a more grounded scifi world should reflect that. The ideal approach to Alien is hitchcockian in my eyes, a clean life machinery thrown out of whack by the unexpected. Ridley Scott did it great. The franchise could have gone that way, instead of diluting the alien in fantasy self-indulgence.
That would be interesting and I'd love to see Hitch, back from the grave, taking on some of the FX monster stuff.

The last 30 years has been such an arms race with FX and spatters and non-stop action that my brain gets into "whatever" mode about 15 minutes into these sort of movies and, by the end, my main interest is in how long it goes on. A more subtle Hitchcockian approach would actually be a novelty in the current movie world.

What I suspect, however, is that we have 30 years of people whose whole concept of movies is faster, louder and bloodier so, for them, the slow moving, methodical approach of a guy like Hitchcock just would not work, or maybe it would, but the investors might end up calling the shots on this and they seem to be all-in with faster, louder, thrill ride movies.

It's worth noting that when Psycho was released, the hype and press about it was whether audiences could stand it, kids were banned, and theaters posted warnings. Granted, a lot of that was intended to draw people in, but the fact that a 30 second shower scene with its shrieking music was considered horrifying seems downright quaint today.

So, how about Frank Capra, taking on Freddie Kruger, with James Stewart as Freddie. That would be quite a post-mortem matchup.



I just wanna see Ridley Scott direct a romcom and give new meaning to the word "facehugger"


No facehuggers, though.



Thanks, I recently read Emerald Dawn, a retelling of Hal Jordan's origin story (which I recommend if you want to get into Green Lantern), and there's a part where Hal hangs out with the other lanterns and learns the potential of his new powers. It recalls when Johnny Utah starts hanging out with Bodhi and his new surfer friends in Point Break, so Bigelow seems like a natural fit.

Speaking of Ryan Reynolds, should I take a chance with the 2011 movie? I've read and heard much more bad than good things about it.
I would love to get into reading comics again. I'll write this one down for when I find the time!

You know, I want to say hell ****ing no, but for some reason I get a weird urge to rewatch it even though there is pretty much nothing redeeming about it that I can recollect.



John Waters handling part of the DC universe would not only make me interested in a superhero movie for possibly the first time ever, but would actually potentially rescue Waters from the middle of the road dreck he's been putting out since Hairspray.


Unless, we can also involve a time machine in this production, and I can specifically use 1970's John Waters, in which case we would likely have an outright masterpiece on our hands.



Werner Herzog with Fast and Furious.

Really just Werner Herzog with anything he didn't actually make.
If he does this, he has to narrate.

"The wheels of the cars spin continuously, reminding us that the Earth and indeed our entire galaxy is spinning through the universe in an endless, chaotic cycle, thus rendering the outcome of this and every future street race between these night time warriors utterly meaningless."



I was gonna write a mock paragraph like that, if only to force everyone to read it in their heads in Herzog's voice (which I can definitely "hear" in my head saying anything at this point), but I was kinda busy and cheaped out on the effort. Thanks.



"How tall is King Kong ?"
I know it's not a franchise (could have been though), but Quentin Tarantino's "My Dinner With André" would have had a different ending.

Actually a different second half.
__________________
Get working on your custom lists, people !



"Even today the automobile brings to mind the push into the heartless and untamed west, and all the atrocities that resulted. The exchange of land for one's own soul. The American automobile symbolizes conquest. Conquest over the earth, over nature, but ultimately, the most definitive conquest is of the self."




I know it's not a franchise (could have been though), but Quentin Tarantino's "My Dinner With André" would have had a different ending.

Actually a different second half.
Two guns drawn under the table the entire time during an argument about the social complexities of determining who pays for the meal.



I was gonna write a mock paragraph like that, if only to force everyone to read it in their heads in Herzog's voice (which I can definitely "hear" in my head saying anything at this point), but I was kinda busy and cheaped out on the effort. Thanks.
No problem. I can't pass up an opportunity to Herzog narrate.
Someone please attempt one for Transformers because I haven't seen any of the movies.