You decide you want some recommendations, I got you. I’m just a sucker for anything with complex choreography: dance numbers, fight scenes, shootouts, car chases, slapstick gags. Love em
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Makes sense; after all. what is a fight scene but a more violent counterpart to a song & dance number, right?
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The Devil Below AKA Shookum Hills (Brad Parker, 2021) 5/10
En el séptimo día (Jim McKay, 2017) 6/10
Scissors (Frank De Felitta, 1991) 5/10
Crisis (Nicholas Jarecki, 2021) 6/10

Three stories about the opioid crisis rendered as a thriller (here Canadian Fed Armie Hammer takes on smugglers).
The Moment of Truth (Francesco Rosi, 1965) 6/10
A Star Is Born (Frank Pierson, 1976) - 6.5/10
The Wiz (Sidney Lumet, 1978) 6/10
The Music Lovers (Ken Russell, 1971) 6/10

The 1812 Overture by Tchaikovsky (Richard Chamberlain) is displayed uniquely and ends much better than his marriage to Antonina Miliukova (Glenda Jackson).
Coven (Pablo Agüero, 2020) 6/10
Come Back Charleston Blue (Mark Warren, 1972) 6/10
Manhatta (Paul Strand & Charles Sheeler, 1921) 6/10
Black Girl (Ossie Davis, 1972) 6.5/10

A black family is torn apart by prejudice and family grudges.
Yes Day (Miguel Arteta, 2021) 6/10
Concrete Plans (Will Jewell, 2020) 5/10
Stealing School (Li Dong, 2019) 6/10
Ludwig (Luchino Visconti, 1973) 6/10 238 min
Walking with his cousin, Empress Elisabeth of Austria (Romy Schneider), Ludwig II of Bavaria (Helmut Berger) ruminates on his life.
When We Last Spoke (Joanne Hock, 2019) 6/10
Buoyancy (Roel Leijten, 2020) 5/10
Cherry (Anthony & Joe Russo, 2021) 6/10
My Psychedelic Love Story (Errol Morris, 2020) 6.5/10

Equal parts history and self-advertising BS about Timothy Leary and Joanna Harcourt-Smith is always fascinating.
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It's what you learn after you know it all that counts. - John Wooden
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Night on the Galactic Railroad (Gisaburo Sugii, 1985)
While its rather plain in a lot of ways, something about it just hit right. Plotwise its incredibly straightforward and not even all that interesting really but there's just this really comfortable, melancholic vibe to it and the language (a translation of course) has so much feeling. It's not even really that visually astounding, technically or in terms of imagery, but it still has some moments of real majesty and some of the music is god-tier. Even though the end is extremely obvious from as soon as plot actually starts, it still made me tear up (anime seems to hit me that way more often that anything else). My brain says I'm overrating it but my gut won't let me give it less than a .
While its rather plain in a lot of ways, something about it just hit right. Plotwise its incredibly straightforward and not even all that interesting really but there's just this really comfortable, melancholic vibe to it and the language (a translation of course) has so much feeling. It's not even really that visually astounding, technically or in terms of imagery, but it still has some moments of real majesty and some of the music is god-tier. Even though the end is extremely obvious from as soon as plot actually starts, it still made me tear up (anime seems to hit me that way more often that anything else). My brain says I'm overrating it but my gut won't let me give it less than a .
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American History X
Wow... I don't think a film like this could get made today. It raises too many hard questions and doesn't leave with things tied up in nice little bows. I thoroughly enjoyed my experience with it... but I do agree with Roger Ebert (to some degree) that there's too much emphasis within the side of the neo-Nazi's... I, unlike Roger Ebert, do think they tackle skinhead-rhetoric with taking action against such rhetoric... but it's a bit cut short in my opinion, and I which they'd flesh it out a bit more because I feel the ending comes a bit too soon, (even though it's a two hour movie)... I'd recommend it, but with caution.
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Imagine an eye unruled by man-made laws of perspective, an eye unprejudiced by compositional logic, an eye which does not respond to the name of everything but which must know each object encountered in life through an adventure of perception. How many colors are there in a field of grass to the crawling baby unaware of 'Green'?
-Stan Brakhage
Imagine an eye unruled by man-made laws of perspective, an eye unprejudiced by compositional logic, an eye which does not respond to the name of everything but which must know each object encountered in life through an adventure of perception. How many colors are there in a field of grass to the crawling baby unaware of 'Green'?
-Stan Brakhage
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Stay away from this, avoid at all costs. Tries to be funny, but fails. Tries to be scary, to no avail. Badly acted, badly scripted, a wast of time.
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(MILLS, 2008)
You don't remember me? We spoke on the phone two days ago. I told you I would find you.
(MILLS, 2008)
The Cooler (2003)

Definitely my least favorite so far. This didn't appeal much to me as a casino enthusiast because of the gambling superstitions being the focal point of the movie, and I don't think it would appeal much to others because it seems too ordinary. The romance between William H Macy and Maria Bello was never believable, and I thought the tone of the movie never really changed throughout.

Definitely my least favorite so far. This didn't appeal much to me as a casino enthusiast because of the gambling superstitions being the focal point of the movie, and I don't think it would appeal much to others because it seems too ordinary. The romance between William H Macy and Maria Bello was never believable, and I thought the tone of the movie never really changed throughout.
Never heard of it before but I now view it as a must see.
Well....that's about to change after today....
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Not really crazy about musical numbers, soul, or blues, but I like car chases and absurd deadpan comedy in the Airplane vein, so that might be enough.

Stay away from this, avoid at all costs. Tries to be funny, but fails. Tries to be scary, to no avail. Badly acted, badly scripted, a wast of time.
Specifically, we thought the script was super-tight, really very good, and that the acting was top-notch for a starless film, across the board.
Sorry to hear you didn't have a good experience with it.
The Lighthouse (2019)
Not really sure what to make of this. I can completely understand why some people think this is brilliant and others hate it. I'm on the fence.
Not really sure what to make of this. I can completely understand why some people think this is brilliant and others hate it. I'm on the fence.
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Oh wow, me and all my friends thought it was VERY good, probably the best horror movie of the last year and one we will re-watch from time to time for sure.
Specifically, we thought the script was super-tight, really very good, and that the acting was top-notch for a starless film, across the board.
Sorry to hear you didn't have a good experience with it.
Specifically, we thought the script was super-tight, really very good, and that the acting was top-notch for a starless film, across the board.
Sorry to hear you didn't have a good experience with it.
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Chopping Mall
That up there was my reaction to this title when first hearing about it roughly 30+ years ago. This is a pretty bad movie but that doesn't stop it from being fun. A group of "teens" are caught in a shopping mall overnight with the mall's new robot security going haywire and killing everybody. One of the more enjoyable things about this is the number of recognizable faces that make an appearance, especially early on. Woronov, Miller, Aames, Bartel and a few others who you don't know but recognize. It's a who's who of 80's cheese. There's one solid head shot, some gratuitous nudity early on thanks to Barbara Crampton and some really awesome electrocution fx.
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It is good. It's Jim Cummings. He's a bright talent with very dry, sometimes cryptic comedy. It's not really a horror film, it's a drama about family, addiction and trying to be more human. so anybody who wanted a horror film will probably be disappointed.
It was definitely more horror than, say, Relic. Which we watched the same night. But is also ostensibly a horror movie.

Chopping Mall
That up there was my reaction to this title when first hearing about it roughly 30+ years ago. This is a pretty bad movie but that doesn't stop it from being fun. A group of "teens" are caught in a shopping mall overnight with the mall's new robot security going haywire and killing everybody. One of the more enjoyable things about this is the number of recognizable faces that make an appearance, especially early on. Woronov, Miller, Aames, Bartel and a few others who you don't know but recognize. It's a who's who of 80's cheese. There's one solid head shot, some gratuitous nudity early on thanks to Barbara Crampton and some really awesome electrocution fx.
Yet I did not have as positive an experience as you. I thought there were certain really obvious choices the script should have made to make the movie a lot more interesting than it ended up being. Maybe my ambitions were too high.

8th or 9th Rewatch...I don't know what it is about this movie, but I find this warm comedy drama of family dysfunction immensely re-watchable and whenever I'm channel surfing, I will stop and watch it. The terrific cast is the main selling point, including Vanessa Williams, Michael Beach, Mekhi Phifer, Nia Long, Vivica A Fox, and a pair of amazing performances by Irma P Hall as Big Mama and Brandon Hammond as Ahmad, the kid who takes it upon himself to keep his family intact.
Last edited by Gideon58; 03-16-21 at 06:53 PM.
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1st-Rewatch...Jake Gyllenhall's gut-wrenching performance still puts this movie over the top as the sports drama and the family tearjerker blend to startling effect.
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1st-Rewatch...Jake Gyllenhall's gut-wrenching performance still puts this movie over the top as the sports drama and the family tearjerker blend to startling effect.
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I’m here only on Mondays, Wednesdays & Fridays. That’s why I’m here now.
I’m here only on Mondays, Wednesdays & Fridays. That’s why I’m here now.