Catching up, since I did
Perfect Blue (which I always misname as
A Perfect Blue), and comically, skipped some that were on my ballot.
Glengarry Glen Ross - Never seen outside of the clip of ABC. I'm not opposed to it, just not a high priority (and actually, I found out a number of movies on this list I haven't seen, I actually blind bought off of iTunes during the last, probably 5 years (on sale. I'm not mad)). I think I said in reference to
A Few Good Men, it has its Sorkin-ness to it, which is both good and bad. I'd probably say the same about Mammet if I'd seen more of the movies he's written.
Mononoke Hime (or I always knew it as
Mononoke no Hime) - Is this the best Ghibli? No, that's probably
Grave of the Fireflies. Is it what I consider to be the best Miyazaki? No, I'd say that's probably
Kiki's Delivery Service. When looking over Miyazaki from that decade though, it was the one I felt was the best. It also had the benefit of being one, due to its release from Disney taking so long, that I got to see bootlegged, fansubbed, and projected onto a large screen, before it came out in the US. Was an early Miyazaki for me (I think I went and got Kiki's after that. For some reason couldn't get Totoro, I think. And, for some reason, I recall
Nausicaa had the reputation of having a bad Carl Macek butchering, which, for some perplexing reasons, I still haven't seen to this day). The, "no one's really a villain, in the sense you can see what's driving each of the sides and if you were on any given side, you could see yourself acting the same way." After submitting my ballot, I did get to see it on the big screen again and it held up great. A friend came with me and they commented afterwards how, they had seen it in the past, and it was always "just, okay," but seeing it up on the big screen made it come across as really impressive to them.
Mononoke no Hime was
#19 on my ballot
Edward Scissorhands - Burton from his streak when he was still really good. Was never in consideration for my ballot, but I've got a soft spot for this. And my tween to teenage crush on Winona Ryder.
Perfect Blue - I've already commented on this one. Liked it originally, but was disappointed. Came to appreciate it more in the years since when I watched more of Kon's films.
Carlito's Way - I think I only knew of this movie by its title, that it's pretty famous, have no idea what it's about, probably thought Al Pacino was in it, didn't know De Palma directed it, probably knew it was a crime movie. Somehow for the longest time I would mix this and
Bring me the Head of Alfredo Garcia up in my head based on the title, somehow. Then I saw
Alfredo Garcia. Teenage-me saw
Scarface on TV, didn't think it was very good, didn't see De Palma's name as a draw for the longest time. Much older adult me saw
Phantom of the Paradise on the big screen, saw the split screens, and the appeal got me. If
Scarface had any split screens, they obviously would have been lost on the old pan and scan days of TV, but I still have very little interest in re-visting that one. The late 70's De Palma through early 80's I saw as an adult does make him a draw for me now. Though, I'm not particularly big on a lot of the
popular 90's crime movies. So maybe one day on this one.
A Perfect World - I saw maybe five minutes of this on tv as a teen. I knew it was a crime movie, it looked interesting. Never actually watched it. Given I don't seem to particularly care for Eastwood's films, I don't know if this would be one I'd like.
Toy Story 2 - I saw this in theaters. I laughed
a lot. At the end, it made me question my own sense of humor in terms of, "does everything need to be reference humor though?" Haven't watched it since. It doesn't feel that consequential in my memory other than that.
JFK - You know how Citizen and Phoenix talked about initially thinking it could be true, then researching it and coming to realize it was all bunk?
When I watched it, I was mentally going, "this is all bunk. Without knowing further details, I can tell this is all bunk." Something about literal-minded teenage me didn't like this playing with history to peddle conspiracy theories. Though I was fine with the central thesis of the conspiracy theory at the heart of Alan Moore's graphic novel,
From Hell to have been debunked, I did not for Stone (maybe confusing mainstream recent history vs unknown Victorian English history gives more artistic license for the latter). Have not revisited it, I still have not forgiven it as an adult though and have not been particularly interested in Oliver Stone movies because of it.
Clueless - I laughed as an older teen. Havne't revisited it. I know a lot of women in my microgeneration seem to
love this movie and put it in their top 10. People 10 years younger than me seem to quote
Mean Girls a lot, but I don't recall if I've heard them reference
Clueless much. And I'm wondering that one out loud. If people below a certain age watch
Clueless as much as they do
Mean Girls. It seems like they should. Though
probably do and
Mean Girls is just more meme-able.
Barton Fink - What is my favorite Coen movie? I don't know. There's a whole top tier of them that I could cycle through and pick any given one at any given time and feel like I could choose one that would be my favorite. Which is to say I probably have multiple Coens on my ballot, and the placement is a little arbitrary. This one happened to be my highest. I think it leans into a specific verve of dark comedy more than the other two on my ballot, but only barely. So
Barton Fink managed to be my highest Coen Brothers movies spot
#3.
WARNING: spoilers below
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- Lost Highway - #80
- Barton Fink - #57
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- Dead Man - #85
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- Fallen Angels - #96
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- Mononoke no Hime - #65
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- Lost Highway - #80
- Barton Fink - #57
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- Dead Man - #85
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- Fallen Angels - #96
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- Mononoke no Hime - #65
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