Originally Posted by Strummer521
Vertigo I'm not sure I see what all the fuss is about with I couldn't couldn't with the characters and there wasn't any heavy suspense to draw me in as there is in most Hitchcock movies. Why is it considered one of his best?
The camera technique: Notice the vastly different camera and editing techniques used depending on who/what is on screen. For instance, with Maddy, we are treated to soft filters, floating camera movement, and many close-ups. With Midge, we get harsh lensing, medium and long shots, and hardly any camera movement, showing Scottie's disinterest in the character as opposed to his obsession with Maddy.
The Obsession: In the first half, Scottie becomes obsessed with a woman who is rumored to be possessed by a ghost, or a dead person, and in the second half, Scottie tries to remake his new girlfriend (who is really the girl who was masquerading as Maddy) into a copy of the dead Maddy. Looking at it from his perspective, it is quite sick...necrophelia to be exact. Sexual obsession with a dead person, which, for the times, was taboo subject matter.
The symbolism: There are books dedicated to Hitch's symbolism, and each book has a large section devoted to Vertigo. Color, culture, spiritual beliefs, and much more are prominant through symbolism in Vertigo.
The Players: Kim Novak plays her dual roll as Maddy/Judy with elegance and conviction. Icy, calculating Maddy, and foolish, gullible Judy are diametric opposites..until Scottie gets involved, that is. James Stewart is in top form here, rivaling his role in It's a Wonderful Life, IMO.
The Compositions: I feel some of Hitchcock's best compositions are in this film, and some of them are tricky. For instance the graveyard scene and the flower shop scene. Hitch uses misdirection and skew perception in these scenes to help ease the viewer into the dream-like fugue that seems to permeate the film. The audience manipulation in at an all time high here.
Enough said for now. Try this. Watch the film again, now that you knopw what happens in tit, and this time foucus on the way this thing is filmsed.edited and designed, and also on the characters, and you will begin to see the magnificent construction of the film and characters. This film almost requires additional viewings, IMO.
Meanwhile:
Mean Streets (Scorsese, 1973) - This time around, I set out to focus strictly on the camera movements, as I am soon attempting a short film and was looking for ideas. I figured this early Scorsese piece would be a great film to use for inspiration. I wasn't wrong. Great film, as usual...
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“It takes considerable knowledge just to realize the extent of your own ignorance.” ― Thomas Sowell
Last edited by Sedai; 07-31-05 at 01:19 PM.