To be fair the writer always insisted it was never a 'who dunnit' and all the answers are there early on
I agree. But at the same time, I think showrunners need to stop using characterization as an escape hatch. Too often we're seeing them use the mysteries to draw us in and then not really pay them off because they think emotional/character-based resolutions are more important. It's a little willfully naive to pretend that people don't get sucked in by the mysteries themselves, and the really great shows don't have to choose one or the other, anyway.
That's more of a meta commentary on television in general, though. True Detective setup a mystery it wasn't terribly interested in, and that's not great, but at least it made the characters the primary focus throughout.
That's more of a meta commentary on television in general, though. True Detective setup a mystery it wasn't terribly interested in, and that's not great, but at least it made the characters the primary focus throughout.