Ryűsuke Hamaguchi is the only first-time nominee in this category. He is also up for Adapted Screenplay and
Drive My Car is a Best Picture nominee as well as the favorite for Best International Feature. While the Academy seemingly hadn’t noticed him before this year, his
Wheel of Fortune and Fantasy did well at the Berlin Film Festival (winning the Silver Lion) and
Asako I & II had Cannes attention in 2018 before
Drive My Car won Best Screenplay there last year. Embarrassingly Hamaguchi is somehow only the third Japanese director ever nominated by The Academy of Motion Picture Arts & Sciences joining legends Akira Kurosawa for
RAN in the ‘80s and Hiroshi Teshigahara for
Woman in the Dunes in the ‘60s. Will he add to Bong Joon-Ho’s win two years ago as the only ever winner for directing a foreign language film? No. But it will certainly be a more interesting ballot if Palm d’Or nominees start consistently popping up here.
Paul Thomas Anderson now has three Best Director nominations:
There Will Be Blood, Phantom Thread, and
Licorice Pizza. He hasn’t won yet, and I don’t suspect that will change this year. His semi-autobiographical tale of a disarmingly confident and entrepreneurial teenager falling in love as he navigates through 1970s Los Angeles and the edges of Hollywood has his trademark flourishes all over it. PTA mega fans are very happy, I am sure. But if and when he wins his Oscar it will probably be for something more like
There Will Be Blood than for
Licorice Pizza. His peers and the actors clearly think he is a talented guy, and he is also nominated for Original Screenplay, but he won't assume the mantle of Oscar-winning director this year.
Belfast mark’s
Kenneth Branagh second Director nomination. His first was for his feature debut,
Henry V, the year Oliver Stone won for
Born on the Fourth of July and
Driving Miss Daisy won Best Picture. Branagh is also up for Best Original Screenplay and, as the producer of the film, Best Picture. I like Branagh’s autobiographical film a lot, and it certainly shares similarities with Alfonso Cuarón’s
Roma (which he won for in this category) and John Boorman’s
Hope & Glory (he was nominated the year Bertolucci won for
The Last Emperor). If there is going to be an upset come Oscar night I think Ken would be the fella to do it.
Steven Spielberg certainly needs no introduction. He may be the most famous director since Hitchcock and, in this media age, arguably even more famous.
West Side Story is Seńor Lens Flare's eighth nomination in this category and he becomes the first person to have directing nods over six different decades, starting in the 1970s. They are
West Side Story in the 2020s,
Lincoln in the 2010s,
Munich in the 2000s,
Saving Private Ryan and
Schindler’s List (his only two wins, to date) in the 1990s,
E.T. and
Raiders of the Lost Ark in the 1980s, and
Close Encounters of the Third Kind in the 1970s. Those eight nominations tie Spielberg with Billy frickin' Wilder! Only Scorsese with nine (so far) and William Wyler with a dozen have more noms. If Spielberg gets his third win it puts him with Capra and Wilder. John Ford is the only director who had more - Pappy had four wins. Of course the original
West Side Story did win Best Director for Robert Wise & Jerome Robbins (along with the Coen Brothers for
No Country for Old Men, those are the only two directing duos to have won).
This is
Jane Campion’s second nomination, the other coming for
The Piano the year Spielberg and
Schindler’s List won. Campion is the first woman to be nominated twice. Only six other women total have ever been nominated: Lina Wertmuller (
Seven Beauties), Sofia Coppola (
Lost in Translation), Kathryn Bigelow (
The Hurt Locker), Greta Gerwig (
Lady Bird), Chloé Zhao (
Nomadland) and Emerlad
Fennell (
Promising Young Woman). Only Bigelow and Zhao have won. The cruel, psycho-sexual, emotionally abusive dynamics of
The Power of the Dog seemingly have her poised to be the third. If Campion does win she will also join countryman Peter Jackson (
LOTR: The Return of the King) as the only New Zealander winners in this category. Can Taika Waititi’s day be far behind?