Vampire Circus -
This is a very entertaining movie from Hammer that's bound to please Gothic horror and vampire story lover alike. In the 19th century, a small Serbian town's residents are fed up with the less than neighborly Count Mitterhaus spiriting away their children, so they band together, dispatch him and destroy his mansion. Many years later, the town is quarantined due to a plague, so everyone is desperate for entertainment. A traveling circus arrives at just the right time, and as the title indicates, they may have other intentions.
While you may be as tired of the phrase "takes it to the next level" as I am and equally unsure what it actually means, in relation to the average Hammer movie, it applies here. The blood, guts and well, other mature content is more shocking than I've come to expect from the studio and even from today's average horror movie, yet it surprisingly manages to do it tastefully despite animals and the young being involved. With nearly all of the townsfolk, vampires and circus performers having speaking parts, the movie also deviates from the studio's typical economy of characters, but I never felt like it was convoluted, nor did I forget who is who. Even though this means there's limited time to flesh out Anton - the would-be protagonist - every victory for him, his family or the town was still a relief while every setback was a punch to the gut. Oh, and best of all, if you also keep revisiting the Hammer catalog for its capacity to surprise, I'll just say you won't be let down.
Again, the blood and guts are on another level, but I wouldn't say the same for the average special effect. There are some that might have made 1972 audiences laugh unintentionally, in other words. Other than that, I wouldn't say it's my very favorite Hammer movie, but it's up there, particularly for how atypically bold and daring it comes across. It also demonstrates that they didn't need to rely on an icon like Dracula or Frankenstein to make great horror.