+1
Iroquois, while what constitutes a Best Picture is inherently a subjective determination, I think quite a few Best Picture Oscar winners historically, in the not too distant past, are closer to that than you might think. Historically, Best Pictures used to be pretty widely liked and widely seen. If you think about movies that won like "A Beautiful Mind," "Return of the King," "Braveheart," "Million Dollar Baby," "Unforgiven," "Dances with Wolves," etc. these were movies that even if everyone might not agree they were artistic masterpieces of the highest order, most people would agree that they were entertaining, that they were good films, and that they reflected aspects of the human condition that resonated with a broad, representative cross section of the American people.
The Academy has increasingly been moving further away from that as they cleave to films that are more insular, that center more around spotlighting marginalized groups than they do universal themes, and that serve more as messages that the Academy wishes to promote. They often seem to be more about representation or the promotion the Academy's own values, politically, socially, culturally etc, even when that results in the promotion of movies that don't necessarily serve as an exalting of what most people outside of elite critics and the Academy membership might broadly consider to be the Best Picture of the year.