You got me interested. But it better not be some junk filled ridiculousness like Halloween or Nightmare on Elm Street. It better be good!
Sexy Cineplexy: Reviews
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I can confirm that it's not like Halloween or NOES. It's more of a psychological thriller/murder mystery than a straight-up slasher, which definitely gives it an edge.
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Iro's Top 100 Movies v3.0
I really just want you all angry and confused the whole time.
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Dang, it was pretty good. I give it .
When I read up on Slender Man and found out there was a movie, it was such a crap movie I stopped watching after like 20 minutes. Candyman was pretty much everything I wanted from that whole realm of urban folklore and the boogieman.
I liked the 90's vibes too, and loved the lead. Some of the acting was pretty meh, and the camera work left much to be desired. But the story was superb, and I loved the villainous voice-over and surreal supernatural elements. And the blood... the beautiful blood... What is blood if not to be shed?
When I read up on Slender Man and found out there was a movie, it was such a crap movie I stopped watching after like 20 minutes. Candyman was pretty much everything I wanted from that whole realm of urban folklore and the boogieman.
I liked the 90's vibes too, and loved the lead. Some of the acting was pretty meh, and the camera work left much to be desired. But the story was superb, and I loved the villainous voice-over and surreal supernatural elements. And the blood... the beautiful blood... What is blood if not to be shed?
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CONTACT
Directed by Robert Zemeckis
Released in 1997
Starring Jodie Foster as Dr. Eleanor Arroway, Matthew McConaughey as Palmer Joss, William Fichtner as Kent, Tom Skerritt as David Drumlin, David Morse as Ted Arroway, Angela Bassett as Rachel Constantine, John Hurt as S.R. Hadden, James Woods as Michael Kitz, Jena Malone as Young Ellie and Geoffrey Blake as Fisher
I hear there's going to be a Top 100 Sci-Fi Movies Countdown next year, so here's a movie I'd like you all to take into consideration.
The film is Contact and it's an old Jodie Foster and early Matthew McConaughey vehicle from the 1990's that is based on a book by the wildly popular astrophysicist/astronomer guy, Carl Sagan. A work of science fiction that he did. It is a movie that I have seen many times, the first time being at the movies in 1997 when it was released theatrically. Every time I watch it, I think it's terrific.
Well, of course it is. Robert Zemeckis of Back to the Future and Forrest Gump fame directed it. Oh, and Who Framed Roger Rabbit. And Cast Away, with Tom Hanks and the beach ball.
This is the story of Ellie Arroway, a brilliant astronomer who isn't taken seriously because she makes a living trying to listen to aliens in outer space through enormous satellite dishes. "E.T., phone home!" she cries out to the heavens, only to be brazenly ignored. She also seems to drink way too much beer, in my opinion, I noted. You don't always need a beer with your lunch, miss.
Her backstory is that she grew up in a house with a nerdy, but hunky father who introduced her to the cosmos and made her play around with a CB radio thing. Father suffered from some kind of medical condition, and because she didn't run ("Run, Ellie, Run!") and get the medicine in time after she hears him take a fall, he drops dead on her, and she was only 9 years old. Her mother had died years earlier (she never knew her), so she was basically an orphan.
Skip ahead back to the future. She meets Matthew McConaughey, who is a religious guy, a "man of the cloth without the cloth" mainly because he likes sex and couldn't join the priesthood, something like that. Jodie Foster, in a non-lesbian moment, has sex with him. He leaves her his phone number and, back to lesbianism, she doesn't call him -- and in fact, she moves away. She gets the Hell out of dodge. Mainly because her funding for searching for aliens gets taken away, so she has to go in search of new funding.
She finds it thanks to some creepy, glasses wearing John Hurt character named Mr. Hadden, a brilliant billionaire (millionaire?) eccentric who sort of becomes a pseudo father figure to Ellie. He believes in her and her mission to discover outer space aliens. Now what does all this sound like to you? It's The Silence of the Lambs, yet again. Hadden appears in only a few brief scenes, acts creepy, and helps Jodie Foster get what she wants out of life. He's the Hannibal Lecter of Contact. And we've already seen her as a little girl with no mother and a dying father. Miss Foster, I am seeing a pattern here with how you choose your screenplays to star in. Dead father, creepy paternal father figure substitute, avoids male characters that want to have sex with her = send this over to Jodie Foster, the producers say. An automatic "yes!"
But back to the movie -- so, she gets funding again. And this time... doot-doot-doot-doot-doot! That's right. The aliens call her and the message doesn't even go straight to the answering machine. She picks up... and suddenly, they're sending down blueprints to build a machine that will take Jodie Foster to deep space to visit them. Not only has she found aliens - she has found the Oprah Winfrey of aliens. They basically give her a car! She has to build it herself, but still, it's a car!
And then the next question is... what will Jodie Foster find once she gets to outer space? Will she even be the one to go, as Tom Skerritt is actually competing against her to get that free ride to light years away. Again with the man troubles. Matthew McConaughey enters the picture again... and so does another man from Ellie's past.
Contact. It's a brilliant movie. My review is a joke, but it's a great film. It's a story about the power of faith and the quest for truth. Don't miss it in your precious, valuable lifetime. Your only chance to see it, maybe.
Directed by Robert Zemeckis
Released in 1997
Starring Jodie Foster as Dr. Eleanor Arroway, Matthew McConaughey as Palmer Joss, William Fichtner as Kent, Tom Skerritt as David Drumlin, David Morse as Ted Arroway, Angela Bassett as Rachel Constantine, John Hurt as S.R. Hadden, James Woods as Michael Kitz, Jena Malone as Young Ellie and Geoffrey Blake as Fisher
I hear there's going to be a Top 100 Sci-Fi Movies Countdown next year, so here's a movie I'd like you all to take into consideration.
The film is Contact and it's an old Jodie Foster and early Matthew McConaughey vehicle from the 1990's that is based on a book by the wildly popular astrophysicist/astronomer guy, Carl Sagan. A work of science fiction that he did. It is a movie that I have seen many times, the first time being at the movies in 1997 when it was released theatrically. Every time I watch it, I think it's terrific.
Well, of course it is. Robert Zemeckis of Back to the Future and Forrest Gump fame directed it. Oh, and Who Framed Roger Rabbit. And Cast Away, with Tom Hanks and the beach ball.
This is the story of Ellie Arroway, a brilliant astronomer who isn't taken seriously because she makes a living trying to listen to aliens in outer space through enormous satellite dishes. "E.T., phone home!" she cries out to the heavens, only to be brazenly ignored. She also seems to drink way too much beer, in my opinion, I noted. You don't always need a beer with your lunch, miss.
Her backstory is that she grew up in a house with a nerdy, but hunky father who introduced her to the cosmos and made her play around with a CB radio thing. Father suffered from some kind of medical condition, and because she didn't run ("Run, Ellie, Run!") and get the medicine in time after she hears him take a fall, he drops dead on her, and she was only 9 years old. Her mother had died years earlier (she never knew her), so she was basically an orphan.
Skip ahead back to the future. She meets Matthew McConaughey, who is a religious guy, a "man of the cloth without the cloth" mainly because he likes sex and couldn't join the priesthood, something like that. Jodie Foster, in a non-lesbian moment, has sex with him. He leaves her his phone number and, back to lesbianism, she doesn't call him -- and in fact, she moves away. She gets the Hell out of dodge. Mainly because her funding for searching for aliens gets taken away, so she has to go in search of new funding.
She finds it thanks to some creepy, glasses wearing John Hurt character named Mr. Hadden, a brilliant billionaire (millionaire?) eccentric who sort of becomes a pseudo father figure to Ellie. He believes in her and her mission to discover outer space aliens. Now what does all this sound like to you? It's The Silence of the Lambs, yet again. Hadden appears in only a few brief scenes, acts creepy, and helps Jodie Foster get what she wants out of life. He's the Hannibal Lecter of Contact. And we've already seen her as a little girl with no mother and a dying father. Miss Foster, I am seeing a pattern here with how you choose your screenplays to star in. Dead father, creepy paternal father figure substitute, avoids male characters that want to have sex with her = send this over to Jodie Foster, the producers say. An automatic "yes!"
But back to the movie -- so, she gets funding again. And this time... doot-doot-doot-doot-doot! That's right. The aliens call her and the message doesn't even go straight to the answering machine. She picks up... and suddenly, they're sending down blueprints to build a machine that will take Jodie Foster to deep space to visit them. Not only has she found aliens - she has found the Oprah Winfrey of aliens. They basically give her a car! She has to build it herself, but still, it's a car!
And then the next question is... what will Jodie Foster find once she gets to outer space? Will she even be the one to go, as Tom Skerritt is actually competing against her to get that free ride to light years away. Again with the man troubles. Matthew McConaughey enters the picture again... and so does another man from Ellie's past.
Contact. It's a brilliant movie. My review is a joke, but it's a great film. It's a story about the power of faith and the quest for truth. Don't miss it in your precious, valuable lifetime. Your only chance to see it, maybe.
Last edited by Sexy Celebrity; 05-14-17 at 04:46 AM.
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I have not seen this since my VCR expired, but I do recollect it as one of the few films on the ET contact theme that actually had a little intelligence behind it. Having it based on a book by Carl Sagan meant that it was somewhat pedestrian as a film script, but that it also had a reasonably high level of believability and fortunately no monsters stomping on cities. I need to check back to see if I can stream this somewhere.
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I haven't seen Candyman in years, but i do remember enjoyng it.
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LATEST REVIEW Zack Snyder’s Justice League // Godzilla vs Kong
My Top 50 Favourites
"Banshee is the greatest thing ever. "
LATEST REVIEW Zack Snyder’s Justice League // Godzilla vs Kong
My Top 50 Favourites
"Banshee is the greatest thing ever. "
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i can't read any of that. Do you have typing tourette's syndrome? What with the font. Makes my eyes bleed.
i can't read any of that. Do you have typing tourette's syndrome? What with the font. Makes my eyes bleed.
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How the hell have you posted over 1000 times in 14 days .
FRIDAY THE 13TH:
THE FINAL CHAPTER
THE FINAL CHAPTER
"What the S.H.I.T?"
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THE WAY
(directed by Emilio Estevez, 2010)
(directed by Emilio Estevez, 2010)
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Ghost World
(directed by Terry Zwigoff, 2001)
(directed by Terry Zwigoff, 2001)
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The Money Pit
(directed by Richard Benjamin, 1986)
Final word: Don't fall into The Money Pit. Yawnfestation.
(directed by Richard Benjamin, 1986)
Final word: Don't fall into The Money Pit. Yawnfestation.
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REPO MAN
(directed by Alex Cox, 1984)
(directed by Alex Cox, 1984)
It was things like that all over the movie that made me like it so much. It was an absurd movie.
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I liked the film a lot more than you did but you did a good review that I also agree with. The scene where everyone is chasing them and they are running .
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