Films You Hate, But Everyone Else Loves

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I can't stand Harry Potter.

My mate tried to make me sit and watch the first one.
About 20 minutes in I said "Pub?"...


... and we went to the pub instead.


Tried to watch the other HP movies but they're simply ripped-off tat and boring as hell.



Good whiskey make jackrabbit slap de bear.
Juno
The Shining
Bram Stoker's Dracula
Mad Max
Broadcast News
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"George, this is a little too much for me. Escaped convicts, fugitive sex... I've got a cockfight to focus on."




**** that movie, I hate it so much!
lol!



Requiem for a dream
Donnie Darko
Transformers
Blade
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When a naked man is chasing a woman through an alley with a butcher's knife and a hard-on, I figure he isn't out collecting for the Red Cross!



bicycle thieves, hasn't aged well



Black Swan, definitely. I heard so many great reviews and I was really expecting a great movie, but I didn't like it much at all.



Inception. Hated it!



Harry Potter
Lord Of The Rings
Sin City

Thats all I can think of just now. But everyone seems to have gone crazy over these, and i just dont see it.
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"Why pay a dollar for a bookmark? Why not use the dollar for a bookmark?"
Steven Spielberg




I don't remember asking you a ******* thing!
Braveheart
Kick-Ass
Napoleon Dynamite
Transformers (I know I'm not alone here though)
Wall-E (don't hate it, just not a strong Pixar film to me)
Cars (see above)
The Curious Case of Benjamin Button
Titanic
Juno
Superbad
Twilight films



What was it about the film that made you hate it?
He/she is trolling. Ignore them.



In this case, this is a film that I enjoy that most I've talked to don't like; Real Genius.
The Kent character is a real douche and quite funny when being mocked.



28 Days Later - Wait a minute is this Umberto Lenzi's Nightmare City meets Day of the Triffids (and every other dystopian film/book) shot on digital? They want to 'breed the women'? Huh wha-sorry fell asleep.

Slither - I'll stick with Night of the Creeps which is way funnier and has cooler special effects despite being made over fifteen years earlier. This one didn't Thrill me despite the always great Michael 'Henry: Portrait of a Serial Killer' Rooker in a decent supporting role.

Monsters - loads of long pause pseudo art house filler crap, and not much else. I'm all for low budget independent creature features, but talk about removing the fun from a great premise and giving us a dreary low key chick flick instead. The cheap bastards.

Inception - There's loads of different stages of a dream and Nolan's been let loose in a proverbial sweet shop of sub-Matrix self indulgence. If you don't know what the hell's going on you're dumb. If you think you do then you're probably lying to yourself and your friends.

Requiem For A Dream - Look at me I'm into drugs and hence cooler than thou chic. Everyone's really messed up and we want you to be depressed too. No thanks.

Crash (2004) - It's not profound and moving it's contrived hogwash dressed up as a message movie. I mean come on, what are the odds? I'd rather watch Cronenberg's Crash on endless repeat whilst speeding down a 100 mile dragstrip into a wall.



In the Beginning...
Monsters - loads of long pause pseudo art house filler crap, and not much else. I'm all for low budget independent creature features, but talk about removing the fun from a great premise and giving us a dreary low key chick flick instead. The cheap bastards.
You know, even though I really like the other films you mentioned (except for Requiem for a Dream), I can understand the points you made about them and I recognize that they're not perfect, nor are they for everyone.

But with Monsters, I feel like this was a misconception that most people had with the film. People expected monsters, not an Indie love story. That's largely the fault of the studio, which marketed it as a big-budget creature feature, a la Cloverfield, but that was never Gareth Edwards' intention... nor should it have been.

I rather like that it does what it does on such a meager budget (which was the intent) and uses the monster backdrop to tell a different kind of story: one that's written and acted beautifully. It proves that a great film doesn't need an orgy of money and explosions... that it's really all about the characters because that's where we connect. You just have to be in that mindset, I think, and really like this kind of Indie filmmaking.