As far as just the technical achievement and how "wowed" I was by the artistry and incredible 3D, on those merits alone I'd vote for
Coraline. I'm glad at least that they got a nomination, but there's no way they'll win it this year. As far as technical prowess combined with storytelling and just in terms of how much pure joy I got out of every bit of it, I'd vote for
The Fantastic Mr. Fox.
I haven't seen
The Princess and the Frog, but it's good to know that Disney hasn't completely given up on their animation department apart from PIXAR. I haven't seen
The Secret of Kells, but sight unseen I'm certainly much happier it got a slot on the ballot than say the usual mainstream kiddie fare that might have clogged it up like
Cloudy with a Chance of Meatballs, Ice Age: Dawn of the Dinosaurs, Monsters vs. Aliens, Astro Boy or
Planet 51. Given Miyazaki's undisputed claim as a master of the craft (and previous winner in the category) I'm more than a little surprised
Ponyo didn't make the cut, and I would have thought Zemeckis and his
A Christmas Carol might figure in the final ballot. One that I loved but knew had zero chance was
$9.99, based on some Etgar Keret short stories. The Tim Burton produced
9 was certainly visually impressive, though a pretty weak story. And it was just too packed a year for Adam Elliot's
Mary & Max to have a realistic chance, even with
Harvie Krumpet having netted the Oscar for Animated Short back in 2004.
But yes,
of course PIXAR's
Up will win easily. I mean it's the one animated film nominated in the regular Best Picture pool (expanded as it is) and only the second ever to have that distinction, so it's like The Academy has already told you which one they're voting for. Hey, I like
Up, its wonderful and all, but as for which animated movie from 2009 I know Ill be watching the most over and over again in the coming years, its definitely Wes Andersons
The Fantastic Mr. Fox.
Overall it was a very strong year for animation, and I'm especially heartened to see that stop-motion is enjoying a bit of a new renaissance with
Fantastic Mr. Fox, Coraline, Mary & Max and
$9.99 all hitting the screens this year, plus Nick Park's stuff,
A Town Called Panic from Belgium, and in recent years
The Corpse Bride and
Max & Co. It's an artform I really love and I'm tickled that in the HD digital world there's still room for it in the marketplace.