Been busy. So, catching up on revealed titles from my list.
La La Land was all the way up at number two. It’s tone, visuals, attitudes, and the two central performances enchant the Hell outta me. It is my most favorite movie of the past dozen or so years. I saw it seven times, theatrically, during its initial months in the cinema. The music, the cinematography (by Oscar-winner Linus Sandgren), and the general vibe make me laugh, smile, and cry over and over again. And in an era where Romantic Comedies have largely fallen by the wayside, it is also one of my favorite RomComs in many a moon. I am beyond giving two stinky dumps who doesn’t like it. I lurve
La La Land to pieces and suspect I always will.
La La Land is surely one of the best looking Musicals ever made, and
THE best may well be Demy’s
The Umbrellas of Cherbourg! Jean Rabier was somehow unnominated for his cinematography, but the splashy Technicolor world he, Demy, production designer Bernard Evein (
The 400 Blows, Cléo from 5 to 7), and costume designer Jacqueline Moreau (
The Young Girls of Rochefort, ‘Round Midnight) bring to life is a visual tour de force. Catherine Deneuve is one of the all-time screen beauties, and this may actually be her at her most impossibly and stunningly perfect. Generally, I am definitely
not a fan of recitative, non-rhyming, operetta dialogue, but with
Cherbourg's myriad of other strengths it doesn’t bother me in the slightest. That the story itself is a rather unromantic tale of two lovers who do not connect for very long, that real-word edginess juxtaposed as the filling in these bright and beautiful movie macarons brings it all together for me. I had it at number eight on my ballot.

While the 1950s may be the golden era of the Hollywood Musical, it was the 1960s that saw them transform into gigantic prestige productions that won Best Picture Oscars. Nine Musicals in the 1960s were nominated for Best Picture.
Funny Girl (#77),
The Music Man (#29), and
Oliver! (#44) have already shown on the countdown. Four of the eight won, the last being
Oliver!. All four will make it, as will one other non-winner that is practically perfect in every way. Of course the other Best Picture winner was…
My Fair Lady. I had it at the bottom of my ballot, only two points from me as my number twenty-four. But no more was needed from me to propel it into the Top Ten. The
Pygmalion story is so strong, making Lerner & Lowe’s wonderful wordplay and melodies the perfect compliment. Yes, I am well aware like everyone that the loverly Audrey Hepburn was not allowed to do her own singing, but her Eliza Doolittle is delightful all the same. Couldn’t leave it off my ballot.
That makes seventeen of my choices, and I only have one more coming in the collective Top Ten.
HOLDEN’S BALLOT
2.
La La Land (#13)
3.
Pennies from Heaven (#56)
4.
Dancer in the Dark (#20)
5.
A Hard Day’s Night (#23)
6.
The Blues Brothers (#19)
7.
That Thing You Do! (#31)
8.
The Umbrellas of Cherbourg (#11)
11.
This is Spın̈al Tap (#55)
13.
A Star is Born (#43)
14.
Hair (#47)
15.
Sing Street (#40)
17.
Amadeus (#97)
18.
Once (#25)
21.
Gentlemen Prefer Blondes (#69)
22.
Little Shop of Horrors (#18)
24.
My Fair Lady (#10)
25.
Walk Hard: The Dewey Cox Story (#74)