Why are modern movies still good but modern pop music not?

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obviously you hate modern pop music and there's nothing we can say to change that, but i don't see why you care so much. people are going to like what they like, and taylor swift, lady gaga, carly rae jepsen etc. make well-written and well-produced songs that resonate with people and are catchy. just because they don't have guitar solos doesn't mean it isn't quality music, and at some point not being a competent instrumentalist shouldn't be enough to disqualify you from being talented. there's so much easily-accessible and often innovative stuff out there being released all the time that can suit any taste, so there's really no reason to get worked up about the state of modern pop music, unless of course you just want to feel superior to the mentally-inferior masses, and believe me, two years ago i felt that exact same way.
I don't hate the entirety of modern pop music, just the trend I see it going in (Cee Lo Green, and J Cole are a couple fairly recent pop artists that I like for example).

I mean, hypothetically what if the film industry did away with actors entirely and made films only in CGI - would you be okay with that?

Basically I see the modern music industry going too capitalist - even Award shows like the Grammys seem to care more about how much the artist sells more than anything thing else (how else would "Crank That" by Souljia Boy have been a Grammy nominee - especially when you compare that to rappers like Tupac or Biggie).



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Are you referring to the bit where it's all "I wish I wish I wish a bitch wouuuuuuuuuuuld"? Besides, she's hardly the first person to do entire choruses consisting of song titles. Also, please try to provide criticism that doesn't resort to
transphobia.
Uh oh, the PC Police are coming for me.

Plus you're not saying she actually is a tranny are you? I was joking at how little sense the lyrics made and basically implied herself that she's a tranny. It'd be the equivalent of a male rapper saying "eat my p$ssy". Even a figure of speech is supposed to make a little bit of sense.

You asked.

That's suprisingly decent. Guess which one has about 10X the views of the other though.

Plus if I wasn't fortunate for you to share that with me, there would've been no way in hell I'd have bought the album based off of "Stupid Hoe" or "Anaconda" alone.

So a legitimate point is still being made, since I'd bet the majority of people who've downloaded "Stupid Hoe" on Itunes have never bothered to listen to her full length album. Back in the day before digital downloads you had to buy the entire album; nowadays this isn't the case, so this could play an interesting role on the industry's future.



Registered User
Just curious, is there any link between modern movies and modern pop music here? Or is this just an argument about music?
I was just comparing the two industries and theorizing why in my humble opinion, the music industry is becoming more medicore while the film and TV industry are still remaining decent - hell maybe even becoming more innovative in a lot of ways with shows like Mad Men, the Sopranos, etc



I don't hate the entirety of modern pop music, just the trend I see it going in (Cee Lo Green, and J Cole are a couple fairly recent pop artists that I like for example).

I mean, hypothetically what if the film industry did away with actors entirely and made films only in CGI - would you be okay with that?

Basically I see the modern music industry going too capitalist - even Award shows like the Grammys seem to care more about how much the artist sells more than anything thing else (how else would "Crank That" by Souljia Boy have been a Grammy nominee - especially when you compare that to rappers like Tupac or Biggie).
the music industry has always been like this though. journey didn't become popular because they're such talented musicians or whatever, it was because they wrote catchy songs that people could sing along to. same thing with dozens of popular artists from the past. just look at what some of the most popular songs of the 80s were that played on the radio and tell me they had "depth." then of course there was disco, which i've never cared for, but there's hardly any more artistry in that then there is in lady gaga. there was never a time when the music industry wasn't going to go with the thing that would sell the best. besides, with the internet you can get whatever you want so there is always going to be good stuff out there no matter how capitalist the music industry gets.

also, beck won album of the year at the grammys last year for a slow and contemplative and decidedly non-commercial album, and the grammys have never been relevant anyway and get less relevant every year.



Welcome to the human race...
I mean, hypothetically what if the film industry did away with actors entirely and made films only in CGI - would you be okay with that?
Even at the absolute lowest quality of both mediums, at the end of the day it'd still be easier to pick up a camera and aim it at real people rather than go through the effort needed to render an entire film in CGI.

Uh oh, the PC Police are coming for me.

Plus you're not saying she actually is a tranny are you? I was joking at how little sense the lyrics made and basically implied herself that she's a tranny. It'd be the equivalent of a male rapper saying "eat my p$ssy". Even a figure of speech is supposed to make a little bit of sense.
Whether she is or not is irrelevant. Granted, Minaj herself is at fault. A lot of her work features thematic content derived from her becoming a breakout female star in a male-dominated genre like rap (that's the whole point of "Anaconda", where she basically appropriates "Baby Got Back" in order to make a point about objectification, but with lines like that in "Stupid Hoe" she does kind of shoot herself in the foot.

That's suprisingly decent. Guess which one has about 10X the views of the other though.

Plus if I wasn't fortunate for you to share that with me, there would've been no way in hell I'd have bought the album based off of "Stupid Hoe" or "Anaconda" alone.

So a legitimate point is still being made, since I'd bet the majority of people who've downloaded "Stupid Hoe" on Itunes have never bothered to listen to her full length album. Back in the day before digital downloads you had to buy the entire album; nowadays this isn't the case, so this could play an interesting role on the industry's future.
Well, you did just ask me to find a song of a similar level of profundity and artistic merit. The question didn't say it had to be a hit, but I guess that's on the powers that be who decided not to make it a single.

I was just comparing the two industries and theorizing why in my humble opinion, the music industry is becoming more medicore while the film and TV industry are still remaining decent - hell maybe even becoming more innovative in a lot of ways with shows like Mad Men, the Sopranos, etc
It's fundamentally far too difficult to accurately compare both industries since TV is dedicated to playing a long game over the course of many episodes and seasons whereas music is much more ephemeral and omnipresent. Also, if we're talking about popular music in particular then it'd make more sense to compare it to shows that are also fundamentally lightweight and wide-aiming such as The Big Bang Theory or The X-Factor.
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Iro's Top 100 Movies v3.0



also, the movie equivalent of modern pop music would have to be the huge cgi blockbusters that you seem to have a problem with anyway. someone like paul thomas anderson or quentin tarantino or whoever your idea of a good modern director is (and i have no idea what your film taste is) would be the equivalent of arcade fire or radiohead, who aren't really top 40 artists.



Registered User


Obvious rip-off of South Park:




Take a look at how many Youtube hits the videos for your music are getting compared to "Gangnam Style" and "Anaconda"... and then see what I mean. lol

Yeah I'm aware that you probably listen to music which is better made than Nicki Minaj or Ke$sha - but apparently record labels are passing your favorite bands over in favor of dime-a-dozen acts like that.

I'd think that'd make you a little pissed and interested in how the music industry is changing instead of just wanting to argue against me.


My second post in the thread explained what I was talking about more clearly - I used examples of notable musicians like Slash and Gene Simmons who are venting similar sentiments.

So yeah personally I think the point was made. Just because someone somewhere is still listening to disco doesn't mean "Disco is dead" is a false statement. I made it clear I was talking about problems in the modern industry, not "all of music in existence".
I don't see what my music has to do with anything. And if your second post in the thread explained what you were talking about more clearly, it obviously wasn't clearly enough to avoid a stream of pointless arguments based on misunderstandings.



Registered User
I don't see what my music has to do with anything.
Record labels aren't investing as much time and energy in musicians who play instruments and are really "in it for the art"

http://www.blabbermouth.net/news/sla...s-dead-remark/



Record labels aren't investing as much time and energy in musicians who play instruments and are really "in it for the art"

http://www.blabbermouth.net/news/sla...s-dead-remark/
Okay, well you confused me by bringing my music into it. I thought you were trying to make some point about my music specifically, and I couldn't wrap my mind around why you'd want to do that.



i'm SUPER GOOD at Jewel karaoke
Acts like the Beatles, Stones, Jimi Hendrix, etc are better examples of raw talent and ambition, sure. But hey even Aerosmith could play instruments, and sing without the use of autotune.
i don't see why the ability to play instruments should be where the line is drawn on who has 'real' talent - what about Michael Jackson, Whitney Houston, Mariah Carey to name a few? these are all huge examples of huge talents who have had enormous influence on pop music. none of them play any instruments, but they were performers with huge sets and dance routines, much like Lady Gaga, Beyonce, Katy Perry, or Taylor Swift, really. and regardless of whether or not auto tunes was used in older music, i think basically everyone knows that studio albums are often smoothed over and edited when need be. which is why sometimes people complain about seeing a live performance vs. listening to the album at home. how is that really any different?

I'd bet the majority of people who've downloaded "Stupid Hoe" on Itunes have never bothered to listen to her full length album. Back in the day before digital downloads you had to buy the entire album; nowadays this isn't the case, so this could play an interesting role on the industry's future.
listening to a song you like on YouTube is kinda similar to when people used to mainly listen to all the popular songs that came on the radio - it was a jumping off point to hear the most popular songs that were being played over and over again. do you really think that if someone is a fan of Nicki Minaj and Anaconda, they really never will bother to check out her other music? that's just silly. kids today are just as into listening to music and exploring their favorite artists as they were back in the 60s or whatever. i don't see why technology would change that. i know that when i find a song i really like by someone, one of the first things i do is check out their other stuff. i don't think you're giving people enough credit here.
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letterboxd



I've not read all the thread, but I think what you are criticing is more society than music since you refer to pop as the music that tops the charts. Why do you think Lady Gaga, Nicki Minaj, One Direction, etc. tops the charts it's because people listen to them, the popular singers are the products of their environment of their society, they produce what they think will be liked by the fans. In the 60's people loved The Beatles, it was the time, it was what the Young people, the ''hip'' ones used to listen to. As for films, it is the same you are just more knowledgeable of it. The movies that are more mainstream, that make more money are total ****, if you search I'm sure you'll find some Fincher, Wong Kar Wai, Woody Allen or Christopher Nolan of music, but they aren't pop.
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I think technology took a lot of the humanity out. It's not really art when you have a bunch of automated machines to do all the work. If you need "auto-tune" because you can't hit the correct note, well, you know where we're at.

As for film, it's become so formulaic. Put this star, with a star from another industry, and you get x amount of dollars. Special effects instead of great writing; car chases, softcore porn, blood and guts, very silly and redundant.

I guess it doesn't surprise me that the movies from 40+ years still resonate with people, they still top every "Greatest Movies" lists, and they had such little technology... I think part of this is the culture, blind compulsive greed.. I think the 80's had the biggest drop-off in all forms of arts, entertainment, politics, etc etc...



Registered User
J cole is a pop artist?
He has charted singles on pop radio. That by definition makes him one in my book. The "genre" isn't imporant



Registered User
I think technology took a lot of the humanity out. It's not really art when you have a bunch of automated machines to do all the work. If you need "auto-tune" because you can't hit the correct note, well, you know where we're at.

As for film, it's become so formulaic. Put this star, with a star from another industry, and you get x amount of dollars. Special effects instead of great writing; car chases, softcore porn, blood and guts, very silly and redundant.

I guess it doesn't surprise me that the movies from 40+ years still resonate with people, they still top every "Greatest Movies" lists, and they had such little technology... I think part of this is the culture, blind compulsive greed.. I think the 80's had the biggest drop-off in all forms of arts, entertainment, politics, etc etc...
I think it's being marketed to a young demographic today.

Back before the internet a kid would have to actually get his parents to take him to the store and buy the CD/Casette - so I think they were more concerned with making it both appealing to adults.

Today the "middleman" has been eliminated and they can market directly to kids. who can just download anything the want on Itunes or stream it on Youtube or Spotify.