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The Godfather: Part II


Al Pacino, Robert Duvall, Diane Keaton, Robert De Niro View All


Francis Ford Coppola (Screenplay), Francis Ford Coppola (Director) View All

Release: Dec. 20th, 1974
Runtime: 3 hours, 20 minutes
In the continuing saga of the Corleone crime family, a young Vito Corleone grows up in Sicily and in 1910s New York. In the 1950s, Michael Corleone attempts to expand the family business into Las Vegas, Hollywood and Cuba.
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Replies Discussions

11 What do you guys think is better: the Godfather part 1 or part 2?
for me, i'll have to go with part 2. i don't know why but i like it way more than the first one...
6 The Godfather: Part III - Review
So, I just registered to this site, as I hoped to find others with an interest in movies that I could discuss with. As my first topic, I will post a review I made for The Godfather Part 3 some tim...
2 The Godfather Part 3 Waltz
Does anyone know the nameof the waltz that is playing in the final scene of The Godfather Part 3? (Just after Michaels silent scream). It isn't on the soundtrack, and I would appreciate it much if any...
0 Questions about The Godfather Part II
-What exactly were Hyman Roth's motives for the attempted hit on Michael in his bedroom? How would he have benefitted from Michael dying? -Why does Danny Aeillo say "Michael Corleone says hi&...
4 Questions about The Godfather Part II (spoilers)
Hello! This is my first post on this forum. I'd like to know what people's views are on what they felt was really going on in The Godfather Part II as a lot of it is not explained. It is neve...

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Reviewed by

Moments of violence can thrill people, disturb people or shock, but put two talented actors in a room, give them a well written scene and an emotionally distraught story element and you can have more success at garnering emotions from the viewer than anything else.
Citizen Rules
Those mini series were much more developed in their stories than Godfather Part II, which lacks character arches or in depth story development.
The film is expertly filmed, with a more intense approach than the first, with the aforementioned photography playing a major role in the film's story, using darker colouring in Michael's parts of the story, and sepia-toned for Vito's.
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