964 Pinocchio, 1991
Pinocchio 964 (Haji Suzuki) is a cyborg created by a company as a sex slave. When he fails to perform to the client's satisfaction, the company lobotomizes him and turns him loose on the street where the homeless Himiko (Onn-chan) takes him in. But as Pinocchio starts to regain his memories and ability to speak, his body begins to undergo strange and painful mutations, and these mutations seem to be contagious.
That's, um, that's some body horror alright.
I cannot claim to have understood the literal plot of the film overly well. (And to be honest, I'm not sure that creating a clear and coherent narrative was even the point of this movie). But the emotional themes were plenty resonant and the high-energy, high-emotion delivery kept me on board with the characters and the story.
In discussions of capitalism, sex work is often pointed to as the ultimate example of "selling ourselves" or the concept of human beings as capital. Here we have two characters--because it seems to be implied that Himiko is also an exiled sex cyborg--who have been not only used and abused, but also brutally discarded when not found to be useful. I'm not sure if Pinoccho's mutations happening when he gets his memories back means that it's something the company did to him or not, but that would add an extra dark twist to his "punishment."
The whole film is shot in a very in your face style. Lots of angled close-ups, frenetic montage-style sequences, and gruesome, sexualized imagery. This amps up the impact of the body horror, which includes Pinocchio's body mutating and Himiko producing what I can only call an impossible and impressive amount of vomit. You're probably picturing something in your head when I say "an impossible amount of vomit," but I can assure you that whatever you are picturing you must, at the very least, double.
Despite the way that the movie is shot and the heightened pace and tone of it, there is a strong emotional core. Despite Pinocchio's erratic behavior, Himiko takes him in and takes care of him, even when he gets somewhat physical with her out of frustration. But after Himiko is affected by Pinocchio's mutations, the worst change (yes, worse than the vomiting) is that she at times becomes incredibly cruel to him. Through the film, Pinocchio never totally seems to reconcile himself to this change, registering every cruelty from Himiko with a heartbreaking sense of surprise and betrayal. Even toward the end, he begs her for help.
As with anything so
distinct in its personality, this one won't be for everyone. I'm really glad that I read a positive review of it before watching it, because it put me in a good mindset to appreciate what it was trying to do. I'm wondering if any friends in here have seen it---Ueno? Rock?