The Bishop Murder Case (1930)
Murder mystery that's a bit creaky, and not just because it's an early sound picture. Most of the creakiness comes from the not-too-exciting goings on, but the movie is saved by the usual greatness of Basil Rathbone as sleuth/detective Philo Vance. Vance was a popular book character in the 20's-40's, and also popular in films in the same time span. This was the only film where Rathbone played Vance and he did a fine job, seemingly not knowing exactly what was happening but being on top of everything all along, naturally. There is a series of murders around a mansion, where the killer leaves nursery rhymes behind plus a bishop from a chess set, indicating that he/she is ahead of everyone and will win the "game" and get away with the murders. But Vance is on the case so you know he will triumph. The only other person I recognize in the film is Roland Young, who would go on to fame in the "Topper" films. It's a rather slow moving film but keeps you glued as you wait for the denouement.
William Powell played Vance in four films, so I consider him the ultimate player of the character, although Warren William was in two
Vance films. I need to see those as I like the character. Anyway, final judgement is it's a good film but one you can watch while you're doing something else and you won't be left in the cold if you jump back in towards the final thirty minutes.
Pat Garrett & Billy the Kid (1973)
Very good Sam Peckinpah telling of the famous "friendship" of the outlaw William Bonney and eventual lawman Pat Garrett. The movie actually starts with Garrett already being a lawman, with the friendship between him and Bonney talked about in whistful conversations. But make no mistake, this isn't a "talky" type movie; it's blood and guts all the way. James Coburn takes the acting honors as Garrett, who turns out to be quite an ill-tempered cuss, bullying anyone who even knows Billy casually to get to his man. Kris Kristofferson is good in only his fourth movie role. He's not made out to be the good guy or the misunderstood outlaw like in some movies. He'll kill at the drop of a hat, even old friends. In fact, there are no flat-out good guys in this movie. You can expect anyone to throw down on the other at any time and that makes it a good action film. Bob Dylan has third-billing as some character known as "Alias." When asked "Alias what?" he replies "Alias anything you please." He's pretty comical but not the best actor. There is a quite funny scene where Garrett gets the drop on several of Billy's friends in a bar and while he talks to them he makes Alias read all the stock on the shelves. As Garrett talks, you can hear Alias in the background saying things like, "Beans, beans, spinach, Easter plums, beans, beef stew, salmon, pears, spinach, beef stew, Climax tobacco, hmm, AMK Fine Quality Tomatoes, AMK Salmon, hmm, beans, spinach" and on and on. My favorite scene in the movie.
The movie has loads of character actors, some of whom Peckinpah has used before, including L.Q. Jones, Matt Clark, Slim Pickens, Chill Wills, Jason Robards, Barry Sullivan, R.G. Armstrong, Katy Jurado, Richard Jaeckel, Jack Elam, Harry Dean Stanton, Charles Martin Smith, Dub Taylor, Paul Fix, Gene Evans, and even Kristofferson's wife/singer Rita Coolidge. But they all play good supporting parts and are not obtrusive, sticking out like "guest stars." This may not be Peckinpah's best, but it's still top drawer and is entertaining all the way.