Siege -
This is a tense and uncompromising Canadian thriller set in Halifax during a police strike that actually happened. A gang of domestic terrorists take the opportunity to enforce their own brand of justice at a gay bar. When something unplanned happens, a witness manages to escape, fleeing to an apartment where the neighbors are taking refuge. What follows isn't quite on par with the 1976 Assault on Precinct 13, but it comes pretty close.
The best movies like this one have heroes who are severely unequipped and villains who are...well, not, which this one fully realizes. Only a couple of the neighbors have experience with weapons, and what's more, their inventory is limited, and the movie's decision to show how limited it is inspired since it makes every shot count. Except for Cabe (Doug Lennox), the gang's Lurch-like boss, the villain actors resemble people you would not give a second look if you walked past them on a sidewalk, which I believe makes them scarier for how they demonstrate the banality of evil to a T. As for the moments of payoff (and setback), they're as unpredictable as they are brutal.
This is an obviously low budget movie, and while it cuts deeper than many similar movies with higher budgets I've seen, some aspects, such as its comical sound effect for a gun firing, make it hard to take seriously at times. Also, some characters make uncharacteristically dumb decisions out of convenience and little else. Other than that, it proves that just because a movie has a "sploitation" label (in this case, Canucksploitation) does not mean it should be immediately side-eyed. Oh, and hopefully not to spoil the ending too much, but it could make a certain Rage Against the Machine song come to mind.
This is a tense and uncompromising Canadian thriller set in Halifax during a police strike that actually happened. A gang of domestic terrorists take the opportunity to enforce their own brand of justice at a gay bar. When something unplanned happens, a witness manages to escape, fleeing to an apartment where the neighbors are taking refuge. What follows isn't quite on par with the 1976 Assault on Precinct 13, but it comes pretty close.
The best movies like this one have heroes who are severely unequipped and villains who are...well, not, which this one fully realizes. Only a couple of the neighbors have experience with weapons, and what's more, their inventory is limited, and the movie's decision to show how limited it is inspired since it makes every shot count. Except for Cabe (Doug Lennox), the gang's Lurch-like boss, the villain actors resemble people you would not give a second look if you walked past them on a sidewalk, which I believe makes them scarier for how they demonstrate the banality of evil to a T. As for the moments of payoff (and setback), they're as unpredictable as they are brutal.
This is an obviously low budget movie, and while it cuts deeper than many similar movies with higher budgets I've seen, some aspects, such as its comical sound effect for a gun firing, make it hard to take seriously at times. Also, some characters make uncharacteristically dumb decisions out of convenience and little else. Other than that, it proves that just because a movie has a "sploitation" label (in this case, Canucksploitation) does not mean it should be immediately side-eyed. Oh, and hopefully not to spoil the ending too much, but it could make a certain Rage Against the Machine song come to mind.