The MoFo Movie Club Discussion: An American Werewolf in London
thought I might chip in as I saw the film over Xmas for the first time for ages. We were living in London during the filming and remember the opening of the film and seeing it for the first time with it's off kilter mixture of horror and humour. I've always had a soft spot for it mostly because of the touching love between Alex and David, the reappearances of Jack, and the hilarious opening scene in the pub.
In recent times I've loved it over again for the technicality of the makeup, modelling and pre-cgi special effects which I think makes it something more of a tangible reality, if you know what I mean.
In recent times I've loved it over again for the technicality of the makeup, modelling and pre-cgi special effects which I think makes it something more of a tangible reality, if you know what I mean.
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Here are a couple:
The Naked and the Undead: Evil and the Appeal of Horror
Men, Women and Chain Saws: Gender in the Modern Horror Film
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Love it. Not on my personal top ten list, but if I made a horror movie list it would be. It has a lot of great effects in it that quite honestly I think look better than most werewolf movies today. It's very real.
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There are a few books on the subject of sex & horror that might help you understand this relationship.
Here are a couple:
The Naked and the Undead: Evil and the Appeal of Horror
Men, Women and Chain Saws: Gender in the Modern Horror Film
Here are a couple:
The Naked and the Undead: Evil and the Appeal of Horror
Men, Women and Chain Saws: Gender in the Modern Horror Film
Having said that, I'm amazed at all the young women who love Stephen King's books and films as well as things like "Interview of a Vampire." I've tried to read those books and some, particularly the latter, just got so disgusting I put it aside. Yet I once dated a lady whose smart and pretty and seemingly well-balanced teenage daughter loved all those books and films. I've never understood the attraction of stories like that to women. Not saying they shouldn't be free to read what they want, but out of all the possible books in the world, why those?
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I've been babbling on about E. Michael Jones' Monsters from the Id forever on these boards, but it's another great example of the relationship between sex and horror. Specifically, in the case of this book, the relationship between sexual guilt and horror. I'll offer up the same caveat I almost always do when mentioning the book, though: Jones' probably takes his theories a bit too far, and he'll sound kooky more than once. But he'll also make some fascinating points, particularly in the first few chapters, and it's a great read if the subject interests you at all.
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I liked it when I saw it. Think I saw it on televisionw when I was about 15 or something. Thought the practical effects were brilliant, still do today. The mix of horror and comedy isn't off putting. The underground tube scene was fascinating given that I walk around those very platforms which added to the general excitement of the film. Thing is though, I think that there are better 'werewolf' fllms out there with John Fawcett's Ginger Snaps being the best one I have seen to this day. I also prefer Innocent Blood as my favourite Landis' film. I will have to give this another watch in the near future though.
That transformation scene was

That transformation scene was



Obviously.

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It was fun watching that scene, because it's one of those things that is fairly impressive now, but I realized must have been insanely impressive back then. I always dig watching those sorts of landmark effects, because it's fun to imagine what it must have been like at the time.
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An American Werewolf In London Definitely Has The Best Werewolf Transformation Scene, classic and true to form best type of hollywood make-up effects.
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It's a fantastic movie. There are so few good werewolf movies....
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Thanks Rolling Stone, that explains a lot to someone who knew very little about the film going in...
http://www.rollingstone.com/movies/n...comedy-w434829
How 'American Werewolf in London' Transformed Horror-Comedy
An American Werewolf in London squirms with comic unease from the get-go, and almost immediately from its release 35 years ago — August 21st, 1981 — the bipolar horror-comedy has been celebrated on two impressively different fronts: as a landmark in startling makeup effects that legitimized the gross-out, and as a riotous piece of fish-out-of-water college humor. Calling the film a sick joke is perfectly apt. It's a sweaty, shuddery experience, one that coaxes cringe laughs in equal measure as jump scares (often in the same scene).
By the time his cameras rolled, An American Werewolf in London had evolved, ultimately becoming the most exquisitely neurotic — and expressly Jewish — movie in the horror canon. It's not your typical werewolf bar-mitzvah, but then again, maybe it is.
An American Werewolf in London squirms with comic unease from the get-go, and almost immediately from its release 35 years ago — August 21st, 1981 — the bipolar horror-comedy has been celebrated on two impressively different fronts: as a landmark in startling makeup effects that legitimized the gross-out, and as a riotous piece of fish-out-of-water college humor. Calling the film a sick joke is perfectly apt. It's a sweaty, shuddery experience, one that coaxes cringe laughs in equal measure as jump scares (often in the same scene).
By the time his cameras rolled, An American Werewolf in London had evolved, ultimately becoming the most exquisitely neurotic — and expressly Jewish — movie in the horror canon. It's not your typical werewolf bar-mitzvah, but then again, maybe it is.
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By the time his cameras rolled, An American Werewolf in London had evolved, ultimately becoming the most exquisitely neurotic — and expressly Jewish — movie in the horror canon. It's not your typical werewolf bar-mitzvah, but then again, maybe it is.
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