The Gingerbread Man was one I rented back in the late 90s and I don't remember anything about it.
It was a very unusual piece for Altman to take on, an unpublished John Grisham legal thriller that Kenneth Branagh adapted into a screenplay but didn't want to direct himself. Altman changed the script a bit and, even though it has some of his signature touches, he certainly did not go full speed ahead with them, either. I like Robert Downey Jr. in it, who was just about at the height of his legal issues before his three-year sentence. But mostly it is a very sleepy mystery/thriller without much mystery or many thrills.
There were an astounding
seven John Grisham adaptations in the 1990s. The first of them, Sydney Pollack's
The Firm, holds up as the most popular and enduring, for sure.
The Pelican Brief, The Client, and
A Time to Kill were all box office successes in their day, but all three seem pretty silly and overwrought, now.
The Chamber is way less than the sum of its considerable parts and
The Gingerbread Man is just not a very good story, you can kinda see why Grisham didn't publish it.
For me the best of the Grisham '90s movies has turned out to be Francis Ford Coppola's
The Rainmaker, which did sort of middling box office at the time but is a very well-made if straight-ahead courtroom piece with a ton of good actors in it.
I will say, as muddy a film as
The Gingerbread Man is, I would happily watch it again before Altman's
Prêt-à-Porter/
Ready to Wear (1994) which used the fashion world as a backdrop and is insufferable. What a massive disappointment after the comeback streak of
Vincent & Theo, The Player, and
Short Cuts.
Kansas City (1996) has such amazing period sets and music and of course a great cast, but sadly it didn't have strong storylines to go with them.
Cookie's Fortune (1999) on the other hand is quite good, if lightweight, and extremely enjoyable - one of Bob's most underrated/underseen titles, if no masterpiece. Not really Top 100 material, but surely worth seeing.