I'm going with the same version CR found of
H-8 and had the same issue on Roku. On the computer, it's great, and the few moments I saw have got me hooked, and I will see it by the weekend.
For now, an old favorite I watched in its place:
You see, Adso,
the step between ecstatic vision and sinful frenzy
is all too brief.
Name of the Rose (1986)
A Sherlock Holmes-esque murder mystery set in a monastery during the 14th century, submerged in religious political debate AS WELL AS the threat of the Inquisition. It is filled with exquisite composition and detail, bringing a vivid rendition to the intriguing dialogue, drama, and storytelling.
First off, let's talk about the fantastic ensemble of actors and the sheer depth of their portrayals. Now, in the forefront, a young, naive Christian Slater is Adso, the apprentice to the always extraordinary Sean Connery as the scholarly William von Baskerville. A pair of Franciscan monks initially arrived for a conceptional debate with the Holy Church and the poverty of Christ reflecting the priesthood to discover a growing number of unnatural murders.
(The characters are unique in appearance and persona, wrapped in a dark mixture of the cerebral and visceral aspects of religious theology. I, therefore, MUST add imagery to the following acting highlights beneath.)
The belief that the recent murders is the result of demonic tampering brings the arrival of an Inquisitor, Bernardo Gui (Murray F. Abraham), from William's complex past.
Within a prominent list of scene-stealing performances is one of the most nuanced I have or ever will see by Ron Perlman, along with the leading elder with a vehement hatred of laughter with such colossal presence by Feodor Chaliapin Jr.

Next, with such sublime "still waters," is Micheal Lonsdale, the Abbot of the monastery.
William Hickey is a former mentor of William whose haunting theatrical performance is a sight to witness.
This listing of visual assistance would easily traverse the list of secondary actors, so I will finish with the captivating Valentina Vargas of the peasant girl that captures young Adso's heart. Their silent encounter is one of the most sensually primal and truly sexually intoxicating that I've seen since my first rental of this a few years after its debut and the very numerous times after.
Every rewatch of this has been and continues to be an absolutely joyful viewing experience. SOOO delighted to have it here.