+15
Just watched Certified Copy and I'm blown away. What a fantastic film.
My first Kiarostami film since Close-Up, so certainly a sign I should get to watching his other stuff.
Without wanting to sound patronising to him, it's truly astonishing to me how an Iranian director can write a script in the English language, with a couple of others thrown in for good measure, with such aplomb. From the very first scene where we hear the man introducing the lecture make the joke about James "living upstairs", then moments later hearing James repeat the same joke slightly tweaked about himself, I knew that I was going to enjoy the style of the film.
The script is packed with humour, insight, and wisdom and manages to evoke some of the most familiar human situations, relationships, and emotions in such a short space of time.
I love films that are written confidently and have strength in their convictions when approaching the philosophical. It's easy for a film to come across as pretentious, but I don't think this ever does, mainly due to the contrast offered by the two lead characters. In many ways, I could relate to their conversations and find similarities in their relationship to my own with my girlfriend, and to other people throughout my life. There are so many scenes that stick out in my mind that ring so true of human nature, such as when she exposes the hypocrisy of his writing when he refuses to respect her subjective opinion on a statue.
I guess you could say the film is like a combination of Before Sunrise and Last Year at Marienbad, or a much more subtle Who's Afraid of Virginia Woolf?.
To go with the extraordinary screenplay is the camerawork. Wow. On the surface, it might seem simple but there were so many little moments where I was in awe of the decisions Kiarostami makes and how they elevate scenes to another level. Where James is waiting outside as a couple want him to take part in a photo, or when he arrives upstairs at the hotel near the film's end. The way that Kiarostami is able to construct space outside of the frame as we build up pictures of what surrounds our characters is superb. The close-ups and staging of certain scenes (the lights, the shadows) to highlight the naturalistic performances really brings everything together.
This definitely would have made my list and I'm glad that its inclusion here has finally given me the nudge to get back to this director - my brain must not be working today as I forgot he directed Close-Up earlier which I also love. Great stuff.