Originally Posted by Yoda
But Moore's criticism isn't just about the nature of the rally, but by the fact that it took place at all. He even goes out of his way to drive the point home by saying they came "despite the pleas of a community in mourning."
In other words, Moore knew they had to come, by law, and Moore knew they scaled back their procedings out of respect for the tragedy. And not only did he decide to omit both facts, but he actually made a specific point to accuse them of defying the community. How is that not dishonest?
It might have been dishonest if what the things you are saying in the quote above were facts, but they're not. It is nothing but your opinion.
First of all, the rally wouldn't even be mentioned in the film if it had been carried out in a respectful way. It wasn't. Secondly, how do you know that Moore knew they had to come by law? Is Heston mentioning this in his speech? Not in the transcript you presented to me anyway. And why not? Wouldn't it be in its place to apologize for being there but explaining the legal background instead of turning the rally into a power demonstration? They came "despite the pleas of a community in mourning". Well, didn't they? Heston even quotes the mayor and then says: "Don't come here? We're allready here!". Does he go on to explain to the audience that they are "here" only because they are bound to by law? No, and why not? Because they were "here" not because they
had to but because they
wanted to. If NRA don't think it's necessary to give all the details, then why should Moore?
With Moore's edits, it looks as if Heston is openly defying the mayor, despite the fact that he had no choice.
That's not what bothers me most about that part, though. It bothers me more in that it shows just how far Moore's "editing" will go. Do you really think editing statements mid-sentence so that they sound continuous is something any documentarian should be in the habit of doing?
If that is how far Moore's editing will go, then I don't know why you are so worried.
No, I think that specific editing when Moore actually takes two things and make them sound as they are from the same sentence is totally unnecessary. It doesn't serve no purpose since it doesn't alter the meaning of what Heston is saying in any way, it just spices it up a little. This is annoying, and nothing a serious documentarian should engage in, but it's not dishonest. And there are a lot of news reporters and documentarian that are a lot worse. I am surprised nobody has mentioned this when talking about the documentary
Outfoxed. Or that nobody has mentioned Fox News in general.
And Heston
is defying the mayor, no matter how much you wish he wasn't. Heston is defying the mayor,
despite there's no need for it.
To the contrary; the edits changed Heston's message quite a bit. After the editing, it looks as if Heston is saying "you don't want us here? Too bad, here we are." In reality, Heston said "we're already here," and explained that he was referring to the fact that NRA members already live in their community, and communities all over the country, and that they are "there" whether a rally is being held or not. This message is very clear in the transcript, but it is entirely absent in Moore's version of the speech.
Moore also left out the part where Heston expresses sympathy and regret at the tragedy. Clearly, this is done to assist Moore in his attempt to make Heston appear ruthless and uncaring.
Sounds to me you would only be satisfied if the whole speech was in there....
The part where Heston expresses sympathy may have been left out, but that is compensated by the fact that the last thing that is being shown from the speech that Heston made, is this part:
"We have work to do, hearts to heal, evil to defeat, and a country to unite. We may have differences, yes, and we will again suffer tragedy beyond description. But when the sun sets on Denver tonight and forever more let it always set on we, the people, secure in our land of the free and home of the brave. I for one plan to do my part. Thank you!" If you have ever taken a rethorics course you would have learned to always put your strongest argument last when writing a speech. Why would Moore place this part, Heston's "best" part, at the end if he wanted him to come out as downright evil? Why is Moore choosing this part as Heston's "last words"?
[EDIT] And also... Heston is given a lot of time and space in the film to actually say things with his own words. First, in the speech, and second, in the intreview where it's true that he is totally taken by surprise when Moore's real intention for the interview gets clear to him. On the other hand, I think it's surprising, judging by Heston's answers, that the chairman of the NRA does not seem to be aware of this kind of criticism.
That could be. I'm not saying everything Moore does is evil and dishonest. Sometimes he's fair, funny, and any number of positive things. Unfortunately, these traits are dwarfed by his willingness to go to virtually any lengths to further his cause.
And I agree with you somewhat. But the part we are discussing here I don't think is one of those occasions where he has gone too far.
How do you figure that? The two are stikingly different. Let's compare:
In Moore's version, Heston chooses to hold a "large pro-gun rally" in Columbine just 10 days after the tragedy. The mayor asks him not to come, and he openly defies him, telling him that they can go wherever they want.
In reality, Heston held a rally he was obligated to, made the rally as small as legally possible, and told the mayor that they didn't have to "come" to Columbine, because the community is already full of members. He also offered his sympathy and grievances for the victims.
You're trying to tell me there's no real difference between the two?
Your reading of the first quote I agree with, except I believe that the "the community is allready full of members" part is being transmitted in that quote as well. And this is pretty much what I believe is being said in the entire speech + the sympathy part, only in a more detailed way.
What happened in reality according to you might be true as well, but we're talking about the speech here. No matter how you twist it and turn it around, there is no way you can make the speech to be about what you're saying in the second "quote". Those things were not expressed in the speech and even if Moore had put the entire speech in the film, it still wouldn't have expressed those things (except for the sympathy part of course, but I have allready mentioned that before).
When I say it "isn't all that damning," I merely mean that it's not really a smoking gun (no pun intended) against Moore. I think it's sneaky, but I'm not going to pretend it's hard evidence of Moore's dishonesty. If there was any confusion on the matter, my apologies. Also, regarding the different clothes/backdrops...I consider myself reasonably observant, and I sure as hell didn't notice it. Did anyone here, the first through?
The first time I saw the film I got the impression that the Heston fragments were collected from more than one occasion. And that is the honest truth.
That said, I think Moore's use of the line is very emotionally manipulative. Imagine, for example, that I created a short film about the automobile industry. It begins with a sweeping shot over a leather interior. A voiceover describes the car's many features. Right about the time it gets to the number of cupholders, the screen changes.
WHAM!
Suddenly, we see the site of an accident. A young woman is being loaded onto a stretcher as we glimpse the car that was just being described to us, totaled beyond recognition.
Cut back to the commercial, as it boasts of airbags. Back to the scene of the accident, where we see blood stains on those same airbags, fully deployed after the crash. Back to the voiceover, enticing us with air conditioning and a GPS navigation system. Back to the crash, where the ambulance drives away, sirens blaring.
Then, imagine cuts between two interviews: one with the young woman as she lay in casts in a hospital bed, and the other with an executive from the company which produces the aforementioned automobile. Imagine the footage spliced together, so that we see the executive's assurance that the car is a safe, fine product alongside the young woman's slow, painful words describing the accident.
If I did this, the automobile executive would come off looking cold-hearted and self-interested, wouldn't he? That's how I feel about Moore's use of Heston's "cold, dead hands" line. You can make many reasonable things look terrible by juxtaposing them with horrific images. It's a very intellectually lazy way to make a point.
Michael Moore sees the cause to youth violence as being guns. Does he accuse the gun manufacturers? No, and WHAM! there falls your analogy. And no one would take that short about automobiles seriously anyway because everyone knows that cars, unlike guns, aren't designed to kill.
Michael Moore is being manipulative, yes. Just like every man or woman working in media and who is not restricted by rules about objectivity.
And you might be right about it being an intellectually lazy way of making a point, but that's perhaps because you're intellectual above average. When it comes to catching the attention of average people though, it is nothing less than brilliant. He actually is quite honest. If Moore tried to come out as objective, then it would be bad, but he doesn't. If he was a news reporter on a major news channel, then it would be bad, but he isn't that either.
What we started to discuss here was whether Moore is dishonest or not (in
Bowling For Columbine) and I think I have proven that he is not. Now you have drifted away and started talking about him as manipulative and biased and yes he can be, but that's a different thing all together.
I think a more appropriate word would be "charisma," which I regard as a positive character trait.
I was talking more about the speech itself more than personality. It's quite possible to deliver a bombastic speech and be charismatic while doing so. Heston is very charismatic, his impressive record in Hollywood is enough proof of that. Bush is not charismatic at all to me. But he loves bombastic speeches.
I'm not sure what, if anything, you're getting at.
Oh I am not getting at anything at all. It's just that you said what I allready knew.