14th Hall of Fame

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Women will be your undoing, Pépé
technically, 9, haven't posted my review of Grand Illusion, but I DO need to knock my final 2 for the 40's before I move onward
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We only started 1 week ago and we already have 8 films reviewed. Whoohooo!!!!
We're awesome.

We'll have one more if I can stop procrastinating and actually write my review for Empire of Passion. I've had this word document open for over 4 hours now and have added nothing meaningful to it, unless you count "lighting great" haha.



Women will be your undoing, Pépé
yeah I do like having this kind of opportunity to really go to work on one HoF. Which is why I do like waiting to the second, (and more likely) the third week of September for 70's HoF to keep some breathing room.



yes, Black Snake Moan really has a lot to offer beyond its basic premise. So glad to hear you enjoyed it, Nestorio
Ed, I did get the premise of Black Snake Moan:

Spoilers***An ex bluesman who once enjoyed life to it's fullest, has grown self righteous and angry, which drives his wife away, leaving him with nothing but anger. By trying to force his own will and righteousness onto Rae and save her from himself, he ends up healing himself and realizing he has no right to tell others how to live their lives.

yeah I do like having this kind of opportunity to really go to work on one HoF. Which is why I do like waiting to the second, (and more likely) the third week of September for 70's HoF to keep some breathing room.
Third week is fine for your 70s Hof, or even longer. I'm not planning on starting any Hofs for a long while.



Mommy

!!!spoilers below!!!

This was a heavy duty drama. I was annoyed from the first half an hour as it was too focused to show on camera all Attention deficit hyperactivity disorder symptoms. It could be slightly shorter. Well, what we see is a widow mother having a troubled son in puberty, hormones shooting everywhere with ADHD on top of it. Also, a fictional Canadian government introduces a bill saying that a parent can basically throw their aggressive, ill child to an institution to submit him/her to a treatment. You could see Steve on heavy drugs and straitjacket at the end of the movie. As far as I know straitjacket is long prohibited in mental institutions and all aggression is now controlled by medicine but perhaps in some countries it is still used.

Sometimes I had a feeling that mother was pretty much hyperactive herself . However she was trying really hard to make it all better, struggling with money, with herself and Steve’s constant changes of mood. It was nice to see her love, patience and hope. It was interesting how Kyla, a neighbour, was also able to come out of her shell and could speak freely without a stutter. They were having really good times. Celebrating, Kyla tutoring Steve, mother working hard cleaning houses. I’ve experienced something similar and if ADHD is in combination with an incomplete family where mama cannot take care of her son full time it is very difficult to get a grip on things. On the other hand when ADHD is systematically managed by both parents and all that activity is channeled to some sports, regular counseling etc Obviously Diane could not afford all that so at the end of the movie she send her son to a system again. That’s why this movie was very sad for me and not easy to watch.

I must say Antoine-Olivier Pilon did an excellent acting as well as Anne Dorval and Suzanne Clément. The story was powerful, directing was very good and the tight Aspect Ratio was an interesting idea that fits to the story. I’m not gonna watch it again however I found it as a very good nom. Thank you for introducing this @ Cricket
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Empire of Passion / 愛の亡霊 (1978)
Dir. Nagisa Oshima
Starring: Kazuko Yoshiyuki, Tatsuya Fuji, Takahiro Tamura

While it is very sexual in nature, Empire of Passion is not graphic or explicit like Oshima's more infamous work, In the Realm of the Senses. This is a much slower and tamer film that allows Oshima's camerawork and visual design to be fully appreciated by the audience. There is a great use of repetition throughout the film, and having been shot in an abandoned village, Empire of Passion often has an appropriately dreadful atmosphere about it. The location and costumes give the film a very authentic feel, though the theatrical acting may put some viewers off. It's not everyone's cup of tea, but I enjoy it in moderation and think that it works very well with the traditional Japanese ghost story being told.

The film is at its best when there are supernatural elements at play. They do not make up a large portion of the runtime, but they are highly effective. The scene where Seki gets lost on a dark, misty road was filmed incredibly well and is easily my favourite part of the film. The cinematography and lighting are very well done, and the reverse order of seasons presented on screen (from winter, to autumn, and then summer) is both interesting, and slightly unsettling once noticed. I also liked that certain events in the film coincided with the Bon Festival, since it is a time meant to honour one's ancestors, when spirits of the family supposedly visit household altars.

Unfortunately, Empire of Passion does seem to fall apart towards the end. The intrigue from earlier in the film is lost, and ideas surrounding the guilty conscience are left disappointingly unexplored. The visual imagery in the final scenes is not as strong as those from earlier in the film, and the conclusion leaves little impact. Overall it is quite enjoyable though, with impressive imagery throughout. I had remembered very little about this film before rewatching it, so I'm glad it was nominated since I might not have revisited it otherwise.


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Mommy


This is my nomination and it was my second time watching it. Although I still loved it, it did seem to feel a little long towards the end this time. Maybe that's because I watched it late at night. The plot is simple with a single mother trying to make a life with her troubled teenage son. This is not a movie for everyone, but it's a movie that I find to be emotionally powerful. I think a lot of it depends on how you feel about the characters. On the surface, the mother and son seem unlikable. How much you care about the characters may depend upon how redeemable you think they are. I don't think they are bad people, but obviously they have issues. The mother is immature, rude, doesn't appear to know how to be a mother, and has her hands full. The son can range from goofy, to a punk, to completely out of control. They lost their father and husband. It's hard for me to completely discount a 15 year old kid as long as he's not pure evil. There are times when these people are likable, and that gives a glimpse of their potential, a potential I rooted for them to reach. That's how I came to care about these characters. Their ups and downs are my ups and downs. There is a third main character who is very nice and I find kind of fascinating. She adds a different dimension to the film. Hopefully nobody hates it.




I've finished Black Snake Moan. Now time for a write-up which consists of more than just "Samuel L. Jackson"
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Originally Posted by Iroquois
To be fair, you have to have a fairly high IQ to understand MovieForums.com.



The Hurricane
1999

I liked this movie. It definitely had the feel of a late 90's movie with it's not quite completely naturalistic doom and gloom/self serious feel. It had some conveniences and devices that maybe wrinkled a bit of the credibility, like when Kara's character says "He's gonna rule against Rubin" in the heat of the suspense. But oh well.

I was moved by The Hurricane, regardless of whether or not it is historically accurate. Although, the real life Lesra Martin is rumored to have thought it was a firm account of the actual events. It's clearly a Norman Jewison Hollywood movie with contempo jazz piano score and even has violins to cue the scenes where the audience must feel sad. But more often than not, I did feel sad because it was a powerful film. Denzel really sells his character. Then again, when does he not sell his character?

The real star of the film is Vicellous Reon Shannon. He has an innocent charisma and when he's feeling emotional there is nothing but pure conviction in his eyes. He's obviously a very passionate actor, and was perfect in his role.


I also appreciate that line readings were not repeated a second time after a few beats for dramatic effect. I thought it might've been wanting to happen once when Denzel says "you already have", but luckily, even if they shot him saying it twice, the editor only let one through the gate.

Thank you!




I need to re-write my review for The Invisible Guest. I needed time for that one to sink in. I think the next time I write it up, it'll be more favorable. So far, I see this kicking some assnick in this HOF.



I also appreciate that line readings were not repeated a second time after a few beats for dramatic effect...
You and me both. I notice that every single time any movie double dips the choice dialogue bits...every single time.



You and me both. I notice that every single time any movie double dips the choice dialogue bits...every single time.
Lol, yup! Horrid habit of a lot of older films. Glad it finally burned itself out. It's actually a big joke to be on the lookout for between me and two of my movie buddies.





Black Snake Moan (Craig Brewer, 2006)
Imdb

Date Watched: 8/29/17
Cinema or Home: Home
Reason For Watching: 14th Hall of Fame, my nomination
Rewatch: Yes


Although the posters for this film - with the tagline "Everything is Hotter Down South" and their emphasis on Christina Ricci's chain - would have you believe that Black Snake Moan is a soft core interracial bondage porn, it really is nothing of the sort. That said, it is about an old black man who chains a young white nymphomaniac to his radiator in order to cure her of her wickedness. But this is no porno.

Black Snake Moan is a fable. It's not meant to be taken literally. The viewer is not meant to believe every detail of the story. But what you are meant to do is connect with its characters - with all their damages, flaws, and weaknesses. And in that, I think the film succeeds admirably.

Its greatest strength is in its central performances. Samuel L. Jackson turns in what I believe is the finest performance of his career - even doing his own singing and learning to play the guitar for the role. He gives his bluesman Lazarus an authenticity unlike any other character I've seen him play. Sure he still drops a "motherf***er" or five in the film, but I almost forget who I'm watching. I believe the hurt when he confronts his wife, I believe the barely leashed rage when he confronts his brother, and I believe the terror when he is witness to Rae's fits. And on that note, Christina Ricci is a wonder as Rae. She is absolutely fearless with this performance. She puts forth an explosive combination of sexuality, madness, and vulnerability. And though the story itself is hard to believe, the bond these two characters form is, for me at least, very easy to buy into. The two actors work wonderfully together and the supporting cast, including Justin Timberlake as Rae's anxiety ridden boyfriend, are also solid.

But there's more to love than just that. The cinematography and the incredible soundtrack work together to create a thick atmosphere that completely immerses you in this world of sex, God, pain, and redemption.

This film was once in my top ten and, while it has slipped a few places, it is still to me an incredibly moving and unforgettable movie watching experience.

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