Well, starting today, I decided to change my rating giving methods a bit. I won't rate 5/5 movies on the first watch and I'll start using + and -. I just want to be a bit more rigorous! But the "old" me would have rated this higher!
Modern Times and City Lights both did nothing for me.
Are you not human?
@Neiba:
Chaplin's filmography is a treasure. I love all of his films with a deep passion and they're all extremely rewatchable. My personal favorite film of his is City Lights, but Modern Times sure comes close. Be sure, besides his silent classics, to also check out his generally lesser known talkies, Monsieur Verdoux and Limelight! They're also brilliant.
No, but I have The General on my watchlist! Is there any other you recommend?
When it comes to The General, I don't think its Keaton's funniest film, but it is his best. Seven Chances is hilarious man, I couldn't breath laughing so hard. Steamboat Bill, Jr. is also hilarious, and has that famous scene with the house falling over Keaton, which quite literally could have killed him if it was like a few inches off. Some of the stunts Keaton does are completely insane man, but hilarious as well. You should check out Keaton, I might like him more than Chaplin. But both are so brilliant and symbolises to me the spirit of cinema.
Yeah I think Sherlock Jr. is just great as well, the scene where he enters a film is brilliant. The General isn't even that funny, its more a drama in my opinion, I don't understand why people list it on funniest films of all time.
Yeah I think Sherlock Jr. is just great as well, the scene where he enters a film is brilliant.
It stands as one of the greatest special effects sequences of all-time, in my opinion. I love watching old movies and being stumped by how they did the effects, it's something that is lost nowadays with all of the CGI. Of course, I figured it out fairly quickly, but still impressive.
It stands as one of the greatest special effects sequences of all-time, in my opinion. I love watching old movies and being stumped by how they did the effects, it's something that is lost nowadays with all of the CGI. Of course, I figured it out fairly quickly, but still impressive.
Yeah dude I don't even know how he did that when I watched it, no one else thought as filmic as Keaton did. Also you know that scene in Sherlock, Jr. when he is on top of a train or something and water splashes down and knocks him off? Apparently he broke his neck on that stunt, and didn't even notice it untill like years later. So when he did his other films like Seven Chances, he was basically running around with a broken neck, which makes the stunts and the things he did even more insane. That guy was a genius.
It may be the best romantic comedy ever made!
It has not so much physical humour as Modern Times nor so much social critic but it is an unique love story that is truly touching and deep! The ending is purely magic and the boxing scene is so so funny and well maid!
I can't say which I prefer, if Modern Times or this one because they are so different and unique at their own way!
I get into the habit of watching movies in parts as well. Though one thing i like about cable and commercial breaks, is that if two or three movies i like are on at the same time and have different commercial timing, then i can watch two or three movie simultaneously(doesn't always work out perfect).
If you like watching movies in parts, you should check out You Tube...a lot of movies on there are divided into parts, usually ten minute segments.
The Cabinet of Dr. Caligari (Robert Wiene, 1920) -
[REWATCH]
This is one of my favorite films. Another incredibly inspiring work for me, this is pre-Tim Burton and does Burton better than Burton (and I say that as a Burton fan). Amazing art style and a fantastic story to boot. It just oozes of masterpiece to me, I can't explain it.
I think it's time for me to watch something I haven't seen before. I've been watching a lot of movies I've seen before and really like, and I feel it's getting a bit repetitive. With that in mind, I have a bunch of films I haven't seen before and will probably get to one today.
This film is the exact description of a Film Noir. It has every single element that describe the genre, stylistically and structurally.
The plot gets a little messy at some point but overall it's a very good noir, with great perfomances from the two leading men, Mitchum and a young Kirk Douglas, and a lot of good lines! Jane Greer is also nice as the incredibly seductive and ambiguous femme fatale though she lacks a bit of strength in some scenes.