Is The Godfather the greatest American film ever made?

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The trick is not minding
They Shoot Pictures always has great lists. Mostly the further you go into them, as you end up finding films you might not expect or haven't even heard of. That's what I'm always looking for in these things, surprises. Inclusions that catch me off guard and make me want to seek them out. Or give them another chance.


The top 10 of that list is pretty basic though. But isn't that sort of what we want when looking for the supposed best ever? There is a reason some movies always appear in these things, because they truly do feel a cut above most and these 10 movies make sense in the context of the conversation, even if Rules of the Game has always baffled me slightly. Thats a movie I like a lot, but if I didn't constantly keep seeing it pop up on top 10s, it wouldn't even occur to me it might be considered as such a top tier contribution to cinema. I find Grand Illusion to be a much better Renoir, but it seems to have fallen slightly out of favor over the years.
Yeah, I remember some years ago when I brought up their noir/neo noir list.
Lists like tht interest not for their numerical listing but rather why is included for the reasons you’ve given.
I remember searching out lists for top 100 Brazilian films ever made, top 100 Mexican film, top 100 European horror films ever made, top 100 Giallo, top 100 spaghetti westerns, top 100 poliziottesco films, top 100 Japanese yakuza films and more recently a list of Italian cannibal films (for um….research ), and the lesser known euro war/macoroni combat films.
I try to be extensive.



Yeah, I remember some years ago when I brought up their noir/neo noir list.
Lists like tht interest not for their numerical listing but rather why is included for the reasons you’ve given.
I remember searching out lists for top 100 Brazilian films ever made, top 100 Mexican film, top 100 European horror films ever made, top 100 Giallo, top 100 spaghetti westerns, top 100 poliziottesco films, top 100 Japanese yakuza films and more recently a list of Italian cannibal films (for um….research ), and the lesser known euro war/macoroni combat films.
I try to be extensive.

That's how you do it.


It's all about finding things or hearing about things and going for it


Who cares if you like it. If you like movies, that should be good enough



I"m surprised that Death In Venice is not on the list.
It's a film about passion for beauty, and by extension art.
It climaxes with the death scene when Tadzio points at the sky (or maybe the sun) which creates an image of such divine beauty that it cannot be watched by the living.
I think there's a similarity with the Thornbird myth which is about the greatest beauty (the bird's song) which can only be achieved by the ultimate sacrifice.
Apart from that the whole film is like a gorgeous painting, and Dirk Bogarde is almost unrecognisable despite his appearance not being overly enhanced.
The evil that appears in the shape of the plague, threatening to destroy Tadzio's beauty, emphasized by the gypsy's intrusive mockery.

I watched this film on TV when I was a child and of course this is not the kind of film that children love, but I couldn't forget it and when I watched it again as an adult I understood why it had made such a huge impression.

But no, Vertigo had to be on that list.
Position 209 for 2025, 210 for 2024. Check back in the year 2233 and I'm sure you'll be pleasantly surprised.



I've hardly even touched TSPDT. I've mostly used Sight & Sound to determine which films to watch, but I'm curious how TSPDT differentiates.
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I've hardly even touched TSPDT. I've mostly used Sight & Sound to determine which films to watch, but I'm curious how TSPDT differentiates.
S&S sends out ballots every decade to a select set of critics to send in their list of top 10 best/favorite movies, and then just lists the movies that get the most votes. So, every movie that gets any type of vote is amongst somebody's favorite movies and it's more of a question of which movie is amongst the most people's top 10 favorite movies.

I don't follow TSPDT, like other people I know, but it's an aggregate of other best of lists. I'm not clear what the weightings are, but my understanding is the S&S polls are heavily weighted (and it includes both current and past ones). But by also pulling in a lot of other "best of lists," it gets a wider range of movies, more data points, so it makes more sense to go further down the results, and you'll get more random stuff showing up higher. At least that's what I understand from what other people who look more at the list sometimes tell me.



S&S sends out ballots every decade to a select set of critics to send in their list of top 10 best/favorite movies, and then just lists the movies that get the most votes. So, every movie that gets any type of vote is amongst somebody's favorite movies and it's more of a question of which movie is amongst the most people's top 10 favorite movies.

I don't follow TSPDT, like other people I know, but it's an aggregate of other best of lists. I'm not clear what the weightings are, but my understanding is the S&S polls are heavily weighted (and it includes both current and past ones). But by also pulling in a lot of other "best of lists," it gets a wider range of movies, more data points, so it makes more sense to go further down the results, and you'll get more random stuff showing up higher. At least that's what I understand from what other people who look more at the list sometimes tell me.
Interesting, looks like I got to check it out.



The Guy Who Sees Movies
New question: Is Mall Cop the greatest American film ever made?
Absolutely NOT. The greatest is the one that scared the living sh** out of me when I saw it in a Saturday afternoon kiddie matinee in my small town Bijou. It was Tarantula....John Agar and Mara Corday run and scream from a giant, hairy spider while Leo G Carroll works with his chemistry set in the lab. I actually found a DVD copy not too long ago in my local Wall-Wart close-out bin.

Giant spiders beat the heck out of watching Corleone family members do whatever it was that they did.




I've hardly even touched TSPDT. I've mostly used Sight & Sound to determine which films to watch, but I'm curious how TSPDT differentiates.
It's a poll of polls.

"Compiled from 16,874 film lists and ballots, the 20th edition of The 1,000 Greatest Films is quite possibly the definitive collection of the most critically acclaimed films you will find."



The Guy Who Sees Movies
This one's been going on for a while, but seems to have gone meandering. It makes me wonder.....given that some watchers are quite ardent that GF is the greatest movie ever, and that some (including me) are not willing to bestow that status, what WOULD be the criteria for "Greatest"?

Do we go with the opinions of the Great Unwashed, who have put money down on popcorn and date night to make box office receipts huge? Do we sample their opinion?

Do we count purchases, disk sales, streaming receipts?

Do we sample erudite reviewers or university trained experts with degrees as critics?

Do we sample untrained, but generally literate movie goers like me?

What are the criteria?



This one's been going on for a while, but seems to have gone meandering. It makes me wonder.....given that some watchers are quite ardent that GF is the greatest movie ever, and that some (including me) are not willing to bestow that status, what WOULD be the criteria for "Greatest"?

Do we go with the opinions of the Great Unwashed, who have put money down on popcorn and date night to make box office receipts huge? Do we sample their opinion?

Do we count purchases, disk sales, streaming receipts?

Do we sample erudite reviewers or university trained experts with degrees as critics?

Do we sample untrained, but generally literate movie goers like me?

What are the criteria?
This is certainly what we should discuss. Sales and critical analysis are both types of "impact," so to have both would help. But since quite a few movies would have both, we narrow the list only down to a couple thousand. In the vein of critics vs. comman reviewers, we have websites that take into account both, thankfully, so I suppose the only thing to do would be to take the movies that fit both massive acclaim towards the general public AND the critics, as well as to decide on a minimum amount of money made after adjusting for inflation.

At least, that would be the start.

Bare minimum average rating for critics
Bare minimum average rating for the public
Bare minimum box office after adjusting for inflation.

A base estimation on all of this, considering world impact and sales adjusted for inflation, and lack of controversy, would leave the clear winner to be Star Wars. Fourth highest grossing (no May the 4th or Episode IV pun intended), easily the biggest impact on the world, the masses absolutely adore it on the level of The Godfather.

So in this instance, the definition of "objective" would be "worldwide."
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If you're going to approach it from a child's point of view then it kinda changes the topic of discussion, doesn't it.



Trouble with a capitial 'T'
...What are the criteria?
The same criteria that you used to determine that Tarantula was the greatest film...Because it resonated with you and still does. It's a good b-sci-fi creature flick too.

So what I'm saying is: We each determine what the greatest film is by whatever metric we decide is relevant and important to us. Sorry if that's boring but that's how I call it.

We could go by x number of critics opinions...but I don't give a rat's ass about that, as my opinion is what matters to me. I get it that my personal greatest film isn't going to be to other's liking, but they'll just have to find their own greatest film, I'm not sharing



Pay no attention to that man behind the curtain
Why do we think this should even be possible? Who do we anoint to bless the criteria? And then assemble the data? And get through that entire process and come out on the other end with a conclusion that absolutely no one, everywhere in the world, would contest? The world would reverberate with the sound of a billion film fans collectively slapping their foreheads and saying "Of course! That's the answer to the the ultimate question of movies, life, the universe, and everything!"

__________________
Scarecrow: I haven't got a brain ... only straw. Dorothy: How can you talk if you haven't got a brain? Scarecrow: I don't know. But some people without brains do an awful lot of talking, don't they? Dorothy: Yes, I guess you're right.



Why do we think this should even be possible? Who do we anoint to bless the criteria? And then assemble the data? And get through that entire process and come out on the other end with a conclusion that absolutely no one, everywhere in the world, would contest? The world would reverberate with the sound of a billion film fans collectively slapping their foreheads and saying "Of course! That's the answer to the the ultimate question of movies, life, the universe, and everything!"


But there's a difference between assessing what the world sees as the greatest vs. no one contesting it. One can be at least partially calculated and discussed, which is what some people here are attempting, while the other is basically wishing for world peace.



Pay no attention to that man behind the curtain
But there's a difference between assessing what the world sees as the greatest vs. no one contesting it. One can be at least partially calculated and discussed, which is what some people here are attempting, while the other is basically wishing for world peace.
It's kinda the same thing. To "assess what the world sees as the greatest" still implies that someone, or some group, has to do the assessing. It just won't miraculously manifest. And having done so, "the world" will accept the "assessment." You're lobbying for a theoretical possibility. Can you explain specifically how this theory of a "greatest film of all time" can be derived with credibility?



Trouble with a capitial 'T'
I was just thinking what would I do if I was in charge of choosing the #1 greatest movie of all time for one of the big, renowned movie list, like AFI.

Would I say, 'screw it and just pick my personal favorite'? Probably not as I'd feel like I had an obligation to those at AFI not to choose Attack of the Fifty Foot Woman or even Sweet Smell of Success. So instead I'd feel hemmed in by past list and past opinions and probably end up picking a movie that has landed in the top 5 spot for decades. I bet that's how a lot of people who helm those list roll.

An opinion becomes a standard, then it becomes movie dogma. Why isn't Sweet Smell of Success or Jaws or even Downfall voted number one instead of The Godfather? Don't tell me those films aren't as good as The Godfather. So the answer must be that popular opinions have great impact on people's own opinions...I believe TheManBehindTheCurtain just posted something very similar. But I was thinking about this all day long, really I was!



What are the criteria?
I am aware of no satisfactory criteria.



It's kinda the same thing. To "assess what the world sees as the greatest" still implies that someone, or some group, has to do the assessing. It just won't miraculously manifest. And having done so, "the world" will accept the "assessment." You're lobbying for a theoretical possibility. Can you explain specifically how this theory of a "greatest film of all time" can be derived with credibility?
Research and discussion on a board that's willing. But people have tried since the dawn of man to get the whole world on their side. One's just a look at what the world typically sees, like looking up the most common religion. The other literally requires a mindcontrol helmet to stretch across the world a la Cerebro.



The Guy Who Sees Movies
Having something to say that isn't boring or stupid.


And anyone could do that, if they at least slightly tried.
Since I'm so stupid, perhaps you can enlighten me on the original question about that well-worn gangster movie. It would be a teaching moment for all of us if you can do that. Why IS the Godfather better than Tarantula? 50 words will suffice.