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2002 Director: Fernando Meirelles, Katia Lund
City of God follows the fortunes of a group of children growing up in a poor, crime infested part of Rio de Janeiro. The story centers mainly around two characters. Each with very similar lives, but who take vastly different paths. This juxtaposition is what drives the narrative in City Of God, and what makes it so compelling.
Rocket feels out of place in the world he lives. He wants to be a photographer. We know from the moment we meet him that he longs to rise above the horrendous poverty and crime that envelopes him. He stands out in this world, others are naturally drawn to his soft temperament and demeanor even if they don't realize the reason. Rocket does not readily have the means to rise above this world so consequently he comes across many stumbling blocks in his life. One of the more interesting sequences in the film is when Rocket concludes that he has no other options than to resort to the life most of his peers have. How this decision plays out results in some of the more lighthearted moments in City Of God. While Rocket's path may not be more interesting than others in the story, it is the most sympathetic.
Li'l Ze is the polar opposite of Rocket. He doesn't long to rise above this world, he longs to rule over it. The perverse crime and violence he sees all around him doesn't hinder him, it compels him. Li'l Ze earns the kind of respect that comes from brute force, and he learns these tactics at a frighteningly young age. If Li'l Ze is going to be a criminal he is determined to the most powerful criminal in the City of God. This is his only motivation, and what he allows to define his existence.
There are many other characters in City Of God. This film has lots of moving parts. However most of the other players move within the framework of the two main characters. Rocket and Li'l Ze are the black and white of the movie, while the other characters represent the shades of gray. It is an interesting way to tell a story, and works exceptionally well here.
If I have an issue with City of God it is with the way the movie was shot. We get very few static shots in this film. Everything is quick cuts and shaky camera. While this style never completely keeps me from enjoying a film, it can detract from my enjoyment some. It is very hard to get a sense of time and place when this style is employed, City if God was no exception to this. It also make it difficult to differentiate between the good and bad acting within this style. I suppose this can work positively for the director, but I still consider it a detriment.
Overall I would consider City of God a great crime drama. The story is extremely well told, with many interesting memorable characters. This is the kind of movie that is still with you weeks or months after you see it. I am looking forward to revisiting it in the future.
2002 Director: Fernando Meirelles, Katia Lund
City of God follows the fortunes of a group of children growing up in a poor, crime infested part of Rio de Janeiro. The story centers mainly around two characters. Each with very similar lives, but who take vastly different paths. This juxtaposition is what drives the narrative in City Of God, and what makes it so compelling.
Rocket feels out of place in the world he lives. He wants to be a photographer. We know from the moment we meet him that he longs to rise above the horrendous poverty and crime that envelopes him. He stands out in this world, others are naturally drawn to his soft temperament and demeanor even if they don't realize the reason. Rocket does not readily have the means to rise above this world so consequently he comes across many stumbling blocks in his life. One of the more interesting sequences in the film is when Rocket concludes that he has no other options than to resort to the life most of his peers have. How this decision plays out results in some of the more lighthearted moments in City Of God. While Rocket's path may not be more interesting than others in the story, it is the most sympathetic.
Li'l Ze is the polar opposite of Rocket. He doesn't long to rise above this world, he longs to rule over it. The perverse crime and violence he sees all around him doesn't hinder him, it compels him. Li'l Ze earns the kind of respect that comes from brute force, and he learns these tactics at a frighteningly young age. If Li'l Ze is going to be a criminal he is determined to the most powerful criminal in the City of God. This is his only motivation, and what he allows to define his existence.
There are many other characters in City Of God. This film has lots of moving parts. However most of the other players move within the framework of the two main characters. Rocket and Li'l Ze are the black and white of the movie, while the other characters represent the shades of gray. It is an interesting way to tell a story, and works exceptionally well here.
If I have an issue with City of God it is with the way the movie was shot. We get very few static shots in this film. Everything is quick cuts and shaky camera. While this style never completely keeps me from enjoying a film, it can detract from my enjoyment some. It is very hard to get a sense of time and place when this style is employed, City if God was no exception to this. It also make it difficult to differentiate between the good and bad acting within this style. I suppose this can work positively for the director, but I still consider it a detriment.
Overall I would consider City of God a great crime drama. The story is extremely well told, with many interesting memorable characters. This is the kind of movie that is still with you weeks or months after you see it. I am looking forward to revisiting it in the future.