← Back to Movies


The 400 Blows

Cast

Jean-Pierre Léaud, Claire Maurier, Albert Rémy, Georges Flamant View All


Crew

Francois Truffaut (Screenplay), Francois Truffaut (Director) View All

Release: May 4th, 1959
Runtime: 1 hour, 39 minutes
For young Parisian boy Antoine Doinel, life is one difficult situation after another. Surrounded by inconsiderate adults, including his neglectful parents, Antoine spends his days with his best friend, Rene, trying to plan for a better life. When one of their schemes goes awry, Antoine ends up in trouble with the law, leading to even more conflicts with unsympathetic authority figures.
Average Rating:

Replies Discussions

We didn't find any linked discussions for this film. Here are the results of a quick search of possibly related threads:
7 The 400 Blows
The 400 Blows, In my opinion Is a great movie from France.Directed by Francois Truffant.The 400 Blows Is about a young adolescent who slowly starts a life of crime and the parents have to take It In t...
0 (The 400 Blows) Antoine as a character?
I think one of the more human protagonists I've ever seen in a movie is Antoine in The 400 Blows. His behavior and dialogue, especially towards the end, really dove down into what a kid goes through ...
3 Asian film - blue moon, blows up school??
Sorry if this confuses anyone but I'll try to stay on point. A couple of years ago I watched a Asian film, I don't remember where the film was set, only that it was an Asian country, maybe Japan....

Post a Comment

Got something to say? Log in to comment, or register for free. It's quick, easy, and we won't spam you or anything.





Reviewed by

ahwell
I am no cinematography expert, but the camera it seems like follows not the plot but the emotions of a particular scene, and I think often that can detract from a good performance.
Citizen Rules
The 400 Blows part of the French New Wave film movement that transformed the way movie stories were portrayed on the screen.
SamsoniteDelila
Truffaut's own childhood is the basis, and for that I greatly admire his objectivity: this film never resorts to sentimentality, never attempts to defend the apparent descent of the main character into a life of crime.


Favorited

View All (14)