A scary thing happened on the way to the Movie Forums - Horrorcrammers

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Somebody posted this list on Facebook with "great" horror (or similar) films from the last decade, and there are a bunch I either haven't seen or even heard about. So which ones get a "yay", which ones get a "nay"?
Oh boy, a second reply to the same post

I just wanted to say that there's a bunch of good (or close to good) horrors outside that list. In my opinion, it even misses some of the best. From my Letterboxd (and I've only rated actively for the last 2.5 years so it's probably missing some good ones too):

****
The Blackcoat's Daughter
Tigers Are Not Afraid
The Conjuring (I think that list tried to be edgy and cool by dismissing this)
The Dark

***½
Impetigore
Antrum
Doctor Sleep
Bliss
Us
Baskin
The Evil Within
The Eyes of My Mother
A Cure for Wellness
Hansel & Gretel: Witch Hunters (really, I don't remember much but I guess I liked it back then)

***
Our Evil
Liverleaf
The Sonata
I Am the Pretty Thing That Lives in the House
Livid
Eli
[REC]4 Apocalypse
[REC]3 Genesis
Dark Touch
Belzebuth
Draug
The Head Hunter
Hagazussa
The Conjuring 2
Kill List
The Laplace's Demon
Excision
The Axiom
The Little Stranger
Velvet Buzzsaw
November
Satan's Slaves
Sadako vs. Kayako
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Having a Vincent Price night with my roommates tonight, not sure what's on the docket I'll report back with my thoughts on what we watched tomorrow, either way looking forward to it. One of my roommates also likes to make stuff from the Vincent Price's cookbooks so we'll have some on theme food also.
I'll start with the dinner as that's what came first on the evening, we had stewed beef heart in gravy, hoppin' johns (a rice, bean, bacon mixture) and a pumpkin pie, again all from Vincent Price cookbooks and all turned out delicious.

Movies were as follows. First up we watched Edward Scissorhands, which is admittedly stretching things as Vincent has more of an extended cameo in the film than anything but someone was in the mood for it and several of us, me included, had not seen it before. I can't say it really held my interested. The fish out of water awkwardness of the film is not something I tend to enjoy so it was a bit hard for me to get invested in it, not bad just not my cup of tea.

Next up was The Great Mouse Detective, which is a weird mix of kooky animated hijinks and surprisingly dark moments,
WARNING: spoilers below
["Like when one of Ratigan's henchmen just gets drunk and then eaten by a cat"]
. It's still a fairly enjoyable family safe nod to Sherlock Holmes and Vincent Price tends to steal every scene that Ratigan is in.

Finally we ended with The Abominable Dr. Phibes, which really doesn't make much sense as it frantically moves between kill scenes and cops failing to really find anything or protect anyone and yet it's still kind of mesmerizing in a lurid bizarre way. Highlight has to be
WARNING: spoilers below
["when the police to go escort a man outside to keep him under watch and when the open the door for him he gets impaled by a brass unicorn that it is later revealed was a catapulted at him from I think 3 streets away."]
Yeah none of it hold together even remotely but somehow that's the charm of this weird revenge plot.



Neon Demon (Refn, 2016) watch Liquid Sky instead
While I liked Neon Demon well enough, I agree that more people should watch Liquid Sky! Criminally underseen!




  1. A Girl Walks Home Alone at Night (Amirpour, 2014) - never heard of it
  2. Raw (Ducournau, 2017)
I love both of these and I think Raw has one of the best endings I've seen in recent years.



Victim of The Night
Sleepy Hollow? We did it as a movie night recently and it was a huge smash.

Are you opposed to a horror comedy like Shaun of the Dead or What We Do in the Shadows?.

Or what about Candyman?
I really don't like Sleepy Hollow. And I've seen it like half a dozen times because I'm always sure that I'm going to. And I'm always wrong.
Didn't feel like the right audience for that level of horror-comedy. I considered WWDitS but just didn't feel like it would play with this group.
I also considered Candyman but I just wrote it up last year and so I remember freshly that it is not a nice movie and I wanted to take it easy on the people in the crowd, particularly two women who do not like horror movies but wanted to come. A movie that is that hard on a female protagonist might not have been the right fit.

You will be pleased to hear that it was Vampire Circus that was selected and the horror fans in the room absolutely loved it and even texted me about it when they got home.

PS- Wow, I guess I was really drunk last night, I don't actually remember already replying to this post late last night.



Victim of The Night
...Finally we ended with The Abominable Dr. Phibes, which really doesn't make much sense as it frantically moves between kill scenes and cops failing to really find anything or protect anyone and yet it's still kind of mesmerizing in a lurid bizarre way. Highlight has to be
WARNING: spoilers below
["when the police to go escort a man outside to keep him under watch and when the open the door for him he gets impaled by a brass unicorn that it is later revealed was a catapulted at him from I think 3 streets away."]
Yeah none of it hold together even remotely but somehow that's the charm of this weird revenge plot.
I absolutely love this movie. Mostly made sense to me except for Vulnavia, who is actually my favorite part of the movie, and it is just so fun and so amazing to look at.



Victim of The Night
I thought about reviving and finishing my Horrorthon thread (from Corri) here but it was just too will-sapping to lose all the work I'd done and then think about how much it would take to even catch back up (since I was like 10 movies behind by the time I joined here), so I'm just going to post some of them here although I'm just going to start with the ones from the last 3 days (5 films) since they are fresh on my mind.


Why do I dislike this movie?
Well, it's a couple of reasons really.
One, when it came out, my expectations were SO high, based on the Evil Dead films and Raimi returning to Horror, as well as the trailers which were cut to look like we were really getting that level of Raiminess, there was just no way it could live up to them. But in my mind it was going to be the greatest thing ever and I told anybody who would listen and I took my wife to see it and she could not understand what all the fuss was about. She actually liked it better than I did I was so disappointed with how restrained I felt it was compared to my expectations.
And that is the memory and impression I have sat on for 10 years or so. That I didn't like it because I was so disappointed. So I decided if I rewatched it now, with my much-lowered expectations, I would probably really like it.
But I'd forgotten about the other reason I didn't like it and I understand a lot of people are not going to feel this is a legitimate reason but it is what it is. And it relates directly to the discussion that's been going around about Hereditary and some other films and Misery Porn.
I'm going to spoiler-tag everything from here on out.
WARNING: "Total spoilers" spoilers below
The movie is about a really nice, genuinely good person, who hasn't really had the easiest go of it and is trying to make something of her life, put through terror and misery for 3 days before she is literally dragged to Hell. And for what? Because, as sweet and kind as she is, she chose to do her ****ing job just once instead of sacrificing her career for someone who not only was legitimately in the wrong by the rules of society but had other options than what she was asking of the protagonist and it was her own pride, not the protagonists, that led to the events of the film. The protagonist is entirely a victim of misfortune and someone else's (really several peoples') malevolence. And for that she is ruthlessly terrorized, physically put through the wringer, and ultimately damned to burn for all eternity.
And that's just not fun.
It's just not.
I remembered about halfway through how much the movie made ME miserable. Just watching this poor girl be totally victimized, by her boss, by her co-worker, by her fiancee's parents, by the gypsy, and ultimately by the demon, continuously for 90 minutes and in the end she is not saved by all her heroic action, by her arc of finding the inner-strength to survive, she finally suffers the worst imaginable fate, despite everything.
And if that's enjoyable to watch... well, it's just not for me. I couldn't enjoy the movie for what it was because of just how depressing I thought it was. I didn't even want to finish it on second watch.

So, basically, **** this movie.





It was upon my Papa’s lap that I first became schooled in murder. He had bought a book for some light summertime reading filled with one photograph after another of all manner of unshaved men with wild eyes. Mob hitmen, child abductors, serial killers. I remember one most of all. He had on a funny hunting cap and my father tapped his finger on him as if he had something important to add. “Kinda looks like Elmer Fudd”, he said. From then on, whenever I watched my cartoons, I knew that if Bugs ever got himself caught, that sonofabitch Fudd might make a lampshade out of him. Or soup bowl. Or a novelty shower cap, complete with bunny ears, for the most hilarious and lonesome of all showers.

This is only one of many ways that the specter of Ed Gein has come to bleed over so much of popular culture in the years since his grave robbing, cannibalistic, cadaver carpentry ways. In Hollywood he has been reborn as both Norman Bates and Buffalo Bill. With Texas Chainsaw Massacre director Tobe Hooper created an entire family out of his fractured psychology. Just enough to fill the seats of an entire kitchen table in hell, leering and peering and making faces out at us as we watch.

In comparison, the no-budget 1974 film Deranged could not help but fail to make the same cultural impact. Unlike Hitchcock’s methodical examination of a tortured man, or Hooper’s night games with a clan of googly eyed cannibals, Deranged barely seems as if it wants you to look at it. While it makes no attempt at muting the viciousness of any of Gein’s crimes, it also takes a more measured approach than the shrieking tone poem of depravity that is Massacre. It never dares to lend the buzz of a chainsaw or the cackling of a dysfunctional family to keep any of these acts of violence company. This would only distract from all of the loneliness and silence that surround them. And it is in this quiet story of a quiet man in a quiet house where the terror truly lies.

Anchored by the subdued acting of Roberts Blossom, we never get the sense that what he is doing is for the amusement of anyone but himself (and there is hardly even any of that). It is little more than a task he needs to accomplish and as an audience we have only been granted the misfortune to peek in on his handiwork. And while his acts may be inhuman, it should be noted we never see anything but the hands of a man on the handle of that hacksaw. In sensing his solitude, and bearing witness to his mental illness, the audience is forced into a contemplation of the actions of this man, even as we are looking away.

As a result, Deranged exists in a weird netherworld for this kind of film. While eager to exploit its lurid subject matter, it also never simplifies Blossom’s performance into that of a Monster. This would let humanity off of the hook and somehow mute the impact of the violence. In Texas Chainsaw Massacre the vision of Leatherface is treated as so evil to be rendered almost as a cartoon, reduced to a deranged dance when his final victim escapes. Just like Elmer Fudd exploding a shotgun into his own face yet again, the fact that he just nearly amputated his own leg with a chainsaw is secondary to the gag that the hunt will never be over.

But in Deranged there is no reprieve from Blossom's shuffling ordinariness. And as a result, the violence he commits can be seen clearly for what it is. And what it was. It is not something that can be woken up from or shrugged off like a blast from cartoon shotgun. It is something that happened. And the great terror is that all it ever needed was this broken and lonely nothing of a man to commit it.





Oh boy, a second reply to the same post

I just wanted to say that there's a bunch of good (or close to good) horrors outside that list. In my opinion, it even misses some of the best. From my Letterboxd (and I've only rated actively for the last 2.5 years so it's probably missing some good ones too):

****
The Blackcoat's Daughter
Tigers Are Not Afraid
The Conjuring (I think that list tried to be edgy and cool by dismissing this)
The Dark

***½
Impetigore
Antrum
Doctor Sleep
Bliss
Us
Baskin
The Evil Within
The Eyes of My Mother
A Cure for Wellness
Hansel & Gretel: Witch Hunters (really, I don't remember much but I guess I liked it back then)

***
Our Evil
Liverleaf
The Sonata
I Am the Pretty Thing That Lives in the House
Livid
Eli
[REC]4 Apocalypse
[REC]3 Genesis
Dark Touch
Belzebuth
Draug
The Head Hunter
Hagazussa
The Conjuring 2
Kill List
The Laplace's Demon
Excision
The Axiom
The Little Stranger
Velvet Buzzsaw
November
Satan's Slaves
Sadako vs. Kayako
Thanks for both replies. I think that my reply to that Facebook post was that I would add Us, The Blackcoat's Daughter (which I saw last week), It Comes at Night, Don't Breathe, Kill List, and maybe Crush the Skull (wink, wink, @Takoma11)
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The Devil's Rejects (2005) -


WARNING: spoilers below
In spite of my rating, I wouldn't say I was disappointed, nor was I surprised by this film. I liked it about as much as I thought I would. Much of the violence is sadistic with little levity to make this easier to swallow or abide, but it also has quite a bit going for it beyond its violence. For instance, the first hour or so shifted my expectations a couple times and offered a handful of surprising kills, which, in my mind, made the film rather intelligent. What piqued my interest the most, however, was Wydell, though I have a lot of mixed thoughts on the final act. I think Zombie's intention was to have you empathize with the rejects since they were being unlawfully punished and tortured. While siding with anti-heroes is certainly possible and has been done many times in the past though, what broke the final act down for me was that Wydell had an extra layer of character development which the rejects lacked, so I actually found it easier to empathize with him. Of course, this isn't necessarily a problem given that you can still appreciate the film from this angle, but, while watching this sequence, I was frequently wondering whether or not I was reacting to it the way Zombie intended. There was also a decent bit I liked about the final act though such as the implication that, through their ordeal with Wydell, the rejects obtained a clearer understanding of what their victims went through. I also liked the incongruity of certain scenes in the final act. For instance, Wydell restraining and torturing the rejects or Wydell pursuing Baby were reminiscent of various tropes I've seen in other slasher films, except the roles were reversed this time. Finally, yes, the ending is as fantastic as it's said to be, though I had already watched it some time ago. As for whether or not my rating will remain as it is, I'm not entirely sure. To be honest, I'm still kind of undecided about how I feel about this film and somebody could probably convince me that it's better than what I think. I may revisit in the future to see if my rating goes up or down. For now though, this is where I stand.
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IMDb
Letterboxd



Oh boy, a second reply to the same post

I just wanted to say that there's a bunch of good (or close to good) horrors outside that list. In my opinion, it even misses some of the best. From my Letterboxd (and I've only rated actively for the last 2.5 years so it's probably missing some good ones too):

****
The Blackcoat's Daughter
Tigers Are Not Afraid
The Conjuring (I think that list tried to be edgy and cool by dismissing this)
The Dark

***½
Impetigore
Antrum
Doctor Sleep
Bliss
Us
Baskin
The Evil Within
The Eyes of My Mother
A Cure for Wellness
Hansel & Gretel: Witch Hunters (really, I don't remember much but I guess I liked it back then)

***
Our Evil
Liverleaf
The Sonata
I Am the Pretty Thing That Lives in the House
Livid
Eli
[REC]4 Apocalypse
[REC]3 Genesis
Dark Touch
Belzebuth
Draug
The Head Hunter
Hagazussa
The Conjuring 2
Kill List
The Laplace's Demon
Excision
The Axiom
The Little Stranger
Velvet Buzzsaw
November
Satan's Slaves
Sadako vs. Kayako
Found a few I hadn’t seen in the top two tiers, my weekend just got much better!



I wanted to take it easy on the people in the crowd, particularly two women who do not like horror movies but wanted to come. A movie that is that hard on a female protagonist might not have been the right fit.
While Candyman is hard on its lead female character (and, in fact, on all of its female characters), I would argue that it treats them more as people than most other horror films.



I just watched The Broken with Lena Heady again and, sad to say, my memory of it was way better than the movie itself. It's slow and uneventful and it isn't as interesting as its premise. It's a bit too understated.



Victim of The Night
While Candyman is hard on its lead female character (and, in fact, on all of its female characters), I would argue that it treats them more as people than most other horror films.
I don't disagree. You may remember my very lengthy essay on exactly that subject from last October. But after already watching Laurie Strode go through quite the ordeal, I didn't feel like they would enjoy watching Helen go through even worse.



I don't disagree. You may remember my very lengthy essay on exactly that subject from last October. But after already watching Laurie Strode go through quite the ordeal, I didn't feel like they would enjoy watching Helen go through even worse.
Fair enough!



I thought about reviving and finishing my Horrorthon thread (from Corri) here but it was just too will-sapping to lose all the work I'd done and then think about how much it would take to even catch back up
Bummer, I look forward to stealing vintage artwork from your thread every year.
But I understand. I could've continued my contest here but the wind had already left my sails.

I liked Drag Me To Hell when it was new, even bought it on dvd, but I was a newcomer to the Raimi fandom at the time so the Evil Dead legacy wasn't such a big thing for me to overcome back then. As for the bad-things-happening-to-good-people angle I would normally be right there with you, but I think in this case the humor kept me from taking it too hard. Haven't watched it in god knows how long, so who knows if I'll still feel the same way.
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My Collection



Victim of The Night

This is so good. So good.
I saw this in the theater and thought it was simultaneously amazing and bad. It's SO ambitious but I think maybe the... well, honestly, I don't know what I didn't think worked here. Over the years I have come to appreciate it more and more and really think of it as a low-key favorite. It is now just a favorite. It is awesome.
This movie is so surreal and bizarre that if anything, it gets in its own way at times by having such big ideas on screen at times that really ****ing chilling things that would stand out in other films seem light. Like the villainess just standing in the living room drinking a glass of wine in a chic dress... with literally no ****ing skin on. In another movie, that could be the ****ing climax. In this one, it's all just part of the world-building.
There is so much going on here and so many amazing ideas, I kinda wonder if there's anything like it. The introduction of The Doctor as a new arch-villain, even more powerful than Pinhead, somewhat diminishes the iconic monster's presence but damn is The Doctor awesome. So ****ing sinister, a Pinhead on steroids, while his design is not as iconic, it still plays and the performance carries it over the top anyway. When he bursts through the doors of the hospital ward sayin, "The Doctor is in", man, that's just an awesome moment. A pretty deep if vague mythology and a lot of fun surrealist touches, plus the M.C. Escher version of Hell really make this movie soar.
Recommend for any horror fan who likes imagination.



Victim of The Night
Couldn’t stand Hellraiser II.
You're crazy.

Literally 2-3 times as good as the original.