A scary thing happened on the way to the Movie Forums - Horrorcrammers

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Cool. I've been gathering it's low on the gruesome level.


This was for a friend who's doing something with someone, but that someone apparently not good with gore or stuff. So they had asked me if I was familiar and I was not.


I've related onto them that it sounds like they should be in the clear.
I doubt that you need me pointing this out, but I feel like horror (especially Nordic!) isn’t the safest option for people who “are not good with gore or stuff”. You never know what might creep in there… But I don’t remember anything that can be described as “gore”. Anyway, do report back if they give any feedback!



I guess you could also expand out that folk tale horror to folk tales & fairy tale horror to include dark renditions of fairy tales. Though I guess all of those still exclude Svankmajer's Alice, which should be in some cross-over genre.



I doubt that you need me pointing this out, but I feel like horror (especially Nordic!) isn’t the safest option for people who “are not good with gore or stuff”. You never know what might creep in there… But I don’t remember anything that can be described as “gore”. Anyway, do report back if they give any feedback!

It was in the context of horror movies for Halloween (one of many) and they've watched some together. And I think their words were to make it wasn't "too gruesome" (their exact words describing their partner were different), but I received the impression there is some type of threshold he needs to keep it under.


I wouldn't be surprised by the Nordic horror*, and what may creep in there, is probably why they were asking.


*: Now this was specifically called out, I'm struggling to think of what Nordic horror I've seen besides Let the Right One In (and outside of the ending, I don't recall that one having much I'd think of being gruesome.)



So in September I start thinking of my annual horror challenge...I feel like for 2022 to do a list of dual type films.

22. Anthology-Horror
23. Body Horror
24.Creature Feature
25. Historical Horror
26. Horror-Comedy
27. Psychological Thriller
28. Religious Horror
29. Science Fiction - Horror
30. Sex Horror
31. Supernatural Horror

I've got 10 sub genres set up if it's possible to come up with 31 I would I'd like some feedback from the horror fans. Do you see any blind spots or do think it's possible to get to 31 sub genres of horror.

Just speaking of Let the Right One In, "Horror/Romance," according to IMDb.
I guess that crossover will benefit the Neil Jordan fans.



Victim of The Night
Because when we do movie challenges we tend to do them in sections

https://www.movieforums.com/communit...ad.php?t=62388

https://www.movieforums.com/communit...ad.php?t=64846



The issue is getting to 31 because 1/2 can also be sci-fi/horror

You don't want to make it to limited so that people can't play but you do want to make it a challenge.
Ok, I think I start to get it.
Sorry, I was hoping to be helpful and contribute something but I have never done the Challenges since I've been here and never really been introduced to them so I don't really understand how they work.
I actually thought you meant like this was a challenge you were setting for yourself for that month.

Edit: Just looked over the threads, I get it now. Pretty cool.



So in September I start thinking of my annual horror challenge...I feel like for 2022 to do a list of dual type films.

22. Anthology-Horror
23. Body Horror
24.Creature Feature
25. Historical Horror
26. Horror-Comedy
27. Psychological Thriller
28. Religious Horror
29. Science Fiction - Horror
30. Sex Horror
31. Supernatural Horror

I've got 10 sub genres set up if it's possible to come up with 31 I would I'd like some feedback from the horror fans. Do you see any blind spots or do think it's possible to get to 31 sub genres of horror.

Horror musicals
Horror westerns


Unfortunately, I don't know if there are many entries in the latter (but maybe I'm underestimating the count).



31 Horror Subcategories? (Gonna repeat some already mentioned, and some of these may overlap)

Sex/Erotic Horror
Arthouse Horror
Eco/Environmental Horror
Queer Horror
Feminist Horror
Teen/PG-13 Horror
Body Horror
Gothic Horror
Folk Horror
Urban Horror
Cosmic/Sci-Fi Horror
Indie Horror
Rural Horror
Comedy Horror
Mockumentary Horror
Short Horror
Creature Feature Horror
Home Invasion Horror
Supernatural Horror
Slasher Horror
Holiday Horror
Anthology Horror
Found Footage Horror
Western Horror
Lovecraftian Horror
Animated Horror
Christian/Religious Horror
Psychological Horror
Romantic Horror
Rape/Revenge Horror
Silent Horror



31 Horror Subcategories? (Gonna repeat some already mentioned, and some of these may overlap)

Cosmic/Sci-Fi Horror
Lovecraftian Horror
Or rather...

Sci-Fi Horror
Cosmic/Lovecraftian Horror
__________________



Be thankful they chose a nipple to illustrate his arousal. Could've been worse.
WARNING: spoilers below
I think one of the box sets I got from Vinegar Syndrome a while back actually has a Bigfoot porno. We'll see if it delivers where your gif stopped short.



WARNING: spoilers below
I think one of the box sets I got from Vinegar Syndrome a while back actually has a Bigfoot porno. We'll see if it delivers where your gif stopped short.
The real story here is the quality of that gif. It seems a Code Red BluRay was released a few months ago and nobody told me!





What Keeps You Alive, 2018

Married couple Jules (Brittany Allen) and Jackie (Hannah Emily Anderson) go to an isolated cabin owned by Jackie's family to celebrate their one year anniversary. But when the pair accidentally encounters Sarah (Martha MacIsaac), a woman who knew Jackie as a child, secrets about Jackie's past start to come to light. Soon things between the couple become rather, um, antagonistic.

Is it really too much to ask, she says, that I get to watch a couple of women chasing each other through the woods, trying to murder one another? Is it? Much like with my recent frustration with The Ledge, this film starts out with a heart-pounding premise, but then takes things in another, less compelling direction.

I was really into this film for about the first 30 minutes, which includes a particularly shocking and bold moment. But right as I felt like things were really going to kick off, the foot comes off of the accelerator and the movie turns into a cat-and-mouse game that stretched plausibility and couldn't match the suspense of the first third.

I don't want to go into specifics, because I would recommend this film and I don't want to spoil it. My complaints aren't just that the film wasn't what I wanted it to be, but rather that the direction it takes for the middle third doesn't quite work. It raises too many "but couldn't she just . . . ?" kind of questions. It gets some momentum back in the last 25 or so minutes, though I did not care for the ending (conceptually---there is actually one really neat shot/sequence).

I liked Allen and Anderson in the lead roles. I read that originally this film was conceived as being about a straight couple, and for better or worse, it kind of feels that way. I did think that it was funny how committed they were to Jackie being incredibly femme in her outfits, hairstyle, and makeup. Allen has a tricky job to do because Jules makes a lot of choices that are really questionable. But her general sense of bafflement and disorientation somewhat alleviates that problem. Somewhat.

The setting is really pretty, with a big broad lake and precarious rocky ledges. I was a bit torn on the way the film is shot. At times I really liked certain choices, like having a physical confrontation take place off-screen, but with the camera following the action from the floor below. Other times, though, things like mounting a camera to a rowboat oar just felt out of place.

Fine, but too often it doesn't play to its strengths in terms of the cast and setting.






Midnight Kiss, 2019

Cameron (Augustus Prew) goes on a group vacation for New Year's Eve with his ex-boyfriend Joel (Scott Evans), Joel's new boyfriend Logan (Lukas Gage), Hannah (Ayden Mayeri), and Zachary (Chester Lockhart). The friend group has a tradition of finding and hooking up with a stranger, the goal being to guarantee a midnight kiss. But there's a person with a very sharp knife and a leather mask who clearly has some lingering resentment about how the game was played in the past . . .

I'm sure if you made a word cloud of my writing about horror movies, the words male gaze would be lit up like a Christmas tree in huge font. But I have to say, this was the first time I feel as if I've seen the male gaze applied to male bodies. While the film itself is kind of a run-of-the-mill slasher, the way it applies horror tropes to male characters gives it a little boost of interest. For example, the opening sequence involves a male character having a phone conversation . . . while dressing and undressing to try on different shorts. There's one character we never see nude or taking a shower and, you guessed it, it's the lone female character.

What I most enjoyed about this film was that it employed one of my favorite horror tropes: the double bad guy. You know, like the homophobic detective in Butcher Baker? I really like it when there's an obviously bad character, something that adds some intrigue to the social dynamics between the characters. Put simply, Joel is bad news. He's controlling and manipulative, just short of the point where you wonder why these other seemingly not horrible people continue to hang out with him. As the movie goes on, this escalates, from him criticizing Logan's cologne to later forcing him to take drugs at the party. It either means that he's going to turn out to be the killer, or it means that things will be very complicated in the final act. Either way, I am a total sucker for this trope.

Cameron is an engaging lead character, basically watching Joel repeat his relationship nonsense with Logan. He has good chemistry with all of the other characters, and he feels like the only character who is genuinely friends with Hannah. Aside from Joel who is a total turd and Zachary who is very underdeveloped, the core characters are sympathetic and you want to root for them.

Unfortunately, this movie feels like it had 60-70 minutes to offer but was contractually obligated to be 90 minutes long. A sequence where Cameron hooks up with a cute guy at the nightclub goes on for too long, as do some of the sequences once the group returns to their rental house after the New Year's Eve party. It lags the pace of the film, which is unfortunate. There are some good tensions that build during the party, but then like 15 minutes of kind of blah time before things really kick off again at the house.

The kills are decent but nothing special. Worth a watch. And if you want to see some internet homophobia in action, check out the user ratings distribution for this film on the IMDb.




I’m pretty sure I’ve seen Midnight Kiss. It feels like we’re one step closer to true equality when we have more gay slashers that are just kinda mediocre and forgettable.



I’m pretty sure I’ve seen Midnight Kiss. It feels like we’re one step closer to true equality when we have more gay slashers that are just kinda mediocre and forgettable.
Hellbent (the 2004 film) was really strong.

At some point we'll be able to make a top 10 list of queer slashers . . . that isn't just a list of the only 10 queer slashers we've seen, LOL. Thinking about it more, I feel like Midnight Kiss missed a chance to say more about how demeaning and problematic gay hookup culture can be for some men. Almost like how I felt about What Keeps You Alive, this is a film that for better or for worse feels like it could have easily swapped in straight characters without changing much at all.

I've been pretty mixed on the Into the Dark series--the Hulu once-a-month horror anthology series--but I think Midnight Kiss is toward the top for me, along with Pilgrim, Pooka, Culture Shock, and Pure.