1. Playtime (1967)
The wait, which was inadvertedly spoiled by member Tyler1 (HitchFan97 was close when he predicted Le Mépris) is over: my favourite movie of all time, the one which I return to the most and has never failed to disappoint, is Jacques Tati’s Playtime. The restored 65-millimeter version, which I managed to see (all the other viewings have been on DVD/Blu-Ray) has the most intricately designed mise-en-scene in all of cinema. Tati’s studio-constructed vision of Paris begins in daytime with nightmarishly regimented straight lines and right angles and proceeds to night with accidental yet celebratory curves of people instinctively coming together.