Buccaneer, 1938
French pirate Jean Lefitte (Fredric March) has a tentative alliance/affection with the American people, and a particular affection for Annette de Remy (Margot Grahame), who wants to be with him but also wants him to be decent. Things take a turn when the British conspire to attack--this is all set during the War of 1812--and one of Lefitte's mates decides to attack an American ship and kill all of the civilians and crew on board. The lone survivor is Gretchen (Franciska Gaal), who begins to develop feelings for Lefitte after he saves her from being killed by the crew.
I liked this a fair bit more than I anticipated, though it was still a mixed bag for me.
On the positive side, I did find Gaal very charming in her role as the plain-spoken, determined Gretchen. It says a LOT that her character often made weird, stupid, or selfish decisions, and yet her character never fell out of favor with me. March is also mostly charming in his role as the pirate with a conscience, though his character never quite gripped me.
The film ends up being almost more politically driven than I'd expected. There's the first third which mainly consists of establishing Lefitte's loyalty to the US. Then there's the middle third which is Lefitte and his men helping fight off the British. Finally, there's a section dealing with Lefitte trying to integrate into polite, elite society.
I was a bit torn on the last third. On the one hand, it had some of the most powerful parts of the whole film. As Lefitte and Gretchen navigate an upper class party, they realize that many of the attendees had family members on the ship that Lefitte's men sunk, including Annette's sister. The plundering and sinking of the ship has yet to be reported. In fact, to her horror Gretchen realizes that she's wearing Annette's dead sister's dress. It's genuinely heartbreaking in moments, such as when a woman casually mentions that her son is aboard the ship. But at the same time, the tone up to this point has been mostly fun and whimsy. It's a bit of a tonal hard turn, even though it produces some of the best moments of the film.
I also have to say that starting a film with a racist caricature is not at all the way to my heart. All of the characters in the film trade banter and bon mots . . . except the black characters who are painful stereotypes of broken English and slow wits. It's one of those dated elements that really leaves a sour taste in my mouth and dings my enjoyment of a story.
This one has its moments, but overall feels like it's not entirely there.