Originally Posted by blibblobblib
Horror is a strange genre. It seems to be the only genre where the creators and masters of it can re-use the same techniques over and over and people still love it. Kudos to anyone whose a horror fan, i know both of you two are (Oggy and Sexy) but i honestly thought this was such a boring, cliche, run of the mill horror remake. Nothing new here what so ever. Same basic storyline, same shocking open ending. Same 'Hero' character.
Obviously I disagree, but you do have a point. In terms of originality, THHE isn't at all groundbreaking. It may visually be original in its deaths and execution, but at this point all horror is fairly similar. What I think makes THHE such a unique film in this day in age is that despite all the expectations of the genre, despite how desensitized we all are to the genre, it still all comes together and actually works.
It is similar to a whole batch of other genre flicks in that beat for beat they all follow the same formula; establishing shot of the object of fear, some character establishment, an isolated death, more establishment, a mini-climax, conflict, climax, ending-open-for-a-sequel.
Hills has all those things, but they all work together seamlessly. The film transitions from scene to scene effortlessly and nothing, for me at least, feels like it was written in just for some minor function. To me, this is one of the biggest faults the genre has. Something gets written into the script so that it can blatantly function for some small, shocking purpose later on.
Hills doesn't have that scripting problem.
Plus, the characters are so much more than just a tally on the film's body count. They're well established and they actually go through an arc that matures them throughout. They may not be characters who would fascinate you at a party, but they're much more than the wooden bodies that get written into other similar scripts.
Another thing I love about it that is atypical of the genre these days is that despite the bloodshed, it doesn't have to be exploitively graphic to get the point across. I know it is flooded with blood at times, but there are no close-up shots of wounds, no tight shots of skin splitting open. No slow, agonizing torture. No contrieved pain. There is no penetration here, all the shock comes from the aftermath of the violence - remember that you never saw the axes pierce the skin or crack the skull, they're almost entirely shots of the axe after the animation has stopped. Hell, the most brutal and shocking moment of the movie (the trailer sequence) has the least amount of blood.
I too disliked the open ending, I really wish it had ended as the original did (with a freeze frame of Doug mid-beat down), but it really is only 2 minutes of screen time and for me doesn't at all kill the previous two hours.
So to me, the movie is new because it is unlike other films as of late. I'm bummed you thought it was boring, because for me as soon as you hear that echoing "Daaadddddy", the film never stopped drawing me to the edge of my seat. I was enthralled by the pacing and especially the cinematography that is sweeping and desolate in scope.
It didn't feel in your face shock and awe, it felt like how those events would have really played out. Plus, cinematically it was just so energized. From the slow and subtle, not-techno-but-mechanical sounding score, to the spaghetti-western, ghost-town showdown at the end of the movie.
Sorry you didn't like it Blib, I genuinely am. I do think The
Hills Have
Eyes is a film you don't have to be a horror addict to enjoy (actually, I'm not sure those who are addicts ever actually "enjoy" in the delightful sense), but I do think that those who aren't will be less appreciative of the lengths Aja, Levasseur, Craven and co. go to to make their movie unlike the wave of genre entries of the past couple years. I guess to the casual horror goer, the difference between something like Saw, The TCM remake or the THHE remake is subtle, but to the horror enthusiast it's like a refreshing dive into a nice, cool mountain stream.