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Bright light. Bright light. Uh oh.

The Great Lie (Edmund Goulding, 1941)

Turnabout (Hal Roach, 1940)

You Said a Hatful! (Hal Roach [producer], 1934)

The Misfits (John Huston, 1961)


Truth in Advertising: Estelle Winwood, Montgomery Clift, Eli Wallach, Marilyn Monroe, Clark Gable
Wooly Boys (Leszek Burzynski, 2001)

Starlet Revue aka The Big Revue (No Director Listed, 1929)
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(Seven-year-old Judy Garland’s first film appearance, dancing with her sisters)
California Conquest (Lew Landers, 1952)
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Dead of Night (Cavalcanti, Crichton, Dearden, Hamer, 1945)
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Hugo’s dummy Michael Redgrave… wait a minute
The World Changes (Mervyn LeRoy, 1933)

Listen, Darling (Edwin L. Marin, 1938)

Woman Against Woman (Robert B. Sinclair, 1938)

The Silence (Ingmar Bergman, 1963)


Ingrid Thulin, Gunnel Lindblom and Jörgen Lindström share the silence
Breakdowns of 1941 (No Director Listed, 1941)

Cynthia (Robert Z. Leonard, 1947)

The Courage to Love (Kari Skogland, 2000)

L’argent (Robert Bresson, 1983)


The inexorable result of finding a counterfeit 500 franc note
Trifles That Win Wars (Harold Daniels, 1943)

Cass Timberlane (George Sidney, 1947)

Navy Seals (Lewis Teague, 1990)
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Anita: Swedish Nymphet (Torgny Wickman, 1973)


Stellan Skarsgård has his hands full with (of?) Christina Lindberg
__________________
It's what you learn after you know it all that counts. - John Wooden
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Bright light. Bright light. Uh oh.

Boogeyman (Stephen Kay, 2005)

Water Bugs (Will Jason, 1941)

A Lesson in Love (Ingmar Bergman, 1954)

For a Few Dollars More (Sergio Leone, 1965)


Clint Eastwood and Lee Van Cleef decide to team up against Indio and his band
Alex in Wonderland (Charles Reisner, 1940)

Death Rides a Horse (Giulio Petroni, 1967)

The Mercenary aka A Professional Gun (Sergio Corbucci, 1968)

The Prisoner of Zenda (John Cromwell, 1937)


Battle of the Moustaches: C. Aubrey Smith, Ronald Colman, David Niven, Douglas Fairbanks Jr.
The Five Man Army (Don Taylor, 1969)

Guns for San Sebastian (Henri Verneuil, 1968)

Tarzan and the Amazons (Kurt Neumann, 1945)

The Flowers of St. Francis (Roberto Rossellini, 1950)


St. Francis (Brother Nazario Gerardi) encounters a leper one night
Silver Wolf (Peter Svetek, 1999)
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The Crooked Way (Robert Florey, 1949)
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A Talking Picture (Manoel de Oliveira, 2003)

CSNY/Déjà Vu (Bernard Shakey [Neil Young] & Benjamin Johnson, 2008)


Crosby, Stills, Nash & Young perform during their 2006 Freedom of Speech Tour – some loved it and others didn’t
Along Came Polly (John Hamburg, 2004)

One Big Affair (Peter Godfrey, 1952)

Count the Hours (Don Siegel, 1953)

Il Posto (Ermanno Olmi, 1961)


Sandro Pansari & Loredana Detto become friendly during a break from their job interview/testing process



Blue Jasmine (Woody Allen, 2013)


August: Osage County (John Wells, 2013)
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Killer Joe (William Friedkin, 2011)
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Bubba Ho-Tep (Don Coscarelli, 2002) (Rewatch)


Army of Darkness (Sam Raimi, 1992) (Rewatch)
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I Wish (2011) - Hirokazu Koreeda
This film was listed in the best 10 of 2013 by someone at The Guardian (I guess it was only released in the UK last year). Hadn't heard of it apart from there but it is definitely deserving of that accolade. A simply wonderful film about a group of children (in particularly two brothers) who believe they can make a wish when the bullet train passes and it will come true. A beautiful story about hopes and dreams.
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Honey, I Shrunk the Kids (1989) - Joe Johnston
Not as bad as I thought it would be but it's one of those movies where the premise is the movie - the actual characters appear to be a bit of an afterthought.


Breaking the Waves (1996) - Lars Von Trier
Von Trier always gets great performances out of his leading ladies - and he does again here with Emily Watson. Not Von Trier's best but a very good movie.
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Tracks (2013) - John Curran
A really good Australian film about a young woman who decides to walk from Alice Springs to the Indian Ocean. Curran does brilliantly in making the beautiful and harsh scenery one of the lead characters. In many ways, apart from it dealing with issues like isolation, it is a love story between the director, the main character (played by Mia Wasikowska) and Australia. I feel like my rating for this will go up when I watch it again in the future because it's a movie that is really staying with me.
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Music & Lyrics (2007) - Marc Lawrence
Pretty standard romantic comedy but I like Grant and Barrymore so it's a bit better than most.


Invisible Waves (2006) - Pen-Ek Ratanaruang
An interesting, surreal crime movie. Perhaps a bit too slow moving but generally pretty good. It struggles a bit because the cast is pretty multi-national (Thailand, Japan, Korea) and they mostly talk to each other in English - this makes it seem like the acting isn't great. Not as good as Ratanaruang's Last Life in the Universe but worth a watch.
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Ploy (2007) - Pen-Ek Ratanaruang
A very good movie about relationships - both old and new. I felt that this was better than the two previous films I'd seen by this director. A lot of quality films coming out of Thailand these days.



Finished here. It's been fun.
Double Indemnity

Now This is how you make a Film-Noir ladies and gentlemen. Billy Wilder's other noir-classic Sunset Boulevard is one of the greatest films ever, and somehow this film is just as incredible. This is a dark-noir that somehow manages to do everything right. The script is tight and engaging, the shadowy cinematography is gorgeous and the suspense is palpable. It's just perfectly crafted, and extremely compelling. I've seen 4 Wilder films thus far, and obviously I will watch many more. But a thing I've noticed about all his films is how well-paced they are. They somehow never drag and even slow moments are very interesting. If you haven't seen Double Indemnity, please do so now.



Planet of the Apes

Heading into this film, my expectations weren't all that high. I already knew the infamous "twist", and I thought this was simply going to be a solid, yet dated piece of classic Sci-Fi. I was very wrong. The make-up, special effects and the entire aesthetic of the film is way ahead of it's time. It's not as revolutionary as 2001:A Space Odyssey, which strangely enough came out the same year but it is very impressive nonetheless. This is an extremely entertaining, adventurous and rather thought-provoking film. It is ripe with allegory and it harshly condemns human-nature. I expected a simple action flick, so I was happy to see it had more substance to it than meets the eye. Charles Heston is badass in this role, impossible to not smile when he spouts quotes as cool as this:
"Take your stinking paws off me you damn dirty ape!"
Planet of the Apes isn't without flaws, it is quite flawed in some areas. But it certainly does earn its place in history as a piece of classic Science-Fiction. And the ending is brilliant, even thought I already knew what was going to occur. Truly one of the best endings in Hollywood history.





Duck Soup

Rather amusing, but not much else to it. A political satire filled with slapstick and clever jokes. I did enjoy parts of it, but I just don't see anything That great here. Maybe its because most of it's jokes and humor has been replicated so many times through movie history.I don't feel too strongly about this film, so I have nothing more to say.



Barry Lyndon

Kubrick was a master filmmaker as we all know, with a plethora of masterpieces under his belt. This film is another one of his masterworks. Barry Lyndon is easily one of the most gorgeous films ever made. It is meticulously composed with beautiful cinematography, stunning locations and backdrops, as well as incredible attention to period detail.The acting is great, as is the script. This is a 3-hour epic which never feels boring or dull. Kubrick shows us the life of a character, his rise and then his inevitable fall.It really is a excellent story, with Kubrick painting a truthful portrait of human frailty. No other filmmaker in history has such a perfect record of films. Kubrick has tackled war epics, political satires, horror, science-fiction,etc,etc. There was nothing this man couldn't do. This is a remarkable triumph of filmmaking, and must-watch cinema for film enthusiasts.



Nymphomaniac Parts 1&2

Lars Von Trier brings us another controversial film which is sure to push many buttons. Nymphomaniac is a film about a woman who recounts her life to a man who found her beaten in an alley. She recounts her earliest sexual experiences and guides the viewer through her life as a Nymphomanic(sex addict). This is a very explicit film, honestly no other film I've ever seen shows such gratuitous nudity and sexuality. Many might criticize Lars for making this film, and they may believe it only exists to provoke. I personally think the content is handled fairly well, and quite realistically as well. It's not afraid to go to areas, other films might be too afraid to go. It's a well-told story, and of course the acting is very strong. But I feel a slight indifference to what I've seen. It's an interesting effort, and I'm glad I checked it out. However its not something that I would recommend to everyone, nor is it a film I see myself revisiting ever again. Your mileage may vary with the film, depending on how you choose to look at it.



About Schmidt

Quite an earnest showcase of elderly unease and unhappiness. Nicholson gives one of his career-best performances as an elderly man who has recently retired, yet feels he has nothing to show for his life. It's not a particularly upbeat film, it is quite cynical and pessimistic. I found myself liking it due to how real the material feels, the director treats the subject with care and honesty. I found myself emphasizing with the film's main character, and I feel many other people might as well. He's lived life, but he doesn't really have much to show for it. It's a dry film, and not one I find myself revisiting anytime soon however.Still damn good though.




Maybe its because most of it's jokes and humor has been replicated so many times through movie history.I don't feel too strongly about this film, so I have nothing more to say.
Guapo, is that you?



Obviously I love Duck Soup, but atleast you didn't react like Skepsis. We're on the same line for About Schmidt, I really am anxious to watch Nymphomaniac
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Yeah, there's no body mutilation in it



Bright light. Bright light. Uh oh.

Enchanted Island (Allan Dwan, 1958)

Aningaaq (Jonás Cuarón, 2013)

Mostly Martha (Sandra Nettelbeck, 2001)

Eat Drink Man Woman (Ang Lee, 1994)


Yu-Wen Wang, Chien-lien Wu & Kuei-Wei Yang are served dinner from their chef father Sihung Lung
The Crimson Rivers (Matthieu Kassovitz, 2000)

Crimson Rivers 2: Angels of the Apocalypse (Olivier Dahan, 2004)

Murder on a Bridle Path (Edward Kelly & William Hamilton, 1936)

Women in Love (Ken Russell, 1969)


The infamous nude wrestling in front of the fire scene: Oliver Reed and Alan Bates
The Fiances aka I fidanzati (Ermanno Olmi, 1963)

Graffiti Bridge (Prince, 1990)
(and I like Prince)
Women Reply: Our Bodies, Our Sex (Agnes Varda, 1975)

Dark Passage (Delmer Daves, 1947)


Subjective camera is king when Humphrey Bogart thinks about his face and Lauren Bacall while under anaesthesia during plastic surgery
The Grim Reaper (Bernardo Bertolucci, 1962)

Around the World Under the Sea (promotional short) (No Director Listed, 1966)

Heart of the Rio Grande (William Morgan, 1942)

Dead Presidents (Hughes Bros., 1995)


During an armored car robbery, N'Bushe Wright fires plenty of ammo
Village of the Damned (Wolf Rilla, 1960)

It! The Terror from Beyond Space (Edward L. Cahn, 1958)
(Alien precursor)
Alert Today - Alive Tomorrow (Larry O’Reilly, 1956)

High Fidelity (Stephen Frears, 2000)
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Alex Desert calls out John Cusack, Todd Louiso & Jack Black for being elitist snobs



I'm not old, you're just 12.
Gravity - I was left speechless. I had heard a few friends say they thought it was dull or not worth my time, but they were really really wrong. This movie is suspenseful, terrifying, but also beautiful and inspiring. Sandra Bullock is amazing as a stranded astronaut trying desperately to survive in a horrible situation. I never knew she had this in her from all her rom coms...Highest recommendation from me.
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"You, me, everyone...we are all made of star stuff." - Neil Degrasse Tyson

https://shawnsmovienight.blogspot.com/



This week in movies:



Eastern Promises (2007) by David Cronenberg


The Enigma of Kasper Hauser (1974) by Werner Herzog


The Man From London (2007) by Béla Tarr and Ágnes Hranitzky




You, the Living (2007) by Roy Andersson


Through the Olive Trees (1994) by Abbas Kiarostami


Tree of Knowledge (1981) by Niels Malmros
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Do The Right Thing (1989) by Spike Lee
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Flanders (2006) by Bruno Dumont
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The Man Who Loved Women (1977) by François Truffaut
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Casino (1995) by Marting Scorsese


Import/Export (2007) by Ulrich Seidl


The Life of Jesus (1997) by Bruno Dumont
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Only Lovers Left Alive (2013) by Jim Jarmusch


Inside Llewyn Davies (2013) by Joel Coen and Ethan Coen
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Jim Jarmusch ranked from top -> bottom:

1. The Limits of Control (2009)
2. Dead Man (1995)
3. Mystery Train (1989)
4. Stranger Than Paradise (1984)
5. Night on Earth (1991)
6. Coffee and Cigarettes (2003)
7. Down by Law (1986)
8. Permanent Vacation (1980)
9. Broken Flowers (2005)
10. Only Lovers Left Alive (2013)



1408 (Mikael Håfström, 2007)

Forty Shades of Blue (Ira Sachs, 2005)

The Sentinel (Michael Winner, 1977)

Big Trouble in Little China (John Carpenter, 1986)



Nikt nie woła [Nobody's Calling] (1960) -




Yet another Polish film dealing with the topic of people living in a post-war period when they were still looking for their place, trying to detach from painful memories and start it all over. The plot is enigmatic and although most questions are answered, there's still a bit left to interpretation. The movie has got a beautiful black-and-white cinematography.

...E tu vivrai nel terrore! L'aldilà [The Beyond] (1981) -




Sorry, Fulci. Not this time, bro. Unlike in his giallos I have seen, there's no nice visuals, music (well, it's decent), or atmosphere and absolutely nothing to love in this Fulci flick. The movie wants to be very bad and it succeeds, but sadly it's not one of them "so bad it's good" films. The plot is very incoherent and doesn't make any sense. It's just an excuse to show some tarantulas biting plaster face (WTF?!), horrible gore elements and unexpected zombies in the end with a guy who's got unlimited ammo in his pistol. If I was to name one good thing about this movie, it would be the ending. I really liked the imaginary. Too bad it's only the last minutes that good.

Piętro wyżej [The Upstairs] (1937) -




Polish pre-war classic I finally got around to see! Starring paramour Eugeniusz Bodo, who died during the war. It makes his words in this light comedy take a new meaning. He said something along the lines: "I have to enjoy life as long as I can". The movie itself is a comedy built on a series of mistakes. It all starts off with two men with the same name Pączek (Doughnut) hating each other. The first one plays classical music, the second one jazz music and they compete in who will play louder. One of them calls cops and accuses Mr. Pączek, but forgets his name is the same. It's only a portion of what's to be found in this flick. A lot of confusing mistakes that lead to plot development and some truly hilarious bits as well as catchy songs.

Na srebrnym globie [On the Silver Globe] (1988) -




I hated it! I don't like to use this word, because it makes me sound like a little brat angry that he watched something he didn't like, but it's more or less true. The visuals and music are alright. I liked the atmosphere of the first half an hour. What's wrong, then? - you'd ask. Dialogues and monologues. Very annoying, pompous and pseudophilosophical. They don't make any sense and neither does the film. It was already a case with Trzecia Część Nocy - other Żuławski film, which I loved, but in TCN it wasn't as evident as in here, and the film itself was more tranquil. Na Srebrnym Globie is very expressionistic, but in the worst way possible. Not visually, but verbally. Characters often scream and quiver in convulsions WHILE mumbling some non-sense. Not possible to stand. I don't like this film. It's even weirder as I loved director's other film Trzecia Część Nocy. I couldn't finish his other one, Diabeł, though. I will have to watch Possession and if I don't like it I give up with Żuławski films.

Les parapluies de Cherbourg [The Umbrellas of Cherbourg]
(1964) -




Wow! Probably my first proper musical, or at least the first I watched consciously. At first I was surprised, because I thought they are going to sing for most of time, but also have a casual chit-chat, whereas in fact there's no spoken word in this film. Every single word is vocalised. I got used to it pretty quickly and my anxiety of disliking a film with people signing out of blue passed. You see, I easily accepted it as I regard the movie as a fairy tale. Well, except for the last scenes, which struck me with a relatively high realism. I thought it only can end one way and was surprised. A nice surprise!

I don't know much about musicals or vocalists, so I can't say much about actors and their singing. Casual singing during a conversation was OK. The main theme was amazing. The film oozes with style. The decoration of apartments with wallpapers of many hues, the rich streets and nicely dressed actors and on top of that a knockout - Deneuve are a good reason to give it a chance even if you think you don't like musicals.
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San Franciscan lesbian dwarves and their tomato orgies.



Before man was, war waited for him.
Damn. I really like The Beyond. Oh well, at least you love The Umbrellas of Cherbourg.

I still want to see On the Silver Globe even though you hate it. The still images I've seen of it are drawing me in.



Maybe since you can't speak Polish it won't be as annoying. Who knows, perhaps I would hate some French films, if I actually was French?



I also love the Beyond, but its been over a year since i saw it last time... The Umbrellas is a fantastic film.

I actually havent seen On the Silver Globe even though i love Zulawski. As JJ im also looking forward to watch it eventually.



Before man was, war waited for him.
Is there any musicals as beautiful (or any that even come close) as The Umbrellas? Serious question, because I would be interested in seeing them.



JJ, watch The Young Girls of Rochefort from 1967 by Jacques Demy its on Mubi.

All in all i dont know very much about musicals, but this one is quite good. Bluedeed likes it aswell.



I'm planning to see The Young Girls of Rocherfort and Singin' in the Rain. Both look good judging from the screens, but I'm not sure they can beat The Umbrellas.



IMO they cant, but what the hell do i know about musicals. Both are good movies and i rate them about the same, though i prefer The Young Girls of Rochefort.