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First off, 3 is a positive rating.
I first saw The Spirit of the Beehive when it played in Hollywood in 1977, but I've watched it a few times since. It's filmed in a poetic form of neorealism, anchored by Ana Torrent's big eyes, but except for an occasional image here and there (such as the image I posted), it didn't really engage me until the scene with the Monster. It just seemed like all buildup to a three minute scene and then The End. I can understand its appeal to others just as I can relate to why it would be a snoozefest to a different type of film watcher.
Ugetsu is a film I've enjoyed in the past, but it did seem simpler than I remembered. It is timeless, almost a fairy tale in theme and presentation, so I don't really have anything major to complain about. It gains power as it builds to its conclusion, and once again shows Mizoguchi's strong pro-feminist cinematic nature. I guess I'm just jaded. :)
Mr Minio
08-01-13, 03:46 PM
That's a great response, mark f! Thank you.
The Gunslinger45
08-01-13, 06:22 PM
Wait a week or two more and I will post a list of almost 50 films I have seen during my Internet break!
Welcome back!
donniedarko
08-01-13, 11:37 PM
Things to Come (Menzies, 1936) 2
Maybe if I watched this in 1936 I would've fell in love, but being only 22 and a half years from 20136 I can't help but thing I heard all this before, at least three times. Sure H.G. Welles got a few things right, we did have a second world war, but then again right now there's always talk of a third, so it was really throwing turds at a wall and seeing what sticks. Pessimism and technology taking over, I've heard it before. As a pure sci-fi film it's Ok, if you just look at the science fiction aspects.
http://upload.wikimedia.org/wikipedia/en/thumb/a/ae/Thingstocomescifi.jpg/225px-Thingstocomescifi.jpg
The Cocoanuts (Marx Brothers, 1929) 3
An amusing Marx Brothers effort. It's my fourth film of there's, after Duck Soup, A Night in Casablanca, and A Night at the Opera. I only prefer this to one of those (I'll get you guess which ;) ). As always I love the word play, and Harpo's stunts. Grucho is by far my favorite of the group, well maybe not by far. This film did lose me near closing, which is unfortunate. Oh yes, the auction scene, 4.5
http://upload.wikimedia.org/wikipedia/en/thumb/c/c3/The_Cocoanuts.jpg/220px-The_Cocoanuts.jpg
Jamaica Inn (Hitchcock, 1939) 1.5
My new least favorite Hitchcock, taking the crown from Number 17. Completely disengaging, no character development, and an unfortunate choice after not watching a Hitchcock film in awhile. Laughton is becoming one of my favorite classical actors, since he makes boring films, have a small spark.
http://upload.wikimedia.org/wikipedia/en/thumb/5/56/Original_movie_poster_for_the_film_Jamaica_Inn.jpg/220px-Original_movie_poster_for_the_film_Jamaica_Inn.jpg
The Nightmare Before Christmas (Selick, 1993) 2.5
I can't comment on the animation, since my streaming speed was slow as a two legged horse on painkillers. Making the picture quality on the low, low, low side. This was to much of what I expected though, I read the Netflix summary, said this sounds cool, clicked stream, and wasn't amused once. Solid first act though. And :up: for the naming of characters.
http://upload.wikimedia.org/wikipedia/en/thumb/9/9a/The_nightmare_before_christmas_poster.jpg/220px-The_nightmare_before_christmas_poster.jpg
Ed Wood (Burton, 1994) 3
Not much to comment. Great cast, and this does make me want to watch some Ed Wood films. I love the scene where he meets Orson Welles, it shows that an artist is an artist, and goes through the same troubles. Plus I enjoy Touch of Evil references.
http://upload.wikimedia.org/wikipedia/en/thumb/3/3b/Ed_Wood_film_poster.jpg/220px-Ed_Wood_film_poster.jpg
The Rum Diary (Robinson, 2011) 3+
Enjoyed this way more than I thought I would, full thoughts in my thread. I find the tongue scene absolutely hysterical, and I like the Hemingway like setting the film holds for the first half.
http://upload.wikimedia.org/wikipedia/en/thumb/3/36/The_Rum_Diary_Poster.jpg/215px-The_Rum_Diary_Poster.jpg
Withnail & I (Robinson, 1987) 1.5
Once again full thoughts in my thread, but I expected to like this way more. Not funny, not dark, and not finishable.
http://upload.wikimedia.org/wikipedia/en/thumb/f/fe/Withnail_and_i_poster.jpg/220px-Withnail_and_i_poster.jpg
In a Lonely Place (Ray, 1950) 3.5
Awesome film noir and the best one from this set. The movie has something special in every scene, it goes slowly, but yet so elegantly. This demands a second viewing. Bogart had an amazing menacing role, but was still a relatable and lovable character, reminds me of Malone. Him and Gloria Grahame had great chemistry, and this film just always feels right.
http://upload.wikimedia.org/wikipedia/en/thumb/e/e4/In_a_lonely_place_1950_poster.jpg/220px-In_a_lonely_place_1950_poster.jpg
Guaporense
08-01-13, 11:56 PM
Guaporense: Why do you think The Garden of Sinners is a tough watching experience? Not to mention Tarr comparison.
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Despite it being done in the traditional anime style that makes it's viewing much more pleasurable than average films it still managed to drag a bit and to make some demands over my attention span.
Guaporense
08-01-13, 11:59 PM
Metropolis (anime) 3 (background art 5+++)
http://moviesmedia.ign.com/movies/image/article/650/650717/top-25-animated-movies-of-all-time-20100624060154273.jpg
That screenshot is from Akira (1988).
Mingusings
08-02-13, 12:55 AM
The Wolverine (2013): 3+
I really loved this film up until the final act. Great character development and the Japanese backdrop played out wonderfully. But then the last 20 minutes or so were just filled with mindless, boring action.
More Ratings:
X2 (2003): 3
X-Men the Last Stand (2006): 2_5-
Mud (2013): 3-
The Conjuring (2013): 3-
The Lone Ranger (2013): 2_5
Identity (2003): 3
Carrie (1976): 4
Despicable Me 2 (2013): 2+
World War Z (2013): 2_5+
Monsters Inc (2001): 3_5+
Mr Minio
08-02-13, 07:13 AM
Despite it being done in the traditional anime style that makes it's viewing much more pleasurable than average films it still managed to drag a bit and to make some demands over my attention span. That's weird as it's not slow at all. It's got great music and drawing style. The story is complex and interesting and there's an action scene in every episode.
Ten Thousand Bedrooms (Richard Thorpe, 1957) 2+
Operation Crossbow (Michael Anderson, 1965) 3
Vacation in Reno (Leslie Goodwins, 1946) 2
The Secret World of Arriety (Hiromasa Yonebayashi, 2010) 3+
http://25.media.tumblr.com/tumblr_mbri2bfMb41qbd5a8o1_500.jpg
Next Time I Marry (Garson Kanin, 1938) 2+
Maisie Goes to Reno (Harry Beaumont, 1944) 2
Coco Before Chanel (Anne Fontaine, 2009) 2.5
A Prairie Home Companion (Robert Altman, 2006) 3
http://www.cinemaerrante.it/wp-content/gallery/radio-america/phc_01477_ck_s.jpg
Magnificent Obsession (Douglas Sirk, 1954) 2.5 (rewatched a better print)
There’s Always Tomorrow (Douglas Sirk, 1956) 2.5
976-EVIL (Robert Englund, 1988) 1.5+
Joyeux Noel (Christian Carion, 2005) 3
http://www.verdun-meuse.fr/images/photos/header/affiche-joyeux-noel.jpg
Living Out Loud (Richard LaGravenese, 1998) 2.5
Dr. Jekyll and Mr. Hyde (Paulo Barzman, 2008) 2
Tokyo Joe (Stuart Heisler, 1949) 2
The King of Comedy (Martin Scorsese, 1982) 3.5
http://25.media.tumblr.com/tumblr_lh569vftDs1qdcvu8o1_500.gif
Beat the Devil (John Huston, 1953) 2.5
Three Resurrected Drunkards (Nagisa Oshima, 1968) 2.5
Spooner (Drake Doremus, 2009) 2.5+
In a Lonely Place (Nicholas Ray, 1950) 3.5+
http://www.cladrite.com/images/fl/bogartpolo.jpg
Skepsis93
08-02-13, 02:36 PM
Good to see you like The King of Comedy, mark. :up:
Skepsis93
08-02-13, 04:08 PM
Before Midnight
Richard Linklater, 2013
Julie Delpy, Ethan Hawke
http://blogs.psychcentral.com/character-strengths/files/2013/07/Before-Midnight-image.jpg
Expectation played a big part for me going into this film. With the previous two films in Richard Linklater's Before series firmly ingrained in both my memory and top 10 list, I'm not sure if it was reasonable or not to expect big things from this year's latest instalment. Of course, it often matters little what may or may not be reasonable when it comes to your very favourite films. I wanted to love Before Midnight. I really did, people - but part way into the film I realised that disappointment on some level was inevitable purely due to the admirable, often brutal honesty with which the filmmaking team of Linklater, Ethan Hawke and Julie Delpy have imbued their films. Unfortunately for me, that also means that I wasn't able to connect on the same deep level with which I was able to connect to both Before Sunrise and Before Sunset. I'll get to that a little later.
Before Midnight maintains the same minimalistic quality that worked so well in the other movies. A small amount of scenes (I counted 8 major ones, give or take, in 110 minutes), a series of long takes, marked by heavy dialogue that creates that immediately recognisable stream-of-consciousness, realist style. Linklater might be the only filmmaker working today that can pull off such a style whilst keeping his film fast-paced and entertaining.
The performances, as usual, are superb but it's Delpy that really knocks it out of the park here. Her showing is nuanced, equal parts funny and heartbreaking, and very, very real. Hawke does an admirable job and the two display an on-screen chemistry undimmed by the nine years that have passed since the second film. They clearly know the material and their characters extremely well. Having co-wrote the well-paced, sharp-as-ever script with Linklater lends itself to prolonged sequences in which the director is able to dispense with too many cuts and let the actors do their work.
It's with the dialogue that a major departure becomes apparent. One of the most unique and noticeable features of Sunrise and Sunset is the unabashed way they delve into philosophical and intellectual questions, intermingling them with the romantic perspective. It's a completely believable, natural progression that after nine years and the birth of twins, their relationship is more strained, bogged down with issues rooted in the real world rather than the type we're used to seeing them discuss. It would be a betrayal to their work so far to do anything else, but this, for me, right now, is one of the reasons why I think it didn't ring as true to me the other two did. As a twenty year old, I have next to nothing to compare it to. That's not to say the series has completely switched focus – there are still many sharp observations, a few of which managed to resonate with me as much as in the first two films.
Sunrise and Sunset are romantic fantasies at heart – grounded in a kind of heightened, focussed reality – almost unattainable, but within grasp even if it's just through imagination. Their settings – Vienna and Paris, respectively – have a lyrical, mysterious and above all romantic quality that mirrors the characters' experiences. In Midnight we move to the Greek Peloponnese peninsula, where Celine and Jesse's harsher, more unforgiving surroundings once again mirror the state of their relationship. Modern technology and the characters' advanced ages bring the story closer to a stark, less hopeful reality where repressed anger and mid-life dissatisfaction rules over youthful optimism and romanticism.
Before Midnight is a film of staggering, often brutal honestly about the way in which relationships and people evolve as time passes, and part of a series that against all odds has remained fresh and engaging. It's not really a slight on the film to say that my astronomical expectations held up poorly against it – that's as much my fault as anything else. But I can't say I wasn't disappointed to see a film that in a lot of ways is very different to its predecessors – a film that because of its very nature wasn't quite able to capture my heart and imagination for a third time. But that's not to say that the creative spirit has diminished, nor has my enjoyment, nor, after all is said and done; the last insult thrown, its irresistible hopefulness and humanity.
4-
________________________________
While I'm here:
Bananas (Woody Allen, 1971) 3
As Good as It Gets (James L. Brooks, 1997) 4
Gabrielle947
08-02-13, 05:43 PM
The Bling Ring (2013)
http://t0.gstatic.com/images?q=tbn:ANd9GcQvAJ_GI9hedjLNk5bKWGS_aFyrKsje62i61cF09kX3MASp0jrc
This modern film about teenagers robbing celebrity houses(based on true events) is stylish as well as its characters but it lacks everything else and that is such a shame.After seeing it,I feel like after watching The Beach - had lots of potential but failed to be a good movie.
I really loved the style of the movie - the modern culture is portrayed very well.Obsession with celebrities,constantly taking photos,new pop music,clubs,clothes,even thinking.But the characters themselves are very dull,for me they were all basically the same.There's no depth,no reason in the film and the interviews which happen throughout the whole movie seems so so pointless.
I can see what Sofia Coppola tried to do - to make a film about massive culture and people obsessed with it but all I saw was something like a sketch for the real movie.It could've been longer,could have had less characters and could have given more background to the whole story.I really feel that the source material and idea were awesome.Now it's just like a quick B&E with a stylish outfit. 3
edarsenal
08-02-13, 08:27 PM
That screenshot is from Akira (1988).
oh for f*ck's sake :rolleyes::D i wanted to find a really good shot on google to express how amazing the background was and i find something from another movie. Thanks guap for pointing that out and letting me know. :)
True Grit (original with John Wayne) 3.5 Haven't watched this since i was a kid. Won't go into which version is better, they both hold good in their own light. The original's light is brighter while the remake's darker, and again, they shine in their own light.
http://productivelifeconcepts.com/wp-content/uploads/2013/03/true-grit-1969-560.jpg
Haywire 3 a pretty decent espionage/action flick whose female lead can sure as hell take a punch and return it.
Django Unchained 4 was rather impressed with the storytelling in this one. Looks like ole Quentin as grown as a writer with more depth to what transpires between the shoot outs. As is his wont, the music tied in quite beautifully with the scenes and, with a two hour and forty minute run it did not drag whatsoever. It almost seemed like several movies tied end to end to another, which is only an observation and in no way a criticism. I also enjoyed all the cameos that popped up throughout the movie as well. I'm sure my rating will go up after more viewings.
http://static.guim.co.uk/sys-images/Observer/Pix/pictures/2013/1/16/1358356755153/Django-Unchained--008.jpg
Used Future
08-03-13, 07:16 AM
* = re-watches.
http://i733.photobucket.com/albums/ww335/GialloFunk/monte-walsh-movie-poster-1970-1020193364_zpsdf01692d.jpg http://i733.photobucket.com/albums/ww335/GialloFunk/american-friend-movie-poster-1977-1020193578_zps597e295a.jpg
Monte Walsh (William Fraker, 1970) 4.5
Support Your Local Sheriff! (Burt Kennedy, 1969) 3+
Support Your Local Gunfighter (Burt Kennedy, 1971) 3+
The American Friend (Wim Wenders, 1977) 3.5
* The Crying Game (Neil Jordan, 1992) 3.5
Daylight (Rob Cohen, 1996) 2.5
http://i733.photobucket.com/albums/ww335/GialloFunk/the-hard-word-movie-poster-2002-1020234882_zps4c891428.jpg http://i733.photobucket.com/albums/ww335/GialloFunk/texas-chainsaw-massacre-2-movie-poster-1986-1020194545_zps0c56f038.jpg
* The Hard Word (Scott Roberts, 2002) 3.5
Young Bruce Lee aka Bruce Lee My Brother (Manfred Wong, Wai Man Yip, 2010) 1
* The Texas Chainsaw Massacre (Tobe Hooper, 1974) 3.5
* The Texas Chainsaw Massacre 2 (Tobe Hooper, 1986) 2.5++
* Cruising (William Friedkin, 1980) 2.5+++
http://upload.wikimedia.org/wikipedia/en/thumb/7/7b/The_Interrupters_FilmPoster.jpeg/220px-The_Interrupters_FilmPoster.jpeg
The Interrupters (2011) by Steve James 3.5
http://upload.wikimedia.org/wikipedia/en/thumb/6/6b/Faust_FilmPoster.jpeg/220px-Faust_FilmPoster.jpeg
Faust (2011) by Alexander Sokurov 4+
http://upload.wikimedia.org/wikipedia/en/thumb/2/28/Theskinilivein-poster.png/215px-Theskinilivein-poster.png
The Skin I Live In (2011) by Pedro Almodóvar 2.5+
http://www.criticker.com/img/films/posters/Outside_Satan.jpg
Outside Satan (2011) by Bruno Dumont 3+
http://upload.wikimedia.org/wikipedia/en/thumb/f/fe/Alps_FilmPoster.jpeg/220px-Alps_FilmPoster.jpeg
Alps (2011) by Yorgos Lanthimos 2.5
http://upload.wikimedia.org/wikipedia/en/thumb/2/2e/Oblivion2013Poster.jpg/220px-Oblivion2013Poster.jpg
Oblivion (2013) by Joseph Kosinski 2
http://upload.wikimedia.org/wikipedia/en/thumb/0/0f/Mysteries_of_Lisbon.jpg/220px-Mysteries_of_Lisbon.jpg
Mysteries of Lisbon (2010) by Raúl Ruiz 4
http://upload.wikimedia.org/wikipedia/en/thumb/5/5f/Tokyo_Story_poster.jpg/220px-Tokyo_Story_poster.jpg
Tokyo Story (1953) by Yasujirō Ozu 5
http://upload.wikimedia.org/wikipedia/en/thumb/3/3f/%C3%80_bout_de_souffle_%28movie_poster%29.jpg/220px-%C3%80_bout_de_souffle_%28movie_poster%29.jpg
Breathless (1960) by Jean-Luc Godard 4.5
http://upload.wikimedia.org/wikipedia/en/thumb/4/41/4months3weeks%262days_poster.jpg/220px-4months3weeks%262days_poster.jpg
4 Months, 3 Weeks and 2 Days (2007) by Cristian Mungiu 4.5+
http://upload.wikimedia.org/wikipedia/en/thumb/6/67/Aurora_film.jpg/220px-Aurora_film.jpg
Aurora (2010) by Cristi Puiu 4.5
Felon (Rick Roman Waugh, 2008) 2.5
Lullaby of Broadway (David Butler, 1951) 2.5
The Tin Soldier (Gregory Gieras & Jon Voight, 1995) 2
Alone With Her (Eric Nicholas, 2006) 2.5
http://i1.ytimg.com/vi/NlYOvMd8fuw/hqdefault.jpg?feature=og
On Moonlight Bay (Roy Del Ruth, 1951) 3
By the Light of the Silvery Moon (David Butler, 1953) 2.5
Lucky Me (Jack Donohue, 1954) 2.5
RoboCop (Paul Verhoeven, 1987) 4
http://24.media.tumblr.com/tumblr_mdts1i0rX21qfr6udo6_500.gif
http://25.media.tumblr.com/tumblr_mdts1i0rX21qfr6udo7_500.gif
Calamity Jane (David Butler, 1953) 3
Please Don’t Eat the Daisies (Charles Walters, 1960) 3
Private Benjamin (Howard Zieff, 1980) 2.5
Great Expectations (David Lean, 1946) 3.5+
http://farm3.static.flickr.com/2541/4092888645_e9653f2804.jpg
Gold of the Seven Saints (Gordon Douglas, 1961) 2+
Hotel Transylvania (Genndy Tartakovsky, 2012) 3
10 Years (Jamie Linden, 2011) 2
Searching for Sugar Man (Malik Bendjelloul, 2012) 3.5-
http://www.carnetjove.ad/wp-content/uploads/Searching_gran.jpg
Bulletproof (Ernest Dickerson, 1996) 2
Resident Evil: Retribution (Paul W.S. Anderson, 2012) 2
The Cowboy Way (Gregg Champion, 1994) 2.5
Arthur Christmas (Sarah Smith & Barry Cook, 2011) 3
http://www.cinemacity.ba/upload/317_2_2.jpg
honeykid
08-03-13, 07:49 PM
Was Private Benjamin a tribute to Eileen Brennan or coincidental?
Coincidental. I saw it on cable, but it wasn't on a channel that would have changed their schedule so fast and just for one film.
Brother Blue
08-04-13, 02:11 PM
Phantom of the Paradise (De Palma, 1974) 4
My Neighbour Totoro (Miyazaki, 1988) 4.5
Kick-Ass (Vaughn, 2010) 3*
Night and the City (Dassin, 1950) 3
Beau Travail (Denis, 1999) 5
Altered States (Russell, 1980) 4.5
Moon (Jones, 2009) 4*
Bad Boys (Bay, 1995) 3*
True Lies (Cameron, 1994) 2*
Broadway Danny Rose (Allen, 1984) 3.5
Visitor to a Museum (Lopushanskiy, 1989) 4
The World's End (Wright, 2013) 2.5
The Long Goodbye (Altman, 1973) 4.5*
*rw
gandalf26
08-04-13, 02:20 PM
Awesome Mark F gave Robocop 4 stars.
Daniel M
08-04-13, 02:46 PM
Not my usual movie tab post, but a quick note on a film as this doesn't happen often:
I was watching MASH, twenty minutes in I hadn't laugh once - so I switched it off, I'll finish it sometime and give it a proper chance, but I felt like I really didn't get it, and I have loved everything Altman I have seen so far.
Awesome to see that you're such a fan of Robocop Mark. Awesome film! :up: Also glad that you seemed to have enjoyed Searching for Sugar Man.
donniedarko
08-04-13, 05:17 PM
Not my usual movie tab post, but a quick note on a film as this doesn't happen often:
I was watching MASH, twenty minutes in I hadn't laugh once - so I switched it off, I'll finish it sometime and give it a proper chance, but I felt like I really didn't get it, and I have loved everything Altman I have seen so far.
I wouldn't expect any laugh throughout. Well I guess I did have one
Daniel M
08-04-13, 05:20 PM
I wouldn't expect any laugh throughout. Well I guess I did have one
I did laugh once actually, as the opening credits closed and it showed the two quotes, the really long one then just "I will go to Korea" -Eisenhower, I thought that was funny, although I'm not sure if it was meant to be :p
HitchFan97
08-04-13, 09:41 PM
^I think I had a similar reaction to M*A*S*H, Daniel. Never understood why it's considered one of Altman's best; according to those clowns at the AFI, it's the finest thing he ever did!
Guaporense
08-04-13, 09:51 PM
Not my usual movie tab post, but a quick note on a film as this doesn't happen often:
I was watching MASH, twenty minutes in I hadn't laugh once - so I switched it off, I'll finish it sometime and give it a proper chance, but I felt like I really didn't get it, and I have loved everything Altman I have seen so far.
Maybe I will get the inverse impression given that I didn't like his other movie, Nashville.
Cobpyth
08-04-13, 09:56 PM
I liked MASH from the very first minute, to be honest. The beginning song was so melancholic and I felt strangely affected by it.
After that I was completely engaged with everything that happened. It was like I landed in the army camp myself. I laughed and I enjoyed myself immensely with everything that was going on, while there was still that nihilistic existential atmosphere that reigned over the whole film and its characters. I was actually blown away by it all, to be honest. It was one of the first Altmans I saw and it really contributed to the sudden love I developed for the director.
In retrospect, I don't consider it as one of Altman's best, because the film has certain pacing issues, but it might very well rise again on my list after another rewatch. It all seemed to work somehow for me.
Maybe I will get the inverse impression given that I didn't like his other movie, Nashville.
Not long ago i watched Gosford Park, so far the only Altman i've seen and i really enjoyed it, i'd rate it 8/10. Altman has made many films other than Mash and Nashville. It's sad that some people think that films will only be good if they're critically acclaimed :(
The Gunslinger45
08-05-13, 01:09 AM
Drive Angry 4.5
The King of Comedy 5
The Big Lebowski 3.5
The Cinema Snob Movie 3.5
Snatch 4.5
The Exterminator 3.5
Beverly Hills Cop 4
Beverly Hills Cop II 4
Daniel M
08-05-13, 07:47 AM
^I think I had a similar reaction to M*A*S*H, Daniel. Never understood why it's considered one of Altman's best; according to those clowns at the AFI, it's the finest thing he ever did!
Yeh, strange that it's rated so high on the AFI list.
Maybe I will get the inverse impression given that I didn't like his other movie, Nashville.
Not seen Nashville yet, but it will probably be my next film of his after MASH.
I liked MASH from the very first minute, to be honest. The beginning song was so melancholic and I felt strangely affected by it.
After that I was completely engaged with everything that happened. It was like I landed in the army camp myself. I laughed and I enjoyed myself immensely with everything that was going on, while there was still that nihilistic existential atmosphere that reigned over the whole film and its characters. I was actually blown away by it all, to be honest. It was one of the first Altmans I saw and it really contributed to the sudden love I developed for the director.
In retrospect, I don't consider it as one of Altman's best, because the film has certain pacing issues, but it might very well rise again on my list after another rewatch. It all seemed to work somehow for me.
Like I said I'll give it a full watch. I smiled through the opening credits and I honestly thought from then it was going to be a great film from the off but then the first 15 minutes of actual film left me a little cold.
Not long ago i watched Gosford Park, so far the only Altman i've seen and i really enjoyed it, i'd rate it 8/10. Altman has made many films other than Mash and Nashville. It's sad that some people think that films will only be good if they're critically acclaimed :(
I'd rank his films so far:
The Long Goodbye 5
McCabe & Mrs. Miller 4.5
The Player 4
Short Cuts 3.5
Which is why I made the post about MASH.
Oblivion (Kosinski, 2013)
4
http://turntherightcorner.files.wordpress.com/2013/04/oblivion-movie-trailer-hydro-rigs.jpg
Saw someone slaying this above, and I just can't agree. I love the melancholy tone that permeates most of this movie. Not a perfect film, by any stretch, but it pushes all the right buttons for me. I loved the score, and the acting is serviceable, for the most part. As I said the first time I saw it, it could do with one less action scene. overall though, I like it.
Stranger Than Fiction (Forster, 2006) 2_5
http://images.static-bluray.com/reviews/807_2.jpg
Yes, I watched a Will Farrell film. No comic timing in this one for him to blow, so he was actually pretty good. I wasn't over the moon for this, but I wasn't reaching for the off button, which Farrell usually has me doing. Good, not great. Oh, and Dustin Hoffman is in it - he's the bomb.
Skin Deep (Blake Edwards, 1989) 2.5
Poseidon (Wolfgang Petersen, 2006) 2.5
The Train Robbers (Burt Kennedy, 1973) 2
The Machinist (Brad Anderson, 2004) 3
https://si0.twimg.com/profile_images/1548282469/tar_003447.jpg
Seven Men From Now (Budd Boetticher, 1956) 2.5
He Married His Wife (Roy Del Ruth, 1940) 2
The Right Approach (David Butler, 1961) 2
House of Flying Daggers (Yimou Zhang, 2004) 3
http://brianwelk.files.wordpress.com/2013/06/house_of_flying_daggers34.jpg?w=593&h=261&crop=1
Neil Young Journeys (Jonathan Demme, 2011) 2.5+
30 Days of Night (David Slade, 2007) 2.5
The Heart of the Game (Ward Serrill, 2005) 3
The Odd Life of Timothy Green (Peter Hedges, 2012) 3-
http://i500.listal.com/image/4054695/500full.jpg
Lured (Douglas Sirk, 1947) 2.5
Ghost Rider: Spirit of Vengeance (Neveldine/Taylor, 2011) 1.5+
Undercurrent (Vincente Minnelli, 1946) 2
Track of the Cat (William A. Wellman, 1954) 2
http://altscreen.com/wp-content/uploads/2012/02/track-of-the-cat2-e1329255766141.jpg
Diamond Head (Guy Green, 1963) 2.5
The Wreck of the Mary Deare (Michael Anderson, 1959) 3
Home on the Range (Will Finn & John Sanford, 2004) 2.5
Pleasantville (Gary Ross, 1998) 3.5+
http://i.minus.com/iXjxHDlfoXOBZ.gif
You explained how you're able to watch so many films Mark but how do you actually choose what you're going to watch?
I choose the best of what's on my cable channels. When one ends, I either choose the best of what I haven't seen or the best or fuzziest (for me) rewatch. There are also about 4 DVDs a week I get through the mail. This goes on all the time except when I'm watchibg baseball pr a TV show or sleeping. I watch a lot more now than ever.
honeykid
08-05-13, 05:50 PM
13 Assassins 3 - I like this sort of thing, so this was always going to be a pleasure. However, I can't help but think that if the main battle in the village had been about half as long, or even two thirds, I would've enjoyed it a lot more and its effect would've felt more powerful. I also didn't care for the hunter being seemingly fine at the end. I've decided to think of him as a ghost, rather than recovering completely from his, not insignificant, wounds. I'd also like to mention Lord Matsudaira Naritsugu of Akashi, who must rank as one of the most sadistic bastard villains in movie history.
jiraffejustin
08-05-13, 06:53 PM
The Dead (1987; John Huston) - I don't know how to describe this movie without it sounding boring, but it's actually really good. A movie about epiphanies.
The Spirit of the Beehive (1973; Victor Erice) - I don't like it as much as some, but it is still a pretty good film. The two kids put on good performances and it is pretty to look at.
Cria Cuervos (1976; Carlos Saura) - Masterpiece. Excellent performances from Ana Torrent and Geraldine Chaplin. Porque te vas is still stuck in my head. The story of Ana and her becoming what might be a little serial killer is fascinating.
Grabbers (2012; Jon Wright) - Really funny and really heartwarming. Not the type of movie that will top very many of my lists, but it's well worth seeing. More movies should be like this.
Notorious (1946; Alfred Hitchcock) - The only bad thing that can be said is Cary Grant looks like a terrible kisser.
Near Dark (1987; Kathryn Bigelow) - I have been wanting to see this movie for a long time now, and boy was I let down. I should have done more research before hand instead of after. I didn't realize that this was going to be Aliens Jr. I hate Aliens. Actually, this is better than Aliens but only because Bigelow is a much better director than James Cameron (who I didn't even realize she was married to.) Still, I am supremely disappointed. :sick:
honeykid
08-05-13, 08:37 PM
Near Dark (1987; Kathryn Bigelow) - I have been wanting to see this movie for a long time now, and boy was I let down. I should have done more research before hand instead of after. I didn't realize that this was going to be Aliens Jr. I hate Aliens. Actually, this is better than Aliens but only because Bigelow is a much better director than James Cameron (who I didn't even realize she was married to.) Still, I am supremely disappointed. :sick:
Wha? Obviously they share some cast members, but Aliens Jr? C'mon, it's nothing like Aliens, which I also hate.
Other than the cast, what was it about Near Dark that you didn't like?
http://1.bp.blogspot.com/_--9ZICmYNHQ/SPRpfjUoWiI/AAAAAAAABgM/STfHP3lLTGI/s400/adventures_of_prince_achmed_03.jpg
The Ox-Bow Incident (1943) - 3.5
Pelle the Conqueror (1987) - 2-
Le revelateur (1968) - 1.5
Padre Padrone (1977) - 2
Darwin's Nightmare (2004) - 3+
The Adventures of Prince Achmed (1926) - 4
The Owl and the Sparrow (2007) - 2.5
A Short Film About Killing (1988) - 3.5
The Best of Youth (2003) - 3.5+
Barbara (2012) - 4
jiraffejustin
08-06-13, 10:27 AM
Wha? Obviously they share some cast members, but Aliens Jr? C'mon, it's nothing like Aliens, which I also hate.
Other than the cast, what was it about Near Dark that you didn't like?
Like Aliens, I really despised most of the dialogue. It made it hard for me to care about any of the characters. Sometimes actors can overcome poor dialogue with charisma, but nobody in this cast had that charisma. The acting in general was very meh. Nobody stood out for any positive reasons.
It's not like I hate this movie either, it's just that in my mind I hyped it up way too much. I like Bigelow's recent output, so I figured I would really enjoy this movie too. It was just a letdown. If I'm giving out popcorns, I'd give it 2 or 2.5.
http://1.bp.blogspot.com/_--9ZICmYNHQ/SPRpfjUoWiI/AAAAAAAABgM/STfHP3lLTGI/s400/adventures_of_prince_achmed_03.jpg
The Ox-Bow Incident (1943) - 3.5
Pelle the Conqueror (1987) - 2-
Padre Padrone (1977) - 2
The Adventures of Prince Achmed (1926) - 4
I agree with all these (scary, huh?) except Pelle. Loved it and von Sydow. What's wrong with it?
edarsenal
08-06-13, 09:03 PM
rewatch M*A*S*H 4.5 This has always held an endearing place in my heart. One of the movies i loved as a young adult and continue to as an old fart. One of my first Altman films along with The Long Goodbye. Everything works for me in this. Including the haunting theme song.
http://content.internetvideoarchive.com/content/photos/103/004335_7.jpg
rewatch Kind Heart and Coronets (1949) 4 Alec Guiness plays 8 parts in this one. All which are murdered by a young, penniless descendant looking to become Duke by wiping out everyone ahead of him. This movie has grace & whimsical murder and done brilliantly as only the British are wont to do.
The Return of the Three Musketeers (1989) 2.5 I thought i was gonna enjoy this one far more, being a HUGE fan of Lester's first two, Three Musketeers and Four Musketeers back in the early seventies, but somehow, the magic of the first two seemed to peel and flake away. This version is based on Dumas' "Twenty Years After".
rewatch La Femme Nikita 4.5 This was my very first introduction to Luc Besson when it came out and i became an instant fan of his. Pouillard (sp?) is powerful and poetic in her role as Nikita. A drugged out girl from the streets who is arrested for murdering a policeman and then recruited, against her will or wishes, into a "government" runned espionage/assassin facility.
http://cdnl.complex.com/mp/620/400/80/0/bb/1/ffffff/786e012c55145257e8e0c6e027b8324f/images_/assets/CHANNEL_IMAGES/POP_CULTURE/2012/03/the-50-best-action-movies-of-all-time/la-femme-nikita_223741.jpg
My Name is Nobody 3.5 a spaghetti western whose rating may likely improve with further viewings. A young, easy-going, clownish gunfighter (Terence Hill) goes about setting up a retiring gunfigher (Henry Fonda) into a showdown with the 150 members of the Wild Bunch.
http://i1.ytimg.com/vi/S-2hAJy_35w/0.jpg
I agree with all these (scary, huh?) except Pelle. Loved it and von Sydow. What's wrong with it?
I didn't find any particular character interesting, maybe it's because I'm unfamiliar with the language or culture. The conflict of the immigrants with their new-found land was too insipid and tame. Throw in a typical coming-of-age story, the movie feels an hour too long.
El Norte (1983) and Dancer in the Dark (2000) are more compelling (and convincing) movies dealing with a similar subject.
That's OK. I thought Pelle was the best of those three.
BlueLion
08-07-13, 11:24 AM
Sunset Boulevard (1950) - 4+
Rosemary's Baby (1968) - 4
Unforgiven (1992) - 4-
A Fish Called Wanda (1988) - 3.5-
Carrie (1976) - 3+
Bonnie and Clyde (1967) - 1.5
jiraffejustin
08-07-13, 01:55 PM
Tyrannosaur (2011; Paddy Considine) - A brutal examination of a very violent man who tries to turn over a new leaf, and the woman who helps him. The acting is top notch, and it's a shame that no major acting awards were given out for the performances.
Raging Bull (1980; Martin Scorsese) - I can't believe it took me this long to finally see this movie. Robert DeNiro puts on a crazy good performance as the self-destructive Jake La Motta. It's hard to say where it stacks up against other Scorsese films, but it's somewhere at the top of the list. It's funny and serious and occasionally scary. The scene where DeNiro beats the crap out of his brother was a harrowing one.
Nightmare City (1980; Umberto Lenzi) - Batsh*t insane is the only way I know how to describe what I just viewed. Nothing made sense, but nobody seemed to care, I know I didn't. A bunch events were strung together with (sometimes dubbed) dialogue. A doctor threw a scalpel at a zombie thing once, and then the zombie thing used it against him; which was awesome. Then some other things happened. The make-up was crazy ridiculous. I enjoyed this movie more than I should have I think. By conventional standards you wouldn't call it a good movie, but by my standards this is awesome. If you read this Gunslinger, I think Nightmare City could be down your alley. Also the ending! Holy cow, the ending is a thing of beauty.
Do the Right Thing (1989; Spike Lee) - I disliked Spike Lee based on his appearances at Knicks basketball games and his boycott of Django Unchained, I hadn't seen one of his movies until now. I still don't care for the guy, he is a mediocre actor and this movie wasn't that well directed or written either. A race relations movie is not an easy thing to do properly, and this isn't done properly. At least it isn't Crash though.
Only God Forgives (2013; Nicolas Winding Refn) - They tried to do Drive 2.0, but the acting wasn't as strong so it doesn't really work. When you have people staring off and emoting without speaking you have to believe what the characters are supposed to be feeling. You never really get that here. You do get some incredibly graphic scenes of gore and sometimes the cinematography is top notch though.
Daniel M
08-07-13, 02:14 PM
Do the Right Thing (1989; Spike Lee) - I disliked Spike Lee based on his appearances at Knicks basketball games and his boycott of Django Unchained, I hadn't seen one of his movies until now. I still don't care for the guy, he is a mediocre actor and this movie wasn't that well directed or written either. A race relations movie is not an easy thing to do properly, and this isn't done properly. At least it isn't Crash though.
Only God Forgives (2013; Nicolas Winding Refn) - They tried to do Drive 2.0, but the acting wasn't as strong so it doesn't really work. When you have people staring off and emoting without speaking you have to believe what the characters are supposed to be feeling. You never really get that here. You do get some incredibly graphic scenes of gore and sometimes the cinematography is top notch though.
Can you expand on why you didn't think Do the Right Thing was any good? For me it tackles racism in a very good way, the writing is great and the direction possibly the best thing about it. And like you I was sceptical of Lee before watching it.
And what rating would you give Only God Forgives then? Did the graphic scenes work or not? I ask because I recently read the feature of the film in August Sight&Sound magazine which had a lot to say about the film but didn't 'review' the film.
And I agree, of course, that Raging Bull is a great movie with a top De Niro performance :up:
jiraffejustin
08-07-13, 02:31 PM
I just felt like I was being preached at the whole time during Do the Right Thing, I don't typically like films like that. And for what the movie was supposed to be about, it doesn't make sense to me how the the riot at the end should happen the way it did. I don't want to spoil anything for anybody who might want to see it, but I will just say that for the message of the film, I feel like Spike Lee should have had somebody stop the riot in a positive manner instead of the way it happened. Maybe that would have been too melodramatic or schmaltzy but I got mixed signals out of it. The quotes at the end didn't help clarify anything either, because the Malcolm X quote spoke of self-defense, but the Italian pizzeria owners weren't the ones that killed anybody.
And on the subject of Only God Forgives: The graphic scenes were hit and miss, in fact most of the movie is hit and miss. I can't really recommend it for anybody unless they absolutely loved Drive. But if that is the case, you would probably already want to see it anyway.
I hope my first part about Do the Right Thing makes sense, I tend to ramble and go all over the place.
The Gunslinger45
08-07-13, 02:43 PM
I just felt like I was being preached at the whole time during Do the Right Thing, I don't typically like films like that. And for what the movie was supposed to be about, it doesn't make sense to me how the the riot at the end should happen the way it did. I don't want to spoil anything for anybody who might want to see it, but I will just say that for the message of the film, I feel like Spike Lee should have had somebody stop the riot in a positive manner instead of the way it happened. Maybe that would have been too melodramatic or schmaltzy but I got mixed signals out of it. The quotes at the end didn't help clarify anything either, because the Malcolm X quote spoke of self-defense, but the Italian pizzeria owners weren't the ones that killed anybody.
I hope my first part about Do the Right Thing makes sense, I tend to ramble and go all over the place.
It makes sense to me, because that was my reaction to the movie when I first saw it. And quite frankly it pissed me off. But I think that was supposed to be the intent. Piss you off so much that it forces you to think about race relations for good or bad. I do not agree with the movies conclusions (if you can call it that) but it did make me think about it. So I can it was alright.
Cobpyth
08-07-13, 02:53 PM
I just felt like I was being preached at the whole time during Do the Right Thing, I don't typically like films like that. And for what the movie was supposed to be about, it doesn't make sense to me how the the riot at the end should happen the way it did. I don't want to spoil anything for anybody who might want to see it, but I will just say that for the message of the film, I feel like Spike Lee should have had somebody stop the riot in a positive manner instead of the way it happened. Maybe that would have been too melodramatic or schmaltzy but I got mixed signals out of it. The quotes at the end didn't help clarify anything either, because the Malcolm X quote spoke of self-defense, but the Italian pizzeria owners weren't the ones that killed anybody.
I agree that Lee enlarges a few racial issues in this film, but that's actually how it happens in real life. Small and stupid issues become bigger and then everything gets out of hand.
I don't think Lee was preachy in this film, though (he can be that way sometimes, but he certainly wasn't in this film). We could sympathize with every character, while we could also see everyone's flaws. Lee didn't choose sides. The only 'pure' character in this film, was probably the drunk man, but then again, he's a drunk, so I guess many people don't consider that as 'pure' either.
This film's final statement with the quotes at the end is ambiguous, as the two quotes contradict eachother. The picture of Martin Luther King and Malcolm X together is therefore a paradox.
This means (for me) that the film is not particulary dealing with the problem of racism, but with the problem of how racism should be disputed. I think Lee did a good job tackling the latter and while he doesn't make any specific statements, he observes the problem brilliantly.
Daniel M
08-07-13, 03:08 PM
You see I disagree because to me the film doesn't force down some message or feel like its preaching something to you. Instead it allows you to see racism from all sides, we get the different communities, the different ages and people of different backgrounds all doing different things and all with their own concerns.
The point of the film is not to discuss whether Mookie 'did the right thing' in enticing the riot and throwing the bin into the pizzeria but instead over whether the situation should of come up to the point where physical violence emerged and human life was the cost.
I sympathised with both Sal and his family and Radio Raheem, as well as many other characters. Never did I felt like a certain side of opinion of how racism was being dealt with was forced.
And whether you agree or disagree on the film's message I feel that criticising the writing and direction is harsh. There's many greatly written scenes, inside the pizzeria, on the table with the old people talking, the racist insults scene etc. and then there's great direction visible in the way many of the shots are assembled, how colour is used, the placement of people within frames, and other tricks used to build up atmosphere and ultimately tensions.
Tell me this isn't a great shot:
http://www.dvdactive.com/images/reviews/screenshot/2009/6/pdvd_004.jpg
jiraffejustin
08-07-13, 03:09 PM
Part of my issue with the film is the way it almost glorifies the final scene. Throughout the movie Mookie points out to his buddy that it's not a race thing, or that it's no big deal that there are no pictures of black men on the wall, but at the end it's like he he has an epiphany or something that causes him to snap. He throws the garbage can through the window. To me it almost seems like this is supposed to be his character's redemption. John Turturro's character is the only one in that establishment that is actually racist though.
Daniel M
08-07-13, 03:12 PM
Mookie's decision to chuck the bin was not down to racism or hatred against Sal and his pizzeria.
Cobpyth
08-07-13, 03:13 PM
I agree, Daniel. It's actually one of the most impressive films i've seen, in terms of direction. It's incredibly well shot. The writing also felt real to me.
jiraffejustin
08-07-13, 03:16 PM
I don't care for the spinning shots, the scene where the characters hurl racial slurs and insults (not because of that, but the way it was shot i.e., zooming in and out and whirling around.) There were several instances of things like that that got on my nerves. It just isn't my style I guess.
Cobpyth
08-07-13, 03:16 PM
Part of my issue with the film is the way it almost glorifies the final scene. Throughout the movie Mookie points out to his buddy that it's not a race thing, or that it's no big deal that there are no pictures of black men on the wall, but at the end it's like he he has an epiphany or something that causes him to snap. He throws the garbage can through the window. To me it almost seems like this is supposed to be his character's redemption. John Turturro's character is the only one in that establishment that is actually racist though.
You are oversimplifying it. I also couldn't see how Lee 'glorified' that moment. If anything, he made it look extremely negative.
Cobpyth
08-07-13, 03:19 PM
I don't care for the spinning shots, the scene where the characters hurl racial slurs and insults (not because of that, but the way it was shot i.e., zooming in and out and whirling around.) There were several instances of things like that that got on my nerves. It just isn't my style I guess.
I guess not. I loved those parts. I thought that was really fresh and inventive.
It has become one of those memorable moments in modern film history.
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Disappearances (Jay Craven, 2006) 2.5+
Lions For Lambs (Robert Redford, 2007) 2.5+
Total Recall (Len Wiseman, 2012) 3+
Soylent Green (Richard Fleischer, 1973) 3.5
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One Way Out (Allan A. Goldstein, 2002) 2+
Hope Springs (David Frankel, 2012) 3
Sleepers (Barry Levinson, 1996) 2.5
Saturday Night Fever (John Badham, 1977) 3-
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Premium Rush (David Koepp, 2012) 2.5
The Loss of a Teardrop Diamond (Jodie Markell, 2008) 2+
Ride Out for Revenge (Bernard Girard, 1957) 2
Hysteria (Tanya Wexler, 2011) 3
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Sinners and Saints (William Kaufman, 2010) 3
Beautiful Boy (Shawn Ku, 2010) 2.5
Bucky Larson: Born to Be a Star (Tom Brady, 2011) 1+
To the Wonder (Terrence Malick, 2013) 2
http://cinecinephile.files.wordpress.com/2013/03/a-la-merveille-image.jpg?w=545&h=229
Layer Cake (Matthew Vaughn, 2004) 2.5
Above Suspicion (Richard Thorpe, 1943) 2.5+
Buy the Ticket, Take the Ride: Hunter S. Thompson on Film (Tom Thurman, 2006) 3+
Delicatessan (Marc Caro & Jean-Pierre Jeunet, 1991) 3
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Used Future
08-07-13, 05:17 PM
it doesn't make sense to me how the the riot at the end should happen the way it did. I don't want to spoil anything for anybody who might want to see it, but I will just say that for the message of the film, I feel like Spike Lee should have had somebody stop the riot in a positive manner instead of the way it happened. Maybe that would have been too melodramatic or schmaltzy but I got mixed signals out of it. The quotes at the end didn't help clarify anything either, because the Malcolm X quote spoke of self-defense, but the Italian pizzeria owners weren't the ones that killed anybody.
Ossie Davis' character does stand before the crowd and attempt to diffuse the situation but is pushed aside. To me this is more realistic because nobody else is behaving rationally, and throughout the movie Da Mayor is portrayed as a wordly-wise type who, having dropped out of society is able to view events as an impartial outsider - even though he's black and considered part of the community. Mother Sister is also doing this, but she seems warped by material wealth and status and is lumped in with the rest of society when we see her baying with the crowd at the end of the movie. On seeing the destruction the following morning she weeps because that is all their actions have achieved -Destruction and suffering. Lee's message is clear to me, even though there are many shades of morality within his story. He's basically saying that you have to fight the power, but in an intelligent and constructive way. Some things (such as demanding black heroes adorn the walls of an Italian Pizzeria) are just misguided and not worth it.
On a side note. Even though Sal is very liberal and likable throughout the movie; he does eventually stoop to racial slurs when provoked and confronted by Radio Raheem.
edarsenal
08-08-13, 12:39 AM
Girls, Guns, and Gambling 2.5+ cheesy, corny, cliche-filled with tongue firmly in cheek lil tale using the ole noir premise of a down on his luck fella (christian slater) who winds up in the wrong place at the wrong time and everyone is after him for it. Filled with Elvis impersonaters, a stolen apache mask, a pretty blonde in black with guns, corruption, greed and the crazy twist and turn of said noir premise.
Perrier's Bounty 4 (Irish) Already in deep, Michael McCrea spirals deeper still along with his neighbor and his da (who's dying, or so the grim reaper told him) in a very well done gritty, intelligently written, visceral story mixed with dark humor and some damn fine acting by everyone involved.
http://www.thefancarpet.com/uploaded_assets/images/gallery/4939/Perriers_Bounty_50191_Medium.jpg
honeykid
08-08-13, 10:13 AM
Sharknado 2 - Oh, it's such a shame, it could've really worked but, instead, what we have is lots of "whoa! Cool!" bits that are strung together without any care of attention. Or, to quote my g/f with about 10 minutes to go; "This isn't even a film. It's a series of scenes they've put together." That's not to say we didn't enjoy it but, unlike Mega Shark Vs Giant Octopus or even Sharktopus, I can't see this as having much, if any, rewatchability. There was one moment where it did something I wasn't expecting, which gave me a certain amount of respect for it but, sadly, it undid it at the end and you know exactly what's going to happen just before it does.
Daniel M
08-08-13, 07:24 PM
Premium Rush (David Koepp, 2012) 2.5
Layer Cake (Matthew Vaughn, 2004) 2.5
Delicatessan (Marc Caro & Jean-Pierre Jeunet, 1991) 3
I would give both Layer Cake and Premium Rush slightly higher ratings, 3, I think they're both good little films, although I haven't seen the first in a while. And I was planning on watching Delicatessan before I did my 90s list but I didn't have time.
Also, Soylent Green...
will I enjoy it even though (I think) I know what happens in it?
Premium Rush was cinematic but stupid. Layer Cake seemed like a better idea than a well-done movie. Soylent Green starts off slowly but evolves and builds up a head of steam before it gets to the end. I'd give it the same rating without the ending, which I assume is what you think you know. That image I posted from it is actually my favorite part.
Daniel M
08-08-13, 08:22 PM
Premium Rush was cinematic but stupid. Layer Cake seemed like a better idea than a well-done movie. Soylent Green starts off slowly but evolves and builds up a head of steam before it gets to the end. I'd give it the same rating without the ending, which I assume is what you think you know. That image I posted from it is actually my favorite part.
I kind of agree about Premium Rush in that the whole ticket story and plot is a bit silly, but the cinematic elements/scenes were enjoyable and made up for it for me, a decent kind-of-action film.
Used Future
08-09-13, 05:08 AM
Soylent Green starts off slowly but evolves and builds up a head of steam before it gets to the end...That image I posted from it is actually my favorite part.
That ''euthanasia'' death sequence is the most profound part of Soylent Green, and Edward G. Robinson plays a lovely role in his last film. I agree Soylent Green shouldn't be defined by what has become a famous revelatory ending. The real substance is with Sol and Thorn's friendship, and the social commentary regarding the perils of overpopulation and pollution.
Hey Mark!
Just wondering about Total Recall. I think I gave it around the same grade, and I thought it was a fairly decent flick, with maybe one or two too many action scenes dragging it down a bit in the third act. One thing that is kind of bugging me though: Why did ANY of this happen? In the 90s version, they have to wipe Hauser's mind because the rebels have an actual mind-reader on their side he has to get by. Not in this version, though. So...why did they do all this again?
It's basically the same reason. Kuato is no longer a mutant - he's the resistance leader Matthias, who still has ways to get key info out of Quaid. It's just presented much more subtly. Of course, Cohaagen is still a lying, sneaky SOB, so there's another reason this has been orchestrated... (and you know what that is).
The Haunted Mansion (Rob Minkoff, 2003) 2
For Love or Money (Barry Sonnenfeld, 1993) 2.5+
Here Comes the Boom (Frank Coraci, 2012) 3-
When Harry Met Sally… (Rob Reiner, 1989) 3.5
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Miss Nobody (Tim Cox, 2010) 2.5
Hammerboy (Tae-geun Ahn, 2003) 2.5
Darling Companion (Lawrence Kasdan, 2012) 2
Snow Cake (Marc Evans, 2006) 3
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The Last Tycoon (Elia Kazan, 1976) 2
Confessions of an Action Star (Brad Martin, 2005) 2
Rooster Cogburn (Stuart Millar, 1975) 3
Chicken With Plums (Vincent Paronnaud & Marjane Satrapi, 2011) 3+
http://www.press-play.at/wp-content/uploads/2012/01/Huhn-mit-Plaume-%C2%A9-2012-Polyfilm2-620x350.jpg
The Cat and the Fiddle (William K. Howard, 1934) 2.5
Ben-Hur: A Tale of the Christ (Fred Niblo, 1925) 3+ Classic Rating: 4
Never So Few (John Sturges, 1959) 2.5
Where Do We Go Now? (Nadine Labaki, 2011) 3
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My Afternoons With Margueritte (Jean Becker, 2011) 3
The Patriot (Roland Emmerich, 2000) 3+
High Spirits (Neil Jordan, 1988) 2.5
The Guard (John Michael McDonagh, 2011) 3+
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meatwadsprite
08-09-13, 03:55 PM
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Planes Trains and Automobiles wins my most over the top inappropriate 80's soundtrack of all time award. The super cheesy ending all made sense when i saw two seconds later, "Directed by John Hughes".
Clue really takes off when Tim Curry starts retelling the entire movie and the alternate endings were a cool way to wrap it up.
I recently fell in love with Hoop Dreams, but Interrupters is a lot more messy and unfocused. The final scene with Flamo was really something though.
jiraffejustin
08-09-13, 09:40 PM
Blood Simple. (1984; Coen Brothers) - The Coens make a spectacular debut with a neo-noir filled with twists and turns like only they can provide, but unlike a lot of their work this very serious. It's one of the best films of the 80s.
Night on Earth (1991; Jim Jarmusch) - At times really funny, other times it's really sweet. It's a little uneven, but that happens frequently with anthology type movies. It's certainly a worthwhile experience.
Shane (1953; George Stevens) - Correct me if I am wrong, but most westerns of the time were still in black & white, right? Well, Shane is in color and it's really beautiful to look at. Some scenes were shot in a studio, and some were shot on location in California and Wyoming. They all look great though. Some of the other aspects of the film that might seem cliche or corny are all made up for with charm. Something I can't quite put my finger on about this film helps it a lot. It just feels good.
The Hitcher (1986; Robert Harmon) - Rutger Hauer plays a memorable villain, John Ryder is his best. Outside of Rutger, it's still an above-average thriller, but he takes it over the top to make it a legitimate cult classic.
Maniac (1980; William Lustig) - Holy butts, this is good. Really good. Sleazy. Vile. Violent. Dirty. Grimy. Beautiful. Dazzling. Surreal. Near perfect.
In Time - 1.5
http://upload.wikimedia.org/wikipedia/en/thumb/e/e0/Intimefairuse.jpg/215px-Intimefairuse.jpg
The World's End - 4
http://upload.wikimedia.org/wikipedia/en/thumb/d/d8/The_World%27s_End_poster.jpg/220px-The_World%27s_End_poster.jpg
The Bourne Identity - 4
http://upload.wikimedia.org/wikipedia/en/thumb/a/ae/BourneIdentityfilm.jpg/220px-BourneIdentityfilm.jpg
The Bourne Supremacy - 4
http://upload.wikimedia.org/wikipedia/en/thumb/3/30/Bourne_supremacy_ver2.jpg/220px-Bourne_supremacy_ver2.jpg
meatwadsprite
08-10-13, 07:12 PM
Hi Meaty! :)
Hi !
edarsenal
08-10-13, 09:54 PM
Rewatch History of the World; Part 1 4 One of Mel Brook's parodies starting with cavemen, a quick stop with Moses, then off to Rome, followed by another (musical) stop with the Spanish Inquisition with the final stop at the French Revolution. Hilarity abound.
http://4.bp.blogspot.com/-iaoEmn8wQuc/T1T4Ci_fkcI/AAAAAAAAAa8/ZISAobtdF7I/s400/history-of-the-world-part-i1.jpg
Rewatch Leon; The Professional 5 This was my second Besson film and my favorite of his after seeing La Femme Nikita a year or two before this hit the theaters. The dialogue, the characters and the action are all top notch. Also, some of the most excellent scenes are played out in quiet moments: such Leon in the movie theater watching a Gene Kelly movie with a child's awe. Or the interaction between Jean Reno and a very young Natalie Portman. Fantastic film with equal measures of heart, soul and intensity.
http://2.bp.blogspot.com/-tboSjYAaxUM/UKYMjqNK-OI/AAAAAAAADJI/BbeQq0CcCB8/s1600/Leon-the-Professional.jpg
Red Hill (Australia) 3.5 while watching this I had intended to rate this at 2.5. It had an average, predictable story where a young constable and his pregnant wife moves out of the city and into the outback for a quieter life only to cross paths with an escaped murderer. The acting was solid, pacing, cinema, all done well and while, as i said, predictable, it WAS written well. It just had that same old, same old feel to it. Even the twist to the story.
But then the ending really made the difference. Making a 2.5 into a 3.5.
As stated, average, but worthwhile
http://static.thecia.com.au/reviews/r/red-hill-2.jpg
HitchFan97
08-10-13, 10:02 PM
Wow, it's been a long time since I posted here. This is gonna be a big one, so I'll only write here about the few films I gave 5, but please feel free to ask me about my ratings for any of these films and I'll gladly elaborate.
All That Heaven Allows 4
Making 'The Shining' 3.5
Once Upon a Time in America 4.5
Le Cercle Rouge 5 - Even better than Le Samourai. Stunningly flawless; not only is this one of the most perfectly executed crime films of all time but it's a fascinating exploration of honor. That heist scene is incredible.
Imitation of Life 5 - For those of you who saw what I wrote about Written on the Wind, you may be surprised to hear that I think this one is even better. Like the previous film, it has plenty of potent social commentary, but by the end this is the film that is truly emotionally affecting. I had the pleasure of seeing this on the big screen and there were tears in my eyes at a few different points.
Monsters University 2.5
Heat 4.5
Army of Shadows 3.5
Total Recall (2012) 2
Bonnie and Clyde 4
Amarcord 4.5
What ever Happened to Baby Jane? 4
Mystic River 4
Silver Linings Playbook 4
Possession (1981) 3.5
Close-Up 3.5
Employees Leaving the Lumiere Factory 3
Arrival of a Train 3
A Trip to the Moon 3
An Unseen Enemy 3.5
An Autumn Afternoon 3
Rashomon 3.5
Who's Afraid of Virginia Woolf? 5 - One of the most brutally honest films I've ever seen. Incredible performances make what should be a raw, painful experience absolutely captivating; this movie's ability to explore the power games between men and women is right up there with the best of Cassavetes. The ending is absolutely devastating.
Sabrina 3
2 or 3 Things I Know About Her 3.5
A Constant Forge 4.5
http://www.craveonline.com/images/stories/2011/2012/July/Film/Le_Cercle_Rouge.jpg
http://eng3122.files.wordpress.com/2012/04/imitation-of-life.jpg
http://cps-static.rovicorp.com/2/Open/Warner%20Brothers%20Distribution/Movies/Who's%20Afraid%20of%20Virginia%20Woolf/_derived_jpg_q90_600x800_m0/066561_004_2.jpg?partner=allmovie_soap
Gabrielle947
08-10-13, 10:49 PM
Hitchfan,tell me more about the Army Of Shadows :)
HitchFan97
08-10-13, 10:54 PM
Hitchfan,tell me more about the Army Of Shadows :)
If you've never seen any Melville, I don't recommend starting with it. He based it on his own experiences in the French Resistance, and for me at least it wasn't quite as captivating as the other two films I've seen from him (Le Samourai and Le Cercle Rouge). But it's certainly his most personal movie, and there are a number of sequences that really imbued me with a sense of fatalism and displayed the harsh finality of death in a way that few films can match.
edarsenal
08-10-13, 11:23 PM
great list of films, hitch! Especially the variety of them. I feel the same way about Virgina Woolf. Burton and Taylor's verbal war is a sight to see and top it off with the fact that it is also the cement that adheres them. . . wow
also, you got me VERY curious about Le Cercle Rouge, gonna have to look for that one.
HitchFan97
08-10-13, 11:31 PM
great list of films, hitch! Especially the variety of them. I feel the same way about Virgina Woolf. Burton and Taylor's verbal war is a sight to see and top it off with the fact that it is also the cement that adheres them. . . wow
also, you got me VERY curious about Le Cercle Rouge, gonna have to look for that one.
I hope you enjoy it, Le Cercle Rouge is a perfect movie if ever there was one. What's amazing about Virginia Woolf is how often my sympathies shifted, especially with Taylor's character. At one point I think she's hilarious, an absolute b**** the next, and by the end I really feel sorry for her.
The Gunslinger45
08-10-13, 11:34 PM
Whose Afraid of Virginia Wolfe is a fantastic film with terrific acting! I really dug the film. Very powerful.
honeykid
08-10-13, 11:43 PM
Whose Afraid Of Virginia Woolf was one of the films that probably would've been on my list, if I'd seen it 5 times.
HitchFan97
08-10-13, 11:46 PM
Glad to see it has so many fans on here :) I knew Mark loves it but I wasn't aware of anyone else.
edarsenal
08-11-13, 12:23 AM
and i'm sure there's more
when i track down le cercle, i'll let ya know and, most likely, be thanking you for the recomendation
jiraffejustin
08-11-13, 12:27 AM
Who's Afraid of Virginia Woolf? is in my top ten right now, thanks to a movie trade-off game round with someone. I can't remember who, but I am glad they recommended it.
Mr Minio
08-11-13, 09:00 AM
Wow! It's been awhile. I didn't know it's even possible to survive a month without Internet. Thank God I had a lot of films to burn time. Today is a kinky day so I developed a special scale, which measures an amount of kink to be found in every movie! It's a kinky-o-meter! Besides the popcorn (or cupcakes) rating every film will get a special kinkiness rating, which varies from low ratings (0-4500) given to not kinky films, through medium ratings (4500-7500) given to average-kinky films all the way up to high ratings (7500-10000) given to a hell of a kink(s). It's still a prototype beta feature and it may be discarded in my further posts.
The Steamroller and the Violin - 4 - Kinky-o-meter: 5000
Since I've never gotten around these Tarkovsky shorts I figured it may be a good time to finally watch them. I started from this one and I loved it. A great tale of friendship. However, friendship circumstances make it a bit of kinky or even disturbing if you think about it. Or maybe it's only my dirty mind.
The Master - 3 - Kinky-o-meter: 6000
I never was a fan of the director, but I found The Master to be slightly better than There Will Be Blood. Jerking off and handjob bust the kinkiness rating.
Pierrot le fou - 4 - Kinky-o-meter: 3000
Another Godard. This time it feels way more surreal than his other works I've seen so far. It's a crazy ride with beautiful cinematography and Anna Karina (also beautiful). Looking forward to Weekend. It's said to be the craziest Godard.
Amer - 4 - Kinky-o-meter: 5000
Practically plotless one-and-half-an-hour visual homage to giallo movies. A must-see for fans of Italian kitsch.
Place Beyond the Pines - 3.5 - Kinky-o-meter: 2000
Much better than the first Clarence film. It's got a good screenplay, cool twist and even though it's nothing new in terms of plot development, it still feels fresh.
Lilja 4-Ever - 4.5 - Kinky-o-meter: 3000
Very poignant film concerning a serious problem. A must watch for everyone.
A Pistol for Ringo - 3.5 - Kinky-o-meter: 500
I've seen better spaghetti westerns, but it's still pretty good. Not kinky, though.
My Son, My Son, What Have Ye Done? - 4 - Kinky-o-meter: 1000
"I hope it's not jelly." Produced by Lynch. Directed by Herzog. It couldn't go wrong.
Dans ma peau - 3.5 - Kinky-o-meter: 7000
Another serious problem depicted in this French film, in which the director herself plays the main protagonist. It's one of these "it's nothing special, yet it's brilliant" films.
Second Circle - 4 - Kinky-o-meter: 1000
My second Sokurov. Had no idea somebody made a movie about funeral preparations. I was suprised even more when I found out how good the movie actually was!
Milk - 4 - Kinky-o-meter: 1000
Not as good as Honey, but still an outstanding film.
Irreversible - 3.5 - Kinky-o-meter: 8000
Some scenes are kinky while some are incredibly disturbing. Add long takes and eye-burning ending to get a pretty good movie.
Amen - 4.5 - Kinky-o-meter: 7000
I rank Kim Ki-Duk along my favourite directors and every his film I watch just proves me right. Too bad only two or three films left to complete his filmography. It's amateur, but incredibly interesting and beautiful.
A guy in gas mask stalking a girl all around Europe? Kinky!
Stay - 3.5 - Kinky-o-meter: 1000
Maybe I'm overrating it, but I always liked this kind of films. Music is better than the movie. Have to add it in respectable thread.
Walkabout - 3.5 - Kinky-o-meter: 6000
Discovering the flora and fauna of Australia has never been so interesting. Especially with a naked teenager girl taking bath in a lake.
The House - 4 - Kinky-o-meter: 8000
Japanese school girls and their underaged breasts. Great mind-tuggling visuals. Japanese school girls. Beautiful soundtrack. Have I mentioned japanese school girls already?
Happy Together - 4.5 - Kinky-o-meter: 6000
Something that starts off like a queer cinema turns into a touching tale of friendship and remembrance. Believe it or not, the last bits with THIS song to it made my cry.
Roman Holiday - 3.5 - Kinky-o-meter: 1000
Finally got around this classic. It's got a nice fairy-tale mood and Audrey Hepburn, which is enough to recommend it to anyone.
Written on the Wind - 3 - Kinky-o-meter: 1000
Good melodrama, but a little disappointment whatsoever. Thought it would be better.
Tecnica e il Rito - 3 - Kinky-o-meter: 1000
Another Jancso after a long break from his movies. His worst so far, but still a fine flick made in Jancso's style. With his actor. About Attila.
Uzak - 3 - Kinky-o-meter: 2000
Another after Once Upon a Time in Anatolia Ceylan film I saw. Even though I like Kaplanoglu works better, I don't deny Ceylan's skills to make a beautifully looking films. They just feel kinda cold to me. But perhaps it was because there was a snow falling in Uzak.
Fallen - 1.5 - Kinky-o-meter: 300
Arguably the worst film I've seen during my no Internet break. Would have rated it lower, if not it wasn't tough to watch.
Tejut - 4 - Kinky-o-meter: 600
There's no such a thing as too slow. Great contemplative piece.
The Witness (1969) - 4 - Kinky-o-meter: 300
Satire against communism in Hungary? In 1969? This fact alone makes it a worth watch. And some bits are actually funny. And none are pathetic. A rare thing for comedies.
The Outsider - 4 - Kinky-o-meter: 500
Discovering early Tarr continues with this interesting movie concerned on social problems with a lot of music, a lot of dialogs, short (for Tarr) takes. Moreover, it's in colour! Hard to believe it's Tarr.
Rebel without Cause - 4 - Kinky-o-meter: 800
Surprisingly good movie fully deserving its cult classic status. I have to watch more Ray films!
Weiser - 3.5 - Kinky-o-meter: 2000
A lot of famous Polish actors and an offbeat mood make for a good movie.
Segodnya uvolneniya ne budet - 3 - Kinky-o-meter: 200
Another short film co-directed by Tarkovsky. The least kinky film on my list. There's a lot of blowing. Up. Missiles.
The Killers - 3 - Kinky-o-meter: 300
The first movie Tarkovsky has ever made. It was a co-directed 20-minutes-long short based on Hemingway featuring Tarkovsky himself. A gem for Tarkovsky fans.
Gran Torino (rewatch) - 4.5 - Kinky-o-meter: 1000
Just as good as it was the first time around. My favourite film directed by Eastwood. Not the best he is in, though. Dollar Trilogy has it. For me it's Clint's goodbye to cinema. Yeah, he still makes movies, but this one felt like
an ultimate good-bye to film. A movie, in which Eastwood, or should I say, Walt Kowalski, personifies a lot of characters from films Eastwood was in.
Macbeth - 4 - Kinky-o-meter: 1500
DAT one-hour-long take!
Man Bites Dog - 2 - Kinky-o-meter - 2000
The birthday scene was awkwardly funny. Decent cinematography. I didn't like anything else.
Pat Garret and Billy Kid - 3 - Kinky-o-meter: 5000
Enjoyed it more than The Wild Bunch as I was more absorbed by the plot. Still, I am to see American western better than decent Spaghettis.
La Grande Illusion - 4.5 - Kinky-o-meter: 1500
First impression: It's gonna be a decent flick. Oh, how wrong I was! It's powerful, interesting and rewarding. A feel good movie, also, but maybe not in its usual sense of meaning.
The Prefab People - 3.5 - Kinky-o-meter: 2000
With this movie I completed Tarr's filmography so now I can call him my favourite director being fully aware of my words. Also, the best washing machine scene in history. Hehe. :)
Werckmeister Harmonies (rewatch) - 5 - Kinky-o-meter: 1000
After two years of break I watched my favourite movie of all time for the third time. It's as powerful as the first time around. Mysterious, enigmatic and mesmerizing. Enough creaming over it. Hands down, the best film ever made. Period.
The Golden Fern - 4.5 - Kinky-o-meter: 4500 - AN UNKNOWN GEM BADGE
Criminally unknown Czechoslovak 1963 film. I may write more about it soon.
Beyond the Black Rainbow - 4.5 - Kinky-o-meter: 5000
What a trip! It starts off like a mysterious medical drama to quickly turn into more experimental drug-like journey. Beautiful colours and cool music. Also, I will be the first person that never mentioned 2001 while writing about this film. Wait, I just did!
We Don't Care About Music Anyway - 2.5 - Kinky-o-meter: 3000
If you dig Japanese underground noise scene, watch it. Otherwise, you can give it a go, but chances are you wouldn't like it. In terms of music the beach song was the only one I enjoyed. In terms of documentary it's decent, therefore I rate it as decent. The opinions of hipsters about modern world were kinda funny. :)
Jutro idziemy do kina - 4 - Kinky-o-meter: 3500
Is a polish film about a trio of high-school graduates and their lives brutally interrupted by forecasts of war and the war eventually outbreaking at the end. It shows the war as a drama of youth, as they just became adults, yet have to cope with these atrocities. It made me sad probably because I am more or less the age of the main protagonists.
Vive l'amour - 3.5 - Kinky-o-meter: 7000
Another Tsai film I watched and another one I liked. He has an idea about how filmmaking should look like and he develops it with every film he makes. Looking forward to more!
Jańcio Wodnik - 4 - Kinky-o-meter: 3000
Daleko od okna - 3.5 - Kinky-o-meter: 4500
Afonia i pszczoły - 4 - Kinky-o-meter: 4500
Three films of Jan Jakub Kolski I've seen past the last month. They feel very homely and familiar to me and have an offbeat mood so distinctive for Kolski. I'm curious what people of other countries will think about them.
Adam's Rib - 3.5 - Kinky-o-meter: 1500
Classic comedy. I didn't find it funny, but the acting and story were good enough to keep me interested.
Głos (1991 or 1992) - 2 - Kinky-o-meter: 4000
I completely didn't feel this weird obscure Polish arthouse (?) film. It's got a weird atmosphere I give it that, but besides it's just too awkward.
The Three Burials of Melquiades Estrada - 3.5 - Kinky-o-meter: 4000
Tommy Lee Jones surprised me with his third directing effort, so I watched his second and it's a pretty good flick! Yeah, it's not as great as Sunset Limited, but still... Screenplay is great. Too bad it wasn't made by Jones.
Seraphine - 3.5 - Kinky-o-meter: 2000
A film about a French painter. She never took any painting lessons, yet her works were appreciated by a wealthy patron of the arts. The outbreak of the Great War parted them, but she never stopped painting.
The Red and The White (rewatch) - 4 - Kinky-o-meter: 3000
My first rewatch of any Jancso work. The 'thinking' camera inspired my favourite directors. Also, I was quite surprised by how much action is there actually in the movie.
Citizen Kane (rewatch) - 3 - Kinky-o-meter: 700
Still can't understand how it can be the best movie ever made. Glorious cinematography for its time, but besides it's nothing special to me!
Tried watching Silver Linings Playbook, but turned it off after 20 minutes. I just found it to be incredibly annoying. Never felt like this since I watched 8 1/2.
Oof, that's all! Some screens for visuals fetishists:
http://www.slantmagazine.com/assets/film/steamrollerandtheviolin.jpg
https://encrypted-tbn1.gstatic.com/images?q=tbn:ANd9GcScsIQjI3F3aBUe-_N0TEyo1x9rHQNVMxo9J7hbRapuK2mApb_0hQ
http://www.mannbeisstfilm.de/files/1979_4_1283460258.jpg
https://encrypted-tbn3.gstatic.com/images?q=tbn:ANd9GcTI1VnSf4BxjeCgCOKpxYosGtYih2n0DdLN1H-LRuVDZ8aomS4Z5A
http://bmoviebrigade.files.wordpress.com/2010/12/fanta.jpg
https://encrypted-tbn3.gstatic.com/images?q=tbn:ANd9GcRvELd3frYnzHoMUVgQWqaJZNSz2DErDAn9cvbuZTfQPahvoNaPyQ
http://farm5.static.flickr.com/4019/4247558136_219c9853f6_o.jpg
http://www.ica.org.uk/thumbnail.php?id=2942&max=600
https://encrypted-tbn1.gstatic.com/images?q=tbn:ANd9GcSEZkHa4-IPmgffTaGeRu8VkJ4Foq3CSMD7fV2dMOC5UdnnPPkP
http://gonet.cz/~tri65dnigalerie/porad/600/2/2da52354e8b5d2719f371c1d683d9421.jpg
http://1.bp.blogspot.com/-Sz9UOPsw1GI/UI8XgEe2diI/AAAAAAAAESc/o1t9LDePI14/s1600/roz2673241.jpg
Daniel M
08-11-13, 09:17 AM
Some awesome posts there, Hitchfan and Mr Minio. I think you commented on it when I got it HF, but now I can't wait to watch Le Cercle Rouge on Blu-ray that I have :cool:
HitchFan97
08-11-13, 09:35 AM
Some awesome posts there, Hitchfan and Mr Minio. I think you commented on it when I got it HF, but now I can't wait to watch Le Cercle Rouge on Blu-ray that I have :cool:
I have a feeling you'll love it. Isn't the Criterion out of print? Lucky bastard :D
Daniel M
08-11-13, 09:45 AM
I have a feeling you'll love it. Isn't the Criterion out of print? Lucky bastard :D
It's not a Criterion, it's a Studio Canal copy, kind of like a European equivalent of Criterion but less films, still some great ones though, check it out.
I saw a Criterion of it going on eBay in the UK though, bid was at £40 when I saw it, I got a multi-region Blu-ray player now so I'm going to buy some Criterions this week, I'll let you know which ones :)
jiraffejustin
08-11-13, 11:36 AM
Posting this here out of complete laziness for two reasons: 1. I'm too lazy to search for a thread, 2. I don't feel this justifies it's own thread....
Anyways, which Bela Tarr film should I start with? I've tried twice to watch The Man from London. I've not made it half-way through either time. Not because of the quality of the film, but I just couldn't get into it and it wasn't an easy watch. I know of his reputation, but I didn't realize his film(s) would be so demanding. I do feel like once something clicks, he could be a favorite of mine. The same thing happened with Ingmar Bergman for me. It took a rewatch of Persona two years after the first time I saw it before I really had that "aha" moment.
Mr Minio
08-11-13, 11:46 AM
Try Werckmeister Harmonies. I don't know anybody that started Tarr from, say, Satantango. Almost everybody began to love him after seeing WH.
The Turin Horse is too monotonous for the first watch, while Satantango is too long and it can really turn somebody off. Damnation is also an option, but I believe the best possible choice is Werckmeister Harmonies. Don't watch his early films yet. It's good to watch them after you've seen all the latter ones.
Mr Minio
08-11-13, 11:52 AM
mark f, how many Tarr films have you seen? I only remember you rating WH 3.
Just Werckmeister Harmonies and The Man From London.
Cursed (Wes Craven, 2005) 2.5
The War Lover (Philip Leacock, 1962) 3
The Ladykillers (Coen Bros., 2004) 2.5
Mon Oncle Antoine (Claude Jutra, 1971) 3-
http://www.thefinaltake.com/wp-content/uploads/2012/04/mon-oncle-3.png
Clifford (Paul Flaherty, 1994) 2
The Eye of the Storm (Fred Schepisi, 2011) 2.5
The Wedding Planner (Adam Shankman, 2001) 2.5
The Cincinnati Kid (Norman Jewison, 1965) 3+
http://3.bp.blogspot.com/-56MRtw23ZAo/Tqyyy2LrdQI/AAAAAAAAEpI/mVPhmUcfOG4/s640/CincinnatiKid33.png
Soldier in the Rain (Ralph Nelson, 1963) 3.5
A Soldier’s Story (Norman Jewison, 1984) 3
Holes (Andrew Davis, 2003) 3
Papillon (Franklin J. Schaffner, 1973) 3.5+
http://i500.listal.com/image/2495441/500full.jpg
Jack and Jill (Dennis Dugan, 2011) 2.5
Sparkle (Salim Akil, 2012) 2.5
Mooz-Lum (Qasim Basir, 2011) 3-
The Warriors (Walter Hill, 1979) 3
http://24.media.tumblr.com/bce8750bf1486c0314ba2dcacb18c07e/tumblr_mfjnctfxZA1rjx1ooo1_500.jpg
American Gigolo (Paul Schrader, 1980) 2.5
Cape Fear (Martin Scorsese, 1991) 3.5
Spencer’s Mountain (Delmer Daves, 1963) 3
Becket (Peter Glenville, 1964) 4-
http://moviefilmoviefilm.files.wordpress.com/2013/03/peterotoolerichardburtonbecket2.jpg
Mr Minio
08-11-13, 03:38 PM
Only two? That's not much. Try Damnation and if you feel like taking a challenge - Satantango. Besides, I hope you've seen The Lion in Winter. It's even better than Becket.
Daniel M
08-11-13, 04:19 PM
Mark, 2.5 seems awfully generous for Jack and Jill :p
I would have said the same thing before I watched it.
Daniel M
08-11-13, 04:27 PM
I would have said the same thing before I watched it.
It honestly exceeded your expectations? I've seen most of it, but I thought it was pretty terrible I'm afraid, although it is oddly amusing/strange to see Al Pacino in it :p
jiraffejustin
08-11-13, 04:47 PM
Saw it, and I hope those are negative popcorns, Mark :p
It's a fair rating. The ludicrous pile on at IMDb isn't fair. I've plenty of problems with it, especially its occasional lack of taste, but I did laugh out loud a few times, especially at Pacino sending himself up. It's not Some Like It Hot, for God's sake. I sometimes wonder if you guys are too serious. :)
Daniel M
08-11-13, 05:00 PM
It's a fair rating. The ludicrous pile on at IMDb isn't fair. I've plenty of problems with it, especially its occasional lack of taste, but I did laugh out loud a few times, especially at Pacino sending himself up. It's not Some Like It Hot, for God's sake. I sometimes wonder if you guys are too serious. :)
:up:
Fair enough Mark, I sometimes ask myself the same thing, then I remember I would probably give Grown Ups a 2.5 :p
Skepsis93
08-11-13, 05:59 PM
Employees Leaving the Lumiere Factory 3
Arrival of a Train 3
A Trip to the Moon 3
Of all the films you listed, yes, I'm picking out these three right now. :p
I'm fascinated by very early film history - K.L. Dickson and Heise's work with Edison, the Lumière brothers, Méliès, Le Prince, Porter, etc. Honestly I'm wondering where you came up with those ratings, especially for the first two. :p For me, they're so far removed from the standard by which we assign ratings to films today that it's impossible to measure them by said standards. A Trip to the Moon is slightly different - I think that's an absolutely remarkable film in its uncanny ability to entertain and transport even to this day. I'd be comfortable giving that a 4.
I rate every film I see on IMDb so I've had to give ratings to both Lumière films and numerous others pre-1900. I just give them all an arbitrary 6 purely so they're recorded. Maybe that's what you've done here, I don't know. Enlighten me! ;D
I rated them all, but you don't want to see my gutterball ratings. :)
gandalf26
08-11-13, 06:17 PM
The Warriors (Walter Hill, 1979) http://www.movieforums.com/images/popcorn/3box.gif
HOW DARE YOU!
http://affordablehousinginstitute.org/blogs/us/wp-content/uploads/how_dare_you.jpg
honeykid
08-11-13, 08:50 PM
Not as good as Honey, but still an outstanding film.
Let's face it, few things are. :p
Walkabout - 3.5 - Kinky-o-meter: 6000
Discovering the flora and fauna of Australia has never been so interesting. Especially with a naked teenager girl taking bath in a lake.
It's the gorgeous Jenny Agutter. If you've not, check out An American Werewolf In London and Logan's Run.
http://fandangogroovers.files.wordpress.com/2012/08/an-american-werewolf-in-london.jpg
http://ts2.explicit.bing.net/th?id=H.4611344306080229&pid=15.1
Citizen Kane (rewatch) - 3 - Kinky-o-meter: 700
Still can't understand how it can be the best movie ever made. Glorious cinematography for its time, but besides it's nothing special to me!
For it's time? Wow, that's beyond harsh. Besides, there's the script, which I always bang on about because, along with Chinatown, it's about as good as movie scripts get, IMO. It's also superbly acted.
jiraffejustin
08-11-13, 08:53 PM
Oh yeah, Agutter is smoking in American Werewolf.
OK so I apparently need to watch Honey. I look it up, and what? A hot chick on the cover? Wikipedia. Jessica Alba? WTF? I mean, she's insanely hot, but that's about it.
But again, I guess I'll watch it.
honeykid
08-11-13, 08:55 PM
Considering how strict mark is with his ratings, I think 3/5 for The Warriors is ok. But only from him. Anyone else doing that has to answer to me. :mad: :D
I'm more concerned with the 2 1/2 he gave to Cursed. Really? I've only seen it once and I thought it was pants. Really poor. I'd probably give it 2 or 2 1/2 and I'm far looser with my ratings than mark. I'm not completely sure about the 2 1/2 for American Gigolo, either, but for the opposite reason. As it's mark, maybe? But it still seems a little low.
honeykid
08-11-13, 09:01 PM
OK so I apparently need to watch Honey. I look it up, and what? A hot chick on the cover? Wikipedia. Jessica Alba? WTF? I mean, she's insanely hot, but that's about it.
But again, I guess I'll watch it.
Considering it's Mr. Mino, I'm guessing it's the 2010 Turkish film.
http://upload.wikimedia.org/wikipedia/en/thumb/0/0c/HoneyFilmPoster.jpg/220px-HoneyFilmPoster.jpg
And not the Hollywood 2003 film.
http://upload.wikimedia.org/wikipedia/en/thumb/1/11/Honey_2003_movie_poster.jpg/220px-Honey_2003_movie_poster.jpg
What-a-mistake-a-to-make-a.
jiraffejustin
08-11-13, 09:02 PM
Jessica Alba is really hot though.
Now it seems to make sense. Still watching the Jessica Alba one. The poster got me.
HitchFan97
08-11-13, 10:16 PM
Of all the films you listed, yes, I'm picking out these three right now. :p
I'm fascinated by very early film history - K.L. Dickson and Heise's work with Edison, the Lumière brothers, Méliès, Le Prince, Porter, etc. Honestly I'm wondering where you came up with those ratings, especially for the first two. :p For me, they're so far removed from the standard by which we assign ratings to films today that it's impossible to measure them by said standards. A Trip to the Moon is slightly different - I think that's an absolutely remarkable film in its uncanny ability to entertain and transport even to this day. I'd be comfortable giving that a 4.
I rate every film I see on IMDb so I've had to give ratings to both Lumière films and numerous others pre-1900. I just give them all an arbitrary 6 purely so they're recorded. Maybe that's what you've done here, I don't know. Enlighten me! ;D
Yeah, these ratings were pretty arbitrary - I almost wasn't gonna rate them but I felt like that would be a cop out. I took a weeklong class on film history just recently and we watched them all in one day. I was almost gonna give A Trip to the Moon a 3.5 because like you said, it is definitely a major technical and narrative step ahead of the other two. But I saw Griffith's An Unseen Enemy right after (another short silent), and that one felt like it was even more innovative than Melies' film. So yeah, they were very arbitrary ratings :D
Skepsis93
08-11-13, 10:32 PM
Yeah, these ratings were pretty arbitrary - I almost wasn't gonna rate them but I felt like that would be a cop out. I took a weeklong class on film history just recently and we watched them all in one day. I was almost gonna give A Trip to the Moon a 3.5 because like you said, it is definitely a major technical and narrative step ahead of the other two. But I saw Griffith's An Unseen Enemy right after (another short silent), and that one felt like it was even more innovative than Melies' film. So yeah, they were very arbitrary ratings :D
Awesome. Yeah, I figured they would be arbitrary. They're fascinating artefacts, but they feel like they're from a completely different world.
I still have to check out some of Griffith's early shorts, before moving on to his most well-known features. I hadn't heard of An Unseen Enemy (not surprising given how many movies he made) so I'll add that to the list. The Musketeers of Pig Alley and A Beast at Bay are the other two I've heard mentioned.
I thought the best part of Lumiere Factory was the dogs. It was fun seeing all the dogs jumping around and wagging their tails. :)
Skepsis93
08-11-13, 10:38 PM
I rated them all, but you don't want to see my gutterball ratings. :)
Sure I do!
I think I can justify giving them all very low ratings, not because I'm mean but because I try to use all my ratings and keep everything ranked in some sort of relative hierarchy. The easiest for me to rate is A Trip to the Moon which on my scale is a fair 2. I can appreciate all the innovation and surprising costumes, effects and color, but it's still probably two or three times longer than it has to be. Compared to it, the other two are bare bones and non-creative (I know that's really a meaningless phrase since they're the result of great technical creativity) but short enough to be worth a watch. I'd give them 1 because I don't believe they deserve lower but they obviously can't compare with Melies. I would also give Moon 5 as a Classic Rating, and the others 3.5 for a Historical Rating which I only use for these type of historical artifacts which we usually view in concert with academics. I can understand if others want to give them higher ratings, but I hope what I say is at least a step above nonsense.
Mingusings
08-12-13, 12:35 AM
Toy Story (1995): 4 I watched this film probably 25 times when I was really little. This was my first rewatch in about 8 years, so it was a lot of fun to revisit, but it also makes it kind of tough to rate. I think this film has a ton of charm and a wonderful array of characters, both actual people and toys.
Toy Story 2 (1999): 4+ I only saw this film once before when it first came out, and I didn't remember much. This is my favorite of the trilogy. Emotional and very fun to watch.
Toy Story 3 (2010): 4 This was my first time watching the latest addition to the series. While parts of it are the best in the entire trilogy, there were also a lot of parts I didn't like. I actually thought some of it was too mean spirited. Still, the first 15 minutes, the magical early scenes in the daycare, and the ending, which had me crying (yeah, I'm a little baby like that), made up for it.
3:10 to Yuma (2007): 3_5- Some pretty cliched and predictable moments hurt the film, but I think Russell Crowe is at his best here. I thought this film was a lot of fun. Haven't seen the original.
The Canyons (2013): 2+ I've heard a few people say that the characters are unrealistic in this film. I don't think that's the case at all. In fact, I think it is the exact opposite. They are extremely realistic. Unfortunately, that means they very boring, uninteresting, and rather pathetic. I was thinking to myself, "There's no point to this film. I could just go to LA and experience this firsthand."
Never Back Down (2008): 2_5 Really bad, cliched screenplay brings this film down. However, I actually think the film kind of works thanks to the wonderful direction.
Lolita (1962): 4 I thought this was a great character study, but it also managed to be really engaging. I sat through this all in one sitting. I didn't pause the film once to get something to eat or go to the bathroom (which I normally do with most movies).
Deadite
08-12-13, 01:55 AM
The Canyons was directed by Paul Schrader, written by Bret Easton Ellis, starring porn star James Deen and future porn star Lindsay Lohan :facepalm:
jiraffejustin
08-12-13, 01:57 AM
The only one of those that lacks talent is Lindsay Lohan though.
Deadite
08-12-13, 02:00 AM
Actually, I thought Lohan was the least-bad thing about it.
jiraffejustin
08-12-13, 02:06 AM
Haven't actually seen it, I just mean in general.
Deadite
08-12-13, 02:24 AM
Gotcha. I can understand anyone disliking her personally. I feel mild disgust and pity for her, myself.
The Canyons is definitely a bad movie. It's just not her bad movie, or Deen's. The blame falls squarely on Schrader and Ellis, IMO.
Mingusings
08-12-13, 10:34 AM
I just don't think Ellis should be working in film. His writing works in novels but, for me, fell flat in the movie.
And also, I thought the acting was terrible for the most part.
Skepsis93
08-12-13, 11:19 AM
I think I can justify giving them all very low ratings, not because I'm mean but because I try to use all my ratings and keep everything ranked in some sort of relative hierarchy. The easiest for me to rate is A Trip to the Moon which on my scale is a fair 2. I can appreciate all the innovation and surprising costumes, effects and color, but it's still probably two or three times longer than it has to be. Compared to it, the other two are bare bones and non-creative (I know that's really a meaningless phrase since they're the result of great technical creativity) but short enough to be worth a watch. I'd give them 1 because I don't believe they deserve lower but they obviously can't compare with Melies. I would also give Moon 5 as a Classic Rating, and the others 3.5 for a Historical Rating which I only use for these type of historical artifacts which we usually view in concert with academics. I can understand if others want to give them higher ratings, but I hope what I say is at least a step above nonsense.
Thanks for the reply, Mark. :) I see where you're coming from, and clearly my rating "system" (aka my gut feeling) isn't anywhere near as well thought-out as yours is. :p
It's interesting that you differentiate between Historical Rating and others. What would be your 4.5/5 historical films, if any?
I've never made a list of Historical Ratings, so maybe I underrated those two. Many of such film artifacts I haven't seen since college although when many were restored and put on DVD, TCM showed several. I suppose before I rate them fairly I should rewatch some to see if they qualify as "Historical(ly Significant)" or "Classic" or perhaps even a more-modern entertainment-sorta rating.
As far as my system for rating movies being more "well thought-out" than just a gut feeling, it's not really. It's just that my gut's been doing it longer, and it shows. :)
Cobpyth
08-12-13, 01:03 PM
I like lindsay Lohan. It's a shame she's going through such rough times. She could have been so much more than she has become now.
The Devil’s Envoys (1942) - 2.5
A Walk in the Clouds (1995) - 3
The World's End (2013) - 3
Tokyo Drifter (1966) - 3.5
The Conjuring (2013) - 3
Evil Dead (2013) - 1
Wow hi Justin. Long time no see.
That was my version of a dramatic (re)entrance.
Skepsis93
08-12-13, 03:37 PM
* as usual = Rewatch
The Searchers (John Ford, 1956) 3.5
Butch Cassidy and the Sundance Kid (George Roy Hill, 1969) 4
Paris, Texas (Wim Wenders, 1984) 4.5+
Downfall (Oliver Hirschbiegel, 2004) 3+
Jackie Brown (Quentin Tarantino, 1997) 3.5
Love and Death (Woody Allen, 1975) 4
Bullets Over Broadway (Woody Allen, 1994) 4
Annie Hall* (Woody Allen, 1977) 4.5
http://www.kleph.com/blog/images/movies/Paris%20Texas/paristexas001.jpg
http://www.reverseshot.com/files/images/issue21/bullets.jpg
Gabrielle947
08-12-13, 04:03 PM
Downfall (Oliver Hirschbiegel, 2004) 3+
huh?why so low? :/
HitchFan97
08-12-13, 04:25 PM
Awesome. Yeah, I figured they would be arbitrary. They're fascinating artefacts, but they feel like they're from a completely different world.
I still have to check out some of Griffith's early shorts, before moving on to his most well-known features. I hadn't heard of An Unseen Enemy (not surprising given how many movies he made) so I'll add that to the list. The Musketeers of Pig Alley and A Beast at Bay are the other two I've heard mentioned.
It's the only one of his films I've seen. The instructor had a disc from Kino which had a whole bunch of them on there, so I figure that's a pretty good resource for his early shorts. :)
Paris, Texas[/B] (Wim Wenders, 1984) 4.5+
Also, so glad you loved Paris, Texas! Such a beautiful movie, visually and emotionally. Definitely one of the best films I've seen this year.
Skepsis93
08-12-13, 04:35 PM
huh?why so low? :/
I know it's an unpopular opinion, but I found something in the story lacking. It's a brave and interesting premise, but generally, the main point seems to be to illustrate Hitler's devolution into fantasy and denial, and the execution of that arc is good but gets repetitive. The performances are solid, but I would say Ganz's portrayal is more impressive in terms of imitation than emotional power. It felt to me like a film to respect artistically - it has a great visual flair and suitably dark atmosphere - but it's not one that got to me the way it maybe was intended to or at least I expected it to. I could identify the powerful moments, but didn't really feel them.
Also, so glad you loved Paris, Texas! Such a beautiful movie, visually and emotionally. Definitely one of the best films I've seen this year.
It's absolutely sublime, isn't it? I feel exactly the same way plus Harry Dean Stanton and Nastassja Kinski completely blew me away - especially in that climactic sequence.
HitchFan97
08-12-13, 04:39 PM
It's absolutely sublime, isn't it? I feel exactly the same way plus Harry Dean Stanton and Nastassja Kinski completely blew me away - especially in that climactic sequence.
Yeah, amazing performances. I can't name too many other films where the empathy I feel for the characters is so natural and unforced.
Oranges and Sunshine (Jim Loach, 2010) 2.5+
Advise & Consent (Otto Preminger, 1962) 3
The Missouri Breaks (Arthur Penn, 1976) 2.5-
My Own Private Idaho (Gus Van Sant, 1991) 2
http://i44.tinypic.com/i1y72s.jpg
Grand Prix: Challenge of the Champions (Daniel Davis, 1966) 3
Michael (Nora Ephron, 1996) 2.5
Side Effects (Steven Soderbergh, 2013) 2.5
Blade (Stephen Norrington, 1998) 3
http://i10.photobucket.com/albums/a116/jmidget123/Blade-2.jpg
Circle of Friends (Pat O’Connor, 1995) 2.5+
Un flic (Jean-Pierre Melville, 1972) 2.5
Le sauvage (Jean-Paul Rappeneau, 1975) 3-
Rabbit-Proof Fence (Phillip Noyce, 2002) 3
http://www.isky.co.nz/content_providers/icon_film_distribution/images/single/rabbit_proof_fence_ps/files/37772/rabbit-proof-fence-ps.jpg
Swimming Upstream (Russell Mulcahy, 2003) 2.5
I’m Going Home (Ja rentre a la maison) (Manoel de Oliveira, 2001) 2+
Tristana (Luis Bunuel, 1970) 3
The Umbrellas of Cherbourg (Jacques Demy, 1964) 3.5+
http://farm3.static.flickr.com/2107/2205618047_c7ecb7426c.jpg
Filmmaking on the Riviera (No Director Listed, 1964) 2.5
Ma saison preferee (My Favorite Season) (Andre Techine, 1993) 3-
What’s Cooking? (Gurinder Chadha, 2000) 3-
Dogma (Kevin Smith, 1999) 3-
http://27.media.tumblr.com/tumblr_m1h7xq9vgB1qzbawxo1_500.jpg
Gabrielle947
08-13-13, 04:08 PM
Aww,nice to see someone not liking My Own Private Idaho :up: :D
Katzelmacher (1969) - 2.5
World on a Wire (1973) - 3.5
Pacific Rim (2013) - 2.5
linespalsy
08-13-13, 05:17 PM
Still not watching much.
The Great Gatsby (2013) 3.5
Pacific Rim (2013) 2.5
Epic (2013) 2-
Daniel M
08-13-13, 06:18 PM
http://www.starsandpopcorn.com/wp-content/uploads/2011/08/Leon-the-Professional.jpg
Léon (Luc Besson, 1994) 3
Whilst a very good film, I didn't find myself loving this as much as some have. I think part of the problem I had with it was the balance between it being an action film and a drama. If this had been just an action film, I think it maybe would have worked better, but with the deliberate age difference and large amount of scenes dedicated to the relationship between Leon and Mathilda, I wasn't really sure what to make of them, and I found it a little bit strange, had the girl been say 18, I think I would have been a lot more comfortable with it. I felt the switch from drama to action sometimes was a little sudden too, the action was over the top but fun, and Gary Oldman gives a memorable fun performance as a great villain. I have it on Blu-ray which means I am more liking to watch it again and possibly appreciate it more anyway.
http://www.fitnessjazz.com/wp-content/uploads/2012/03/derek-vinyard-edward-norton-workout-033.jpg
American History X (Tony Kaye, 1998) 3
I find this film very difficult to rate. I mean, parts of it I really really liked, but other parts just didn't seem right. The idea behind it seems good, and I thought it started well and was interested in how it was going to deal with racism. But come the films end I don't think the film accomplished what it should of, the ending left me kind of confused and I'm still not completely sure on what its meant to say exactly.
Whilst the film shows the transformation of one man from a racist neo-nazi to the opposite, and him stopping his younger brother from becoming one, it does this in no detail or without any depth whatsoever. If needed to show better why he changed his attitude, why racism is wrong, it needed to show him teaching his son why it's not cool to be part of this neo-nazi gang, why he's heading down the wrong path, but it all just kind of happened without explanation.
http://gradtripfleamarket.files.wordpress.com/2010/04/one-flew-over-the-cuckoos-nest2.jpg
One Flew Over The Cuckoo's Nest (Milos Forman, 1975) 3.5-
Another good film, that I don't think it's as brilliant as some people do . It has moments of greatness, and some scenes are genuinely touching and warming. I just wasn't really sure about Jack Nicholson's character and his storyline, it all seemed a bit too sudden and changed direction abruptly at the end for me. It was enjoyable, and like I said many scenes left me with a smile on my face, it has some good performances with many different enjoyable characters, but I'm not really sure how Louise Fletcher won an Oscar.
http://img2-2.timeinc.net/ew/i/2012/02/24/the-artist_400.jpg
The Artist (Michael Hazavanicius, 2012) 4
A delightful little film that I absolutely loved. A fantastic homage to silent films, it has everything people love about films, not just silent ones, great acting with fantastic chemistry between the two leads, it's full of charm with a romantic centre, has great cinematography and sound, and the costumes/sets are delightful.
http://1.bp.blogspot.com/_DnPwaEn8aGE/SbvGcT2q2JI/AAAAAAAAH7k/6j_ns766SpY/s400/network-peter-finch-med.jpg
Network (Sidney Lumet, 1976) 4.5
My new favourite Lumet film, Network is a film that relies on its characters, the performances of everyone involved, and sees some of the greatest on screen performances that I have seen. William Holden and Faye Dunaway are both brilliant. Then there's supporting actors like Peter Finch as the insane news anchorman Howard Beale who becomes the centre of attention following an initial bizarre on screen outburst that his network capitalise on and use to their future advantage.
donniedarko
08-13-13, 06:39 PM
^Id rank those films
Network
American History X
One Flew over the Cuckoos nest
The Artist
and then Leon
@Mark, could you expand on Side Effects
Daniel M
08-13-13, 06:52 PM
^Id rank those films
Network
American History X
One Flew over the Cuckoos nest
The Artist
and then Leon
How far between them then Donnie, what's the top and bottom popcorn ratings? :)
Skepsis93
08-13-13, 07:09 PM
Léon (Luc Besson, 1994) 3
If this had been just an action film, I think it maybe would have worked better, but with the deliberate age difference and large amount of scenes dedicated to the relationship between Leon and Mathilda, I wasn't really sure what to make of them, and I found it a little bit strange, had the girl been say 18, I think I would have been a lot more comfortable with it.
I rewatched this a while back and while it didn't hold up as well as I had hoped, I still like it a lot. I think their relationship is easily the strongest part of the film and what sets it apart from most bland, action-oriented movies.
That said, I can understand why on the surface of it, their pairing might make someone uncomfortable. But my view has always been that Mathilda's age is perhaps the most effective tool Besson used to characterise Léon as childlike and emotionally underdeveloped himself. I see him like a sort of assassin-savant, and someone who's learning just as much from his partner as he is teaching her. The idea that he'd act upon Mathilda's naive advances seems impossible to me.
The undertone is a mixture of father-daughter and child-child, in fact I think Besson sidestepped a potentially distasteful (to say the least) pitfall remarkably well and created a very touching, if unconventional, relationship at the same time.
But that's just me. :)
Also I love Network, The Artist and Cuckoo's Nest, so that's a great set besides American History X, which I definitely didn't like. :up:
donniedarko
08-13-13, 07:18 PM
Network 4
American History X 4
One Flew over the Cuckoos nest 3.5
The Artist 2.5--
and then Leon 2
How far between them then Donnie, what's the top and bottom popcorn ratings? :)
There we go:)
Daniel M
08-13-13, 07:22 PM
There we go:)
Fair enough, I knew you didn't The Artist that much, I remember what you said about that and L.A. Confidential. Even though both films rely on the traditional elements that make the films they are paying homage too, I felt that the individual stories of both were strong enough to make me really enjoy them, you didn't find that?
donniedarko
08-13-13, 07:58 PM
Fair enough, I knew you didn't The Artist that much, I remember what you said about that and L.A. Confidential. Even though both films rely on the traditional elements that make the films they are paying homage too, I felt that the individual stories of both were strong enough to make me really enjoy them, you didn't find that?
Umm, for me the story and plot, were actually the biggest down fall of the movies. And you're right while I've criticized both for being to much style wise, I actually both have :cool: stylistic elements. The dream scene in The Artist comes to mind. But no story wise I think both are highly weak and unengaging. My eye looks at it 180 degreas differently than the vast majority, though.
Holy Motors (2012, Leos Carax)
This was recommended by a friend who completely oversold the motion capture love scene. I was waiting for this one to go somewhere but it never did.
2 stars
Martha, Marcy, May, Marlene (2011, Sean Durkin)
I liked it. Imo, it would be hard to find someone that can pull off the subtle creepiness that John Hawkes can right now.
3.5 stars
Happy People: A Year in the Taiga (2010, Werner Herzog)
Oh Werner, please stop narrating your films. Mr. Herzog has a great way of finding unique narratives with respect to humans and their connections to nature, but his narration had me tuning out at times. This solidified my standing as a film/doc geek because there are just so many people that can sit through a documentary about Siberian fur trappers.
3 stars
Upstream Color (2013, Shane Carruth)
What to say, what to say. After primer, I was hoping to see more from this guy. Nothing keeps me more engaged than when a director decides to tell a story with a consistent flow of clever shots. This one was fun to watch but difficult to understand. In what seems to be a sea of vanilla lately, this was a winner.
3.5 stars
Can anyone tell me how to do the popcorn rating thing?
Daniel M
08-13-13, 08:14 PM
Holy Motors (2012, Leos Carax)
This was recommended by a friend who completely oversold the motion capture love scene. I was waiting for this one to go somewhere but it never did.
2 stars
Martha, Marcy, May, Marlene (2011, Sean Durkin)
I liked it. Imo, it would be hard to find someone that can pull off the subtle creepiness that John Hawkes can right now.
3.5 stars
Happy People: A Year in the Taiga (2010, Werner Herzog)
Oh Werner, please stop narrating your films. Mr. Herzog has a great way of finding unique narratives with respect to humans and their connections to nature, but his narration had me tuning out at times. This solidified my standing as a film/doc geek because there are just so many people that can sit through a documentary about Siberian fur trappers.
3 stars
Upstream Color (2013, Shane Carruth)
What to say, what to say. After primer, I was hoping to see more from this guy. Nothing keeps me more engaged than when a director decides to tell a story with a consistent flow of clever shots. This one was fun to watch but difficult to understand. In what seems to be a sea of vanilla lately, this was a winner.
3.5 stars
Can anyone tell me how to do the popcorn rating thing?
Like [ rating]1[/ rating] or [ rating]1.5[/ rating] without the spaces :) And I enjoyed Holy Motors more than you, although it's a pretty strange film that I can totally get some people wouldn't like.
Gabrielle947
08-13-13, 08:24 PM
Leon is great! :[
edarsenal
08-13-13, 09:54 PM
As previously posted, I'm VERY biased when it comes to Leon and skepsis defines Leon's and Mathilda's relationship wonderfully. Sorry to hear you don't care for leon, donnie, and daniel, did you see the director's or the theatrical? Not that it will sway you either way, more out of curiousity and reps, regardless, for, as always, good and honest reviewing.
REWATCH Oldboy (South Korea) 4.5 What can be said that hasn't been said about this movie? Intense with moments of dark comedy, a story of long standing retribution, it captivates from the very first scene and holds you through out.
http://joehumphrey.com/journal/wp-content/uploads/2011/12/39-Oldboy-elevator-445x300.jpg
War of the Arrows (South Korea) 4 An historical piece where a brother takes on the Quing Dynasty to rescue his sister.
Once the action gets going on this one, it does NOT stop and that is only a minor kudos of this movie. The characters, their interaction and the cinematography is done with poetic intensity that, it seems, Korean movies truly excel in.
http://www.cageyfilms.com/wp-content/uploads/2012/02/war_of_the_arrows_03.jpg
@Mark, could you expand on Side Effects
I don't have much original to say about Side Effects, but that's because I think it's not a terribly original film. It's not really social criticism and it's not really a thriller, so that removes it from Soderbergh's Erin Brockovich. I suppose it's really a mystery with a slight paranoid feeling, but it's so subtle in the first half and so silly in the second that I'm surprised that the director would choose it as his feature swan song. Under the circumstances, the acting isn't too bad but considering it shares some juicy plot twists of a Wild Things-type thriller, I'm afraid that Soderbergh approached the material while under the side effects (or intended effects) of a tranquilizer chased with an antidepressant.
donniedarko
08-13-13, 11:03 PM
Haha, while the second half did have some plot holes, I did find the first half phenomenally intense. It's one of the more original from this year (I know that's not saying much), I had a problem with the dialogue (it's from the same writer as The Informant!) but I feel that the film keeps an intense and real atmosphere
BlueLion
08-13-13, 11:42 PM
http://i.imgur.com/7p6acJf.png
Only God Forgives (2013) - 3.5
It's good. It isn't garbage like some critics say it is, but it is not a great work of art, either. Don't expect it to be like Drive because it is a totally different film, and I am glad it is. Drive told a simple story, and had a great character study. Only God Forgives doesn't explain much - it consists of surrealistic and dreamlike scenes for the most part, and it's a movie full of characters that look like humans inhabiting a spiritual world, and sometimes don't even look like humans at all.
other films seen recently:
Clerks (1994) - 4
The Game (1997) - 3.5
Half Nelson (2006) - 3.5
Ferris Bueller's Day Off (1986) - 3.5
The Forgiveness of Blood (2011) - 3.5
Night of the Living Dead (1968) - 2.5
Monkeypunch
08-14-13, 02:56 AM
G.I. Joe: Retaliation - I admit, I liked the first G.I. Joe film. It wasn't GREAT, but it was a fun time at the drive in. This one is sort of a sequel and sort of a giant middle finger to that earlier film. Most of the cast from the first is not in this one, and those who are end up dead in the first fifteen minutes. So eff that first film, it's not important, this one says. And then we get The Rock (who's strangely humorless throughout), and two people I've never heard of, fighting Cobra Commander (who's decidedly not Joseph Gordon Levitt this time) with the help of a clearly disengaged Bruce Willis...I think that's his default mode now. I can't remember the last time Bruce looked like he gave a crap about any of the films he's in. Maybe Looper...I just didn't care how this film ended. I was tired of it at the half way mark. 1 I gave it one because I may have laughed once, at RZA from Wu Tang Clan playing a Japanese man. Cause that's just funny.
Brodinski
08-14-13, 11:46 AM
Been over a month since I've posted in here. Catching up:
The Guns of Navarone (1961, Thompson): 3
Liberté (2009, Gatlif): 3+
The Secret in Their Eyes (2009, Campanella): 4.5
Hundstage (2001, Seidl): 2.5
The Heat (2013, Feig): 3
Iron Man 3 (2013, Black): 3+
The Omega Man (1971, Sagal): 2+
Indiana Jones & The Kingdom of the Crystal Skull (2008, Spielberg): 3
World War Z (2013, Forster): 3
A Prophet (2009, Audiard): 4
Mundane History (2009, Suwichakornpong): 2.5+
The Clock (1945, Minnelli): 3
Mr Minio
08-14-13, 06:50 PM
The Station Agent - 4
http://robsmovievault.files.wordpress.com/2011/10/stationagent.jpg
A really warm and honest film, which succeeds in delivering its message without being overly melodramatic. The trio of actors who played main roles all did a great job, which adds up to a film. Peter Dinklage talking about how people treat him was one of better confessions I've seen in cinema lately, mainly because it probably wasn't acted. Really strong performance.
Rust and Bone - 4
http://www.frontrowreviews.co.uk/wordpress/wp-content/uploads/2012/11/rab1.jpg
I haven't seen Jacques Audiard's previous effort A Prophet, so I didn't know what to expect from this 2012 French drama film. The story is quite usual, but the way it has been shown on the screen was impressive. Schoenaerts and Cotillard complete each other perfectly portraying completely different personas and their weird relationship built on desire, sympathy and eventually guilt is one of the reasons why you should watch it. If it isn't enough for you, the film has a sweet delicate score made by Desplat juxtaposed to popular songs of various artists, which helps to enrich the above average cinematography. The plot is 'only' a nice addition to this already cream filled piece of cake. There's nothing left to do, but to eat!
A New Life - 4
http://1.bp.blogspot.com/_E9YcWkAQSfQ/ShJvyYhvsFI/AAAAAAAAH7w/hyPT4wD-RYg/s400/Vien1.jpg
Philippe Grandrieux shows the world like it is - brutal and sinister. This arthouse flick tells a very simplistic story, but the way it does it is unparalleled. Chaotic camera movement, blurred images emerging from the darkness, fuzzy lights, use of negative (?) and long zooms all combined fulfill the disturbance seen and heard on the screen. Its minimalistic way of showing violence and quirky affection is so unseen it deserves a watch. But beware, it's not an easy film to watch.
Samsara - 3.5
http://arneadolfsen.files.wordpress.com/2013/02/samsara-chungku-002.jpg?w=640&h=289
Pan Nalin mixes etnographic movie and buddhism ideas adding melodrama aesthetics. The end result is at least intriguing. His film feels divinely, but is also very human with all the pros and cons of this. "How can one prevent a drop of water from ever drying up?". Watch the movie to find out.
Only God Forgives - 4
http://themovieblog.com/wp-content/uploads/2013/08/Kristin-Scott-Thomas-in-Only-God-Forgives-585x329.jpg
Stylized to the point of absurdity, Only God Forgives is one of better neo-noir films made during the last decade. The well-lit interiors, neon exteriors, mysterious corridors and Lynchian red room create a very dense atmosphere. Sometimes the viewer isn't sure whether the scene he sees is real or a reverie. Sweet and precise scenography helps to make every shot unforgettable while Gosling's and Thomas' acting only chill up every take. I really liked the femme fatale character, which behind the mask of glamorous lady hid a monster. The scene in restaurant is the best example of her ways. Two or three times the movie even felt kinda campy, but I don't regard it as a disadvantage. The final Jodorovsky tribute was unexpected and sadly I haven't seen the movie OGF is paying homage to according to some Internet comments I read. By the way I can't understand why the movie is rated so low. Probably people thought it's gonna be Thai box version of Rocky. Honestly, I thought the same, but it wasn't. Thank God it wasn't.
The Duellists - 2.5
http://s3.amazonaws.com/auteurs_production/post_images/484/the-duellists.jpg?1276609086
As long as cinematography was pretty nice and the final shot was nothing short of a genius I was completely indifferent to the story itself. Barry Lyndon, a movie The Duellists is being compared to almost everytime, is much better in every aspect, but Ridley Scott's debut wasn't a bad film at all! It's just I watched it after Only God Forgives.
The Station Agent - 4
http://robsmovievault.files.wordpress.com/2011/10/stationagent.jpg
A really warm and honest film, which succeeds in delivering its message without being overly melodramatic. The trio of actors who played main roles all did a great job, which adds up to a film. Peter Dinklage talking about how people treat him was one of better confessions I've seen in cinema lately, mainly because it probably wasn't acted. Really strong performance.
:love: this movie :yup: own it :)
edarsenal
08-14-13, 09:28 PM
REWATCH The Clerks 3.5
http://media.tumblr.com/tumblr_lynd1fY9ci1qzzh6g.jpg
"I'm not even supposed to be here, today."
REWATCH Choke 4 based on the story by the same author of Fight Club (Chuck Palahniuk) and starring Sam Rockwell and Anjelica Huston.
The central character is a sex addict that purposely chokes on food so people will save him while dealing with an amensic (sp?) mother with a secret about who, really, his father is, and all kinds of mixed up, messed up sh*t in between.
Poignant, funny and visceral
http://www.projections-movies.com/images/choke.jpg
Strike Up the Band (Busby Berkeley, 1940) 2.5+
Summer Holiday (Rouben Mamoulian, 1948) 2.5
Quicksand (Irving Pichel, 1950) 2
Girl Crazy (Norman Taurog, 1943) 2.5+
http://www.the-frame.com/blog/wp-content/uploads/2013/06/Girl-Crazy.jpg
The Strip (Laszlo Kardos, 1951) 2
Don’t You Believe It (Edward Cahn, 1943) 3
The Human Comedy (Clarence Brown, 1943) 2.5
A Royal Affair (Nikolaj Arcel, 2012) 3
http://www.ir.lv/upload/image_file/name/2013_03/49131/karaliska_deka2-galery_main.jpg
Pulp (Mike Hodges, 1972) 2.5+
Celeste & Jesse Forever (Lee Toland Krieger, 2012) 2.5+
Nobody’s Baby (David Seltzer, 2001) 3
Snow Falling on Cedars (Scott Hicks, 1999) 2.5
http://i500.listal.com/image/4304818/500full.jpg
In My Country (John Boorman, 2004) 2.5
Around the World in 80 Days (Frank Coraci, 2004) 2.5
Guess Who (Kevin Rodney Sullivan, 2004) 2.5
The Point (Fred Wolf, 1971) 3+
http://www.mannereffect.com/wp-content/uploads/2013/06/the-point.gif
Hells Angels on Wheels (Richard Rush, 1967) 1+
Spies Like Us (John Landis, 1985) 2.5+
The Three Burials of Melquiades Estrada (Tommy Lee Jones, 2005) 3
The Apprenticeship of Duddy Kravitz (Ted Kotcheff, 1974) 4
http://www.thethirdcity.org/blog/wp-content/uploads/2013/05/duddykravitz.jpg
linespalsy
08-16-13, 01:49 PM
http://cdn.static.ovimg.com/episode/308835.jpg
Finished Season 4 (2006) of The Wire yesterday. 3.5+
Frightened Inmate No. 2
08-17-13, 12:23 AM
The King of Comedy - 91/100
3 Women - 80/100
Secret Honor - 73/100
Jeff, Who Lives at Home - 68/100
The King of Comedy - 91/100
:up:
Payment on Demand (Curtis Bernhardt, 1951) 2
The 6th Day (Roger Spottiswoode, 2000) 2.5
Captain Horatio Hornblower (Raoul Walsh, 1951) 3
Malcolm X (Spike Lee, 1992) 3.5
http://project-blu.com/images/reviews/b824049d-f200-48a94r9146ujgjpg.jpg
Deep in the Heart (Christopher Cain, 2011) 2
The Macomber Affair (Zoltan Korda, 1947) 2
Luther (Guy Green, 1974) 3
GoodFellas (Martin Scorsese, 1990) 4
http://24.media.tumblr.com/tumblr_ljooeeOGHP1qiib0qo1_500.gif
El Condor (John Guillermin, 1970) 2.5
One Minute to Zero (Tay Garnett, 1952) 2+
Truth or Consequences, N.M. (Kiefer Sutherland, 1997) 2.5
Duel in the Sun (King Vidor, 1946) 3+
http://i500.listal.com/image/3649471/500full.jpg
I Love You to Death (Lawrence Kasdan, 1990) 2.5
Bridget Jones: The Edge of Reason (Beeban Kidron, 2004) 2.5
Killer McCoy (Roy Rowland, 1947) 2+
Brute Force (Jules Dassin, 1947) 2.5
http://monstergirl.files.wordpress.com/2013/01/brute-force.jpg?w=490&h=354
Slander (Roy Rowland, 1957) 2+
The Secret of the Marquise (Lotte Reiniger, 1922) 2.5+
Lotte Reiniger: Homage to the Inventor of the Silhouette Film (Katia Raganelli, 2001) 3+
The Adventures of Prince Achmed (Lotte Reiniger, 1926) 3.5+
http://25.media.tumblr.com/tumblr_lzcyv0jYSB1qj38pco1_500.jpg
Brother Blue
08-17-13, 06:40 PM
Spellbound (Hitchcock, 1945) 3+
Masculin Feminin (Godard, 1966) 4*
The Collector (Rohmer, 1967) 4.5
Dressed to Kill (De Palma, 1980) 3.5
Kiss Me Deadly (Aldrich, 1955) 4
Public Enemies (Mann, 2009) 2*
Broadcast News (L. Brooks, 1987) 3.5
Eyes Wide Shut (Kubrick, 1999) 5
Inside Man (Lee, 2006) 3*
Die Hard with a Vengeance (McTiernan, 1995) 4*
The Face of Another (Teshigagara, 1967) 4.5
[short] The Heart of the World (Maddin, 2000) 5
Mr Minio
08-18-13, 05:43 PM
Vormittagsspuk - 3
http://www.silentera.com/PSFL/img/filmImages/V/Vormittagsspuk1928-01.jpg
This dude. You ain't got sh*t on him.
I never really was into dadaism, neither cinema nor any other form of art. Mona Lisa with moustache was rather a funny gimmick than art to me. I didn't even try to watch Entr'acte as I thought I wouldn't like it.. I started watching Ghosts Before Breakfast not even knowing it's dada and all of sudden I enjoyed it. Obviously, it's all about visuals and tricks, which are quite impressive given the year it was made (1928), but there's nothing more to it as it's a mix of surrealism and experimental.
Outer Space - 3
http://i40.tinypic.com/zvq0qd.jpg
It really felt like from outer space.
Another interesting short. The director tortures the tape, cuts it into pieces and recomposes it creating a collage of images. Does it work? Well, partially. Really atmospheric and cool for the most of time, nerve-wrackingly eye-burning in the middle, it surely is an quaint little movie. Worth checking out, but don't even try to if you suffer from epilepsy!
Blockade - 4
http://lpafilmfestival.com/system/events/images/247/medium_blokade.png
Don't really know what to say here. Just watch it!
This documentary film of Ukrainian director Sergei Loznitsa known for his gruesome full-length debut My Joy shows the blockade of Leningrad and the actrocities of war better than most feature films I've seen. Using only archive footage and minimal but effective editing Loznitsa managed to move me without even saying a word. There's no commentary in the movie. Only real footages of people, who lived, died and survived. The fireworks at the end are truly beautiful, but the last scene that comes after them is extremely horrific, especially with an ironic inscription coming right after it ends. It's almost like an essay film, but silent, because there's no need for pompous speeches to make people understand war is hell. Truly an unknown gem.
Three Days - 4.5
http://25.media.tumblr.com/tumblr_lqnmwqcr6F1qaoz3ro1_500.png
Another slow, boring film. I love it!
Šarūnas Bartas is a truly talented director, who manages to create a great mood and make his movies interesting while seemingly not showing anything at all. Vestigal dialogs (quite surprised me, because his other films I've seen had no dialogs at all) and dingy yet beautiful camera shots show the relationship between the protagonists, as mystical as possible, given we don't know anything about them. The film had a strange emotional impact on me, something I rarely ever feel when I watch a movie. Probably my favourite Bartas film up to date.
3 Women - 4.5
http://3.bp.blogspot.com/_D1wuD5y6FS0/TOgMf_NwOaI/AAAAAAAAAN0/ZscczHE7oFw/s640/3+Women+2.jpg
Nice paintings. Kinky paintings. And it's a perfect combination.
My first meeting with Mr. Altman was quite unusual. At first I thought I know everything about him, his intentions and ideas he has been showing me. The story he told me was really appealing, but I didn't know what's to come. When he finished it, it was nothing like I ever imagined it to be, but I can't say I didn't like his story. I heartily thanked him for his time and promised I'll come by again for more. He smiled suspiciously and said I'm welcome at any time. ~~~ Thank you, Hitchfan.
Videodrome - 3
http://i44.tinypic.com/2lbdso3.jpg
Just a second, I have to put my hand into my giant ventral vagina.
Oh wow! What should I say? At first I thought it's gonna be a nice erotic thriller, but then it turned into some sci-fi disgusting TV critique. It was an OK film, but Cronenberg still has to impress me with a movie. Oh, and give me a link to that Japanese sex tape with a doll-dildo. It was a nice touch! LOL
Grizzly Man - 3.5
http://2.bp.blogspot.com/_N0TSGcQUzgU/SkuXeZTP3fI/AAAAAAAABIk/Ap1I_WqRrzg/s640/grizzlyman1.jpg
Whatta zealot! Cute fox, tho.
Herzog shows us a man and stays quite objective on the matter. He says when he agrees and when he doesn't, but he doesn't judge. He's an observator and transmitter. An artist admiring another artist, but it's not blind adoration. No matter what you think about the guy, you have to say it's a great documentary.
Sound City (www.imdb.com/title/tt2306745/)
http://www.metalinsider.net/site/wp-content/uploads/2013/02/sound-city-poster.jpg
2
An amazing story of Sound City, a dumpy Van Nuys studio that produced some of the greatest music in pop history, from Neil Young to Nirvanna.
Well that the beginning of the film, more about the end later.
The star of the show is the Neve analogue mixing console. The centerpiece of the studio. The musicians loved this machine. It gave them a live quality that seemed to be lacking in other equipment.
The shape of the dumpy little building was also an integral part of the sound. Drummers like the director Dave Grohl, love the realness of the sound.
Then the digital age of recording comes in. Why record over and over when you can fix it with a computer? The artists in this film will argue that something is lost in the process and "digital sucks!" But digital is the future and the companies refusal to update leads to their demise.
Or does it? Dave Grohl purchases the Neve and invites proponents of Sound City for a jam session album making thing.
Yawn, the rest of the film is sleep-inducing jam session blended with interviews about how digital sucks!!! digital sucks!!! digital sucks!!!
Now to my comments about the artists. You are worth billions! Go record wherever, whenever on any equipment you want! Nothing is preventing you from making good music! Stop bitching about the industry holding you down.
Don't you elitists realize it's expensive record in such a manner? Not everybody can invite Paul McCartney to show up and burn through hundreds of thousands to millions of dollars in analog tape.
According to IMDB it was filmed using a Red Epic Camera. What? A digital camera?
HitchFan97
08-18-13, 06:46 PM
3 Women - 4.5
http://3.bp.blogspot.com/_D1wuD5y6FS0/TOgMf_NwOaI/AAAAAAAAAN0/ZscczHE7oFw/s640/3+Women+2.jpg
Nice paintings. Kinky paintings. And it's a perfect combination.
My first meeting with Mr. Altman was quite unusual. At first I thought I know everything about him, his intentions and ideas he has been showing me. The story he told me was really appealing, but I didn't know what's to come. When he finished it, it was nothing like I ever imagined it to be, but I can't say I didn't like his story. I heartily thanked him for his time and promised I'll come by again for more. He smiled suspiciously and said I'm welcome at any time. ~~~ Thank you, Hitchfan.
Glad you enjoyed it so much! I figured you would, it's surreal AND kinky. ;)
And boring. Don't forget he loves films where nothing happens. Apparently he likes annoying characters too. Oh wait a sec; this is on your list too. ;)
Mr Minio
08-18-13, 06:59 PM
None characters were annoying to me and believe me, compared to other movies I watch this film was almost an action flick!
donniedarko
08-18-13, 07:06 PM
None characters were annoying to me and believe me, compared to other movies I watch this film was almost an action flick!
Wow, well I actually kinda liked some aspects of 3 Women but Duvall and Spacek were as annoying as they could get, and that's saying something for the particular actresses.
http://cdn.hitfix.com/photos/1178295/The-poster-art-for-The-Intouchables_event_main.jpg :up:
Cobpyth
08-18-13, 07:38 PM
3 Women - 4.5
http://3.bp.blogspot.com/_D1wuD5y6FS0/TOgMf_NwOaI/AAAAAAAAAN0/ZscczHE7oFw/s640/3+Women+2.jpg
Nice paintings. Kinky paintings. And it's a perfect combination.
My first meeting with Mr. Altman was quite unusual. At first I thought I know everything about him, his intentions and ideas he has been showing me. The story he told me was really appealing, but I didn't know what's to come. When he finished it, it was nothing like I ever imagined it to be, but I can't say I didn't like his story. I heartily thanked him for his time and promised I'll come by again for more. He smiled suspiciously and said I'm welcome at any time. ~~~ Thank you, Hitchfan.
I knew this would be your kind of film. I also liked it a lot. It has a very magnetic atmosphere, in my opinion (like many of Altman's films) and I actually thought it had something interesting to say about the different aspects and phases of womanhood. Very delicious film, but not one of my very favorites of Robert Altman, though.
Gabrielle947
08-18-13, 09:12 PM
Blockade
My parents said that there's an old feature film about the siege of Leningrad but I can't find it anywhere.This doc may be not bad but it's a documentary so it lacks story for me.
The Student Prince (Richard Thorpe, 1954) 2.5
The Helen Morgan Story (Michael Curtiz, 1957) 2.5
Our Very Own (David Miller, 1950) 2
The Darjeeling Limited (Wes Anderson, 2007) 3-
http://farm2.static.flickr.com/1118/1474069305_11ea438e97.jpg?v=0
Most Wanted (David Hogan, 1997) 2.5
Irresistable (Ann Turner, 2006) 2+
Dirty Work (Bob Saget, 1998) 3-
The Impossible (J.A. Bayona, 2012) 3
http://afisha.headline.kz/mediabox/cache/97b3e19847980d2d8f5c6db6eec2f75f_500_362.jpg
The Express (Gary Fleder, 2008) 3
The Big House (George W. Hill, 1930) 2
Pizza (Mark Christopher, 2005) 2.5+
Schindler’s List (Steven Spielberg, 1993) 4.5
http://timeentertainment.files.wordpress.com/2013/04/42-23159424-e1365192416128.jpg?w=480&h=320&crop=1
Viva Villa! (Jack Conway, 1934) 3
The Bad Man (Richard Thorpe, 1941) 2
The Limey (Steven Soderbergh, 1999) 2.5
China Seas (Tay Garnett, 1935) 3-
http://blogs.afp.com/english/public/.10-ChinaSeas-1935_m.jpg
Final Fantasy: The Spirits Within (Hinobu Sakaguchi & Motonori Sakakibara, 2001) 2.5
A Walk With Love and Death (John Huston, 1969) 2.5
Chimpanzee (Alastair Fothergill & Mark Linfield, 2012) 2.5+
Ghostbusters II (Ivan Reitman, 1989) 2.5+
http://movieadayeveryday.files.wordpress.com/2012/10/vigo.gif
HitchFan97
08-18-13, 11:43 PM
The Passion of Joan of Arc (Carl Dreyer, 1928) - 4
Heavy stuff for sure, a powerful piece of work drawing its strength from wells of pure emotion. Above all, this really is Falconetti's movie.
The Tenant (Roman Polanski, 1976) - 3.5
The most disturbing film in Polanski's Apartment Trilogy and one of the scariest movies I've seen in awhile. I can't say that all of it made sense, but it definitely shook me up in ways that I wasn't prepared for.
The Earrings of Madame de... (Max Ophuls, 1953) - 3
Cinematographically stunning but much less emotionally involving than I was hoping for. Still, the performances were excellent and there were several moments of greatness.
Vampyr (Carl Dreyer, 1932) - 2.5
Hitchcock said this was the only film worth watching twice, so maybe I ought to. But on first viewing, I got a lot of style and very little substance; the mood and atmosphere of eeriness was top notch but little was offered in the way of story or character development.
Network (Sidney Lumet, 1976) - 5
I knew I wasn't going to get even halfway through my new Top 50 without finding at least one film that should have gone (very high up) on it, because this is absolutely one of the greatest movies I've ever seen. More relevant than ever today, Network is chock full of irony and is ultimately a wounded cry against the media-obsessed culture we live in. Ours is a society whose preoccupation with commerce and idealism prevents a greater focus on what really counts, like truth and meaningful human connection. I really feel like I ought to write more about this amazing film, but I'd love to here any other opinions on it as well.
http://feminema.files.wordpress.com/2011/02/8193244850_network1976internaldvdripxvid_saphire.jpg
The Gunslinger45
08-18-13, 11:48 PM
The Passion of Joan of Arc (Carl Dreyer, 1928) - 4
Heavy stuff for sure, a powerful piece of work drawing its strength from wells of pure emotion. Above all, this really is Falconetti's movie.
The Tenant (Roman Polanski, 1976) - 3.5
The most disturbing film in Polanski's Apartment Trilogy and one of the scariest movies I've seen in awhile. I can't say that all of it made sense, but it definitely shook me up in ways that I wasn't prepared for.
The Earrings of Madame de... (Max Ophuls, 1953) - 3
Cinematographically stunning but much less emotionally involving than I was hoping for. Still, the performances were excellent and there were several moments of greatness.
Vampyr (Carl Dreyer, 1932) - 2.5
Hitchcock said this was the only film worth watching twice, so maybe I ought to. But on first viewing, I got a lot of style and very little substance; the mood and atmosphere of eeriness was top notch but little was offered in the way of story or character development.
Network (Sidney Lumet, 1976) - 5
I knew I wasn't going to get even halfway through my new Top 50 without finding at least one film that should have gone (very high up) on it, because this is absolutely one of the greatest movies I've ever seen. More relevant than ever today, Network is chock full of irony and is ultimately a wounded cry against the media-obsessed culture we live in. Ours is a society whose preoccupation with commerce and idealism prevents a greater focus on what really counts, like truth and meaningful human connection. I really feel like I ought to write more about this amazing film, but I'd love to here any other opinions on it as well.
http://feminema.files.wordpress.com/2011/02/8193244850_network1976internaldvdripxvid_saphire.jpg
Network I thought was a good movie, but I do not love it as much as others. But I did have a similar experience after I finished my top 50. One of the first movies I saw after I finished was Blue Velvet, which made my top ten immediately, and has slowly crawled up my top ten movie list.
Aslo The Passion of Joan of Arc is a VERY powerful movie! Great selection you have here.
Skepsis93
08-18-13, 11:54 PM
Glad you loved Network, HF. :) Your comments are spot on and, perhaps moreso than anything else, I just think it's a marvel of acting and writing on every level. There's poetry and satire seeping from every pore of that script, delivered by some of the greatest actors ever working at the very top of their game.
HitchFan97
08-19-13, 12:05 AM
Glad you loved Network, HF. :) Your comments are spot on and, perhaps moreso than anything else, I just think it's a marvel of acting and writing on every level. There's poetry and satire seeping from every pore of that script, delivered by some of the greatest actors ever working at the very top of their game.
Absolutely. And it's funny, too. Scenes like this one nearly made me fall out of my seat:
http://www.youtube.com/watch?feature=player_detailpage&v=CuqvlMxfGA4
Now that you've seen The Tenant, check out our discussion (http://www.movieforums.com/community/showthread.php?p=563892).
donniedarko
08-19-13, 12:24 AM
I agree with you completely on Vampyr, I'd also give a 2.5 to Passion of Joan of Arc though. Network is indeed a great film, which never lost its relevance through the years. I still need to see The Tenant
Daniel M
08-19-13, 08:09 AM
Glad you loved Network, HF. :) Your comments are spot on and, perhaps moreso than anything else, I just think it's a marvel of acting and writing on every level. There's poetry and satire seeping from every pore of that script, delivered by some of the greatest actors ever working at the very top of their game.
Absolutely. And it's funny, too. Scenes like this one nearly made me fall out of my seat:
http://www.youtube.com/watch?feature=player_detailpage&v=CuqvlMxfGA4
Yeh I watched Network the other day and gave it 4.5, great film. I can't really add to what you guys have said, I love film with sharp scripts and great performances from a handful of actors each with their own characters :)
Guaporense
08-19-13, 11:22 AM
The Double Life of Véronique (1991) - 3
http://upload.wikimedia.org/wikipedia/en/thumb/8/81/The_Double_Life_of_V%C3%A9ronique.jpg/220px-The_Double_Life_of_V%C3%A9ronique.jpg
Just another French arthouse film, it's a good set of scenes that are partially connected into a narrative sense but for me it was not particularly memorable film.
Videodrome (1983) - 4
http://upload.wikimedia.org/wikipedia/en/thumb/0/0f/Videodromeposter.jpg/220px-Videodromeposter.jpg
Epic horror film by the same director of The Fly. I found it slightly weaker than The Fly but still a very powerful film. Easily one of the best horror films I ever watched.
PMMM parts 1 & 2 (2012) - 5++
http://upload.wikimedia.org/wikipedia/en/thumb/0/00/Madokarebellion.jpg/250px-Madokarebellion.jpg
Finally found something that I liked more than anything Miyazaki did, to bad it's still anime. It's a 240 minute long anime movie that is rather similar in many ways to Miyazaki's work but it since is extremely cruel and strictly adult and so manages to attain dramatic heights that the more family friendly work of Miyazaki does not.
Stray Dog (1949) - 4
http://upload.wikimedia.org/wikipedia/commons/thumb/f/ff/Nora_inu_poster.jpg/220px-Nora_inu_poster.jpg
Equinox Flower (1958) - 4_5
http://upload.wikimedia.org/wikipedia/commons/thumb/e/e2/Higanbana.jpg/220px-Higanbana.jpg
Skepsis93
08-19-13, 01:07 PM
Play It Again, Sam (Herbert Ross, 1972) 4.5-
A smart concept, a tender love story, peerless wit, Chaplinesque physical humor, love of cinema and themes of masculinity and finding your place in the world make up this brilliantly multi-faceted film. I identify strongly with Woody Allen's neurotic persona, and this is up there with his strongest performances. I thought this was superb.
The Passion of Joan of Arc (Carl Th. Dreyer, 1928) 3.5
Similar reaction to HitchFan. Massively admirable and interesting on the level of aesthetics, performance and cinematic history and while there's some extremely powerful moments, it's not something I can say I personally connected with.
Days of Heaven (Terrence Malick, 1978) 4-
Emotionally distant, poetic and visually majestic film that values ideas and themes over plot and character. Heavy religious imagery and allegory - heaven and hell; plague. Malick is fascinated with the uncanny wisdom of children and telling this story through the eyes of Linda lends it a sort of naive quality on the level of characterisation and narrative.
Bicycle Thieves (Vittorio De Sica, 1948) 4
I felt like the entire film was building up to, hinting at its climax, which is a perfect visual and emotional summation of the poverty, misfortune, alienation, corruption and desperation that Ricci is experiencing.
Broadway Danny Rose (Woody Allen, 1984) 3.5
Mia Farrow is almost unrecognisable as she gives a good performance against type. I liked the way Allen framed the story. Good, but not his best.
Hero (Yimou Zhang, 2002) 3
Maybe this type of film just isn't for me. It's pretty, but not as gorgeous as it's made out to be, I think. Comes across as trying too hard at times, but I guess it's just entertaining enough to sustain 90 minutes.
http://moviemezzanine.com/wp-content/uploads/days-of-heaven-3.png
https://hellopolly.com.au/sites/default/files/styles/large/public/blogpost/images/tumblr_lnrzemQD5q1qi97xgo1_500.jpg
Daniel M
08-19-13, 02:05 PM
Some nice films there Skepsis. I've seen Bicycle Thieves and give it a similar rating. Going to watch Days of Heaven once I have seen The Thin Red Line, looks beautiful, but first of all I think I am going to watch The Passion of Joan of Arc very soon, seeing as a lot of people seemed to have watched it on here recently.
The Gunslinger45
08-19-13, 02:05 PM
Wow someone actually topped Miyazaki? Crazy!
Mr Minio
08-19-13, 03:06 PM
Nobody will ever top Bela Tarr. :cool:
linespalsy
08-19-13, 03:16 PM
http://judebuffum.files.wordpress.com/2011/05/chef-gene.jpg
Wet Hot American Summer (David Wain, 2001) 3.5 A friend of mine recommended this to me after I lent him Mystery Men. Didn't know anything else about it going in, but it's hilarious.
BlueLion
08-20-13, 12:15 AM
http://i.imgur.com/Eg7fTdz.png
The Place Beyond the Pines (2013) - 4
The Great Gatsby (2013) - 3.5+
The Conjuring (2013) - 3.5
Elysium (2013) - 2
Double Indemnity (1944) - 4.5
Strangers on a Train (1951) - 3.5
Sherlock Jr. (1924) - 2
The Gunslinger45
08-20-13, 12:20 AM
Nobody will ever top Bela Tarr. :cool:
The only person who has come close to topping Scorsese has been David Lynch. But none shall ever top Taxi Driver!
Daniel M
08-20-13, 08:34 AM
Sherlock Jr. (1924) - 2
Can you expand on this?
BlueLion
08-20-13, 10:30 AM
Can you expand on this?
I just didn't enjoy it. There's nothing remarkable about it, really. Maybe silent movies just aren't my cup of tea.
Daniel M
08-20-13, 10:46 AM
I just didn't enjoy it. There's nothing remarkable about it, really. Maybe silent movies just aren't my cup of tea.
Fair enough, well I loved it. What are your favourite silent movies?
Cobpyth
08-20-13, 10:48 AM
I just didn't enjoy it. There's nothing remarkable about it, really. Maybe silent movies just aren't my cup of tea.
I guess not.
Who the hell gives Sherlock Jr. a 2? :eek:
I mean, what's not to like?
Mr Minio
08-20-13, 10:50 AM
It's pretty remarkable technically. Hard to believe it was made in '20s. Besides, it's nothing special. A 3 movie to me.
BlueLion
08-20-13, 11:01 AM
Fair enough, well I loved it. What are your favourite silent movies?
I haven't seen many silent films, really, so I wouldn't say I have a favorite.
Mr Minio
08-20-13, 11:36 AM
I won't be watching too many films for a week or so, so I'll post what I've seen so far. It's not much, though.
A Portrait of Ga - 3
Chainsaw Maid - 3.5
Black Ice - 3.5
What an interesting trio of shorts I've seen lately. The first one is an artistic look at an old woman. There's something beautiful in it. The second is a crazy black comedy/splatter combination. I laughed hard on it and I rarely ever laugh watching movies. It's so senseless it's cool. The last one is just two minutes of glazing colours - one of dozens Brakhage experiments. I must be crazy to rate it so high, but it's really nice, I mean how all the hues flicker and stuff.
Swan Lake: The Zone - 3.5
http://www.jonathanrosenbaum.com/wp-content/uploads/2011/04/swan-lake-the-zone4.jpg
It's very grim and sad. It starts like a dystopian sci-fi flick, showing a skinny character, who wanders around a desert-like place, but it's only one of many metaphors to be found in this movie. I could write a short synopsis, but I don't really want to ruin your experience, guys (come on, will any of you ever watch it?). It's nothing special technically, but the movie has a weird mood and mysterious sequences in it, while not ceasing to be incredibly realistic. I even wanted to bump the rating to make more people see it, but finally didn't do it as it would be unfair to other better four star films. Still, I am amazed and looking forward to more Ilyenko films!
I Am Twenty - 4.5
http://themovingsilent.files.wordpress.com/2013/07/mne-dvadtsat-let-aka-i-am-twenty-marlen-khutsiyev-1964-poster.jpg?w=640&h=455
Just finished this almost 3-hour-long coming-of-age drama. It was quite an experience given its length and quality. It's about 20-something people and therefore it was very close to my heart. It beautifully shows such things as life, love, friendship and resposibilites. It's not too artsy if you know what I mean, but more realistic in its form, perhaps kinda idealistic in substance, but heart-warming and honest. It's got really amazing camera work that reminded me of films such as The Cranes are Flying and I Am Cuba. The ending made me cry, but it wasn't a cheap soppy melodrama tearjerker like many would've thought. The main protagonist was kind of like James Dean, but subjectively I liked him more than Dean's Jim Stark character. The moment when he smiles in a tram is priceless - there's a true happiness radiating from his face. To figure out why he's so happy either watch the movie yourself (highly recommended) or read the spoiler section of my post (mild spoilers, but still).
A brilliant scene in a tram involves the main protagonist and a girl he just saw sitting next to a man in glasses. He sits across from them and observes the girl who's reading a book. You can see he's interested in her, but isn't sure whether the man sitting next to her is her fiance, boyfriend or just a random guy. The tram stops and the man leaves the seat. The amount of happiness and excitement seen on boy's face is simply gorgeous. Even the girl seems to be smiling secretively while still pretending to read. Beautiful.
The movie has more scenes like this, which are simply fabulous. The last scenes made me cry like a baby. Truly a Soviet gem this movie is (they have a lot of them, actually).
honeykid
08-20-13, 11:55 AM
Who the hell gives Sherlock Jr. a 2? :eek:
I mean, what's not to like?
Well, it's slapstick comedy and it's Keaton, so there's that for a start. :p
Daniel M
08-20-13, 12:00 PM
Well, it's slapstick comedy and it's Keaton, so there's that for a start. :p
How dare you :(
jiraffejustin
08-20-13, 12:01 PM
Well, it's slapstick comedy and it's Keaton, so there's that for a start. :p
No, he said "What's NOT to like?" :p
donniedarko
08-20-13, 01:20 PM
Well, it's slapstick comedy and it's Keaton, so there's that for a start. :p
It is Keaton, but better than anything else from him, on epic proportions
Daniel M
08-20-13, 01:26 PM
It is Keaton, but better than anything else from him, on epic proportions
I've only seen Sherlock Jr. and The General but both were great, especially the first. I want to watch Our Hospitality and Steamboat Bill, Jr., but I honestly don't see why someone wouldn't love Sherlock Jr..
I'll write more about it when I do a tab post, but it really was a joy to watch to me, Keaton's style completely fits the medium of film, and the stunts and way that scenes are constructed fantastically using objects and on screen tricks are great, there's so much to love about it, when he enters the film on screen, the house scene, the chase at the end etc.
linespalsy
08-20-13, 01:51 PM
Some mofos discussed Keaton and his films here (http://www.movieforums.com/community/showthread.php?t=23221) and here (http://www.movieforums.com/community/showthread.php?t=25265).
The Best Man aka Unhitched (Stefan Schwartz, 2005) 2.5
The Bounty Hunter (Andre De Toth, 1954) 2
Bob & Carol & Ted & Alice (Paul Mazursky, 1969) 3
The Iron Giant (Brad Bird, 1999) 4
http://25.media.tumblr.com/4e051ce9f19e2e705b32f97882f43dfd/tumblr_mfvfvtDJnO1qdey9ho1_500.gif
The Only Thrill (Peter Masterson, 1997) 2.5
The Son of No One (Dito Montiel, 2011) 2
Rust and Bone (Jacques Audiard, 2012) 3-
49th Parallel (Michael Powell, 1941) 3.5
http://1.bp.blogspot.com/-RTm9z-44138/UBLohLWbx8I/AAAAAAAAAW0/KqPC2dNvjSA/s320/49th_parallel_2%5B1%5D.jpg
Prom Night (J.S. Cardone, 2008) 1.5+
The Princess Stallion (Mark Haber, 1997) 2.5
Rock My World aka Global Heresy (Sidney J. Furie, 2002) 3-
The Virgin Suicides (Sofia Coppola, 1999) 2.5+
http://24.media.tumblr.com/tumblr_m948dszHZn1raxhfco1_500.jpg
Bobby Jones: Stroke of Genius (Rowdy Herrington, 2004) 3-
Bombardier (Richard Wallace, 1943) 2
Janie Gets Married (Vincent Sherman, 1946) 2.5
A Prophet (Jacques Audiard, 2009) 3.5
http://media.tumblr.com/tumblr_l1r9f5WSPf1qzodmx.jpg
Simpatico (Matthew Warchus, 1999) 2.5
Pit Pony (Eric Till, 1997) 2.5
Money Talks (Brett Ratner, 1997) 2.5
Rush Hour (Brett Ratner, 1998) 3+
http://img.starz.com/SHARED/Horz_Studio_685x385/rush_hour_1998_685x385.jpg
Daniel M
08-20-13, 09:45 PM
I love both The Iron Giant (desperately needs a re watch) and A Prophet :up: The only other one I have seen is Rush Hour which I'd also give a similar rating, good enjoyable fun :)
edarsenal
08-20-13, 10:05 PM
Wow someone actually topped Miyazaki? Crazy!
i was thinking the same thing, makes AWFULLY curious to see PMMM
The Gunslinger45
08-20-13, 10:37 PM
i was thinking the same thing, makes AWFULLY curious to see PMMM
I know right? I wonder if I need to see the series first...
edarsenal
08-20-13, 10:47 PM
http://www.youtube.com/watch?v=Y7hAkW-KVvY
not sure, but i did find a trailer for the movie
edarsenal
08-21-13, 01:13 AM
This Gun For Hire 3 (1942) Now, technically, I give this movie a 2.5 due to most of the acting going on with Veronica Lake and several others. Alan Ladd as the framed killer was okay but the star and who's performance kicked it up to a 3 was Laird Cregar as Williard Gates. Playing a double-crosser who abhors violence was an absolute joy to watch.
http://www.moviezeal.com/wp-content/uploads/this-gun-for-hire-03-300x225.jpg
So much so I did a search on IMDB for him for other flicks, one I have seen, Black Swan, and one I'm curious to see Hangover Square and the the following, which I have always wanted to see and finally have
Heaven Can Wait (1943) 4 where he plays the Devil (IMDB labels him as His Excellency) who listens to Don Ameche's life story so he may decide if he will allow him into hell. This also stars Gene Tierney and the always delightful Charles Coburn, along with a few cameos from former Little Rascals Scotty Becket and Dickie Moore who play Ameche's character at 9 and 15 yrs old.
The movie is quaint, sentimental, innocent and a joy to watch.
http://s3.hubimg.com/u/6006502_f520.jpg
House of Tolerance (French 2011) 4 An art house movie my roomate found on the Sundance channel regardign a parisian brothel at the birth of the twentieth century.
The best impression I can describe is a surface of a pool where every ripple is expressed with terrible clarity. It is beautiful and morose with equal poetic measure
http://images.popmatters.com/news_art/d/dvd-housepleasures-splsh.jpg
honeykid
08-21-13, 08:11 AM
I have House of Tolerance recorded, but have yet to watch it.
Only 4 for Heaven Can Wait? That's what I gave it! :)
Guaporense
08-21-13, 12:41 PM
I know right? I wonder if I need to see the series first...
You don't, it's a self contained 4 hour movie divided into two parts. I guess, however, that this is not a movie that appeals to a broad spectrum of people. You can import it for the modest price of 110 dollars from Japan to the US. It was completely worth it for me but I don't think that most people would love that movie that much.
I loved it because it is absurdly ludicrous (it has even the concept of the slow death of the universe due to the second law of thermodynamics as a plot element) and takes itself strictly seriously. I have never seem something as ludicrous as that movie, hence I never seem something as good. Miyazaki's films now look like are kiddie crap after this.
Del Toro also liked these movies:
http://telstarmedia.files.wordpress.com/2013/08/del-toro-madoka-magica.jpg?w=680
I have House of Tolerance recorded, but have yet to watch it.
I recommend it, if that means anything.
linespalsy
08-21-13, 03:55 PM
Hey mark, is Virgin Suicides better than Lost in Translation?
I think Lost in Translation is borderline better, but it depends on my mood. The narration in Suicides probably tips it to Lost most days. Air's music is good in Suicides though.
edarsenal
08-21-13, 08:25 PM
I have House of Tolerance recorded, but have yet to watch it.
let me know what you think of it when you do see it. I'm very curious to hear (read) what others thought of this one
Only http://www.movieforums.com/images/popcorn/4box.gif for Heaven Can Wait? That's what I gave it! :)
Well then, looks like I gave it the correct amount of popcorns :p and it did border adding a .5 which i'm sure will show up after next time i watch it. Have you seen Hangover Square by any chance?
jiraffejustin
08-22-13, 06:42 PM
With both types of football starting their seasons, my film watching is starting to slow to a crawl. But here's what I have seen in the last couple of weeks.
A Nightmare on Elm Street (1984; Wes Craven) [rewatch] - Inventive horror film that brings some imagination to it's kills. The acting isn't the strongest ever. The double ending is good only because the first ending makes you want to scream "OH BULLSH!T"It's the second best in the series, but the series is weak overall. Which is what you expect from a horror franchise.
A Nightmare on Elm Street 3: Dream Warriors (1987; Chuck Russell)[rewatch] - My favorite in the series. Heather Langenkamp looks a lot hotter than she did in the first, plus she isn't romantically involved with Johnny Depp. Already two legs up on the original. The kills are also more creative. The story is kind of silly, but who cares? The dream powers get kind of silly, but they are unique enough of a gimmick to keep you interested and they aren't really the sole focus. It's a pretty good movie, and it's accessible for pretty much anybody who at least casually watches movies.
On the Air (1992; David Lynch) - David Lynch's short-lived ABC sit-com that almost felt like a "f*ck you" to the network for the way they treated his soap opera that you probably know all about. Lynch brings out all the stops in the bizarre story of a washed-up actor hosting his own live variety show. Of course everything goes wrong and the host is overshadowed by his unknown, dim-witted co-star who captures the heart of the American audience. Even though the show is terrible and nothing goes as planned, the show is a hit as everybody tunes in to see dim-witted beauty. Of course this is not as simple as it sounds, and it's hard to describe the show because of it's Lynchian qualities. If you can find it, you should see it. It's on Hulu plus and "other" parts of the internet, maybe youtube too. I don't feel like checking though.
Nostalghia (1983; Andrei Tarkovsky) - Really beautiful to look at, but if it wasn't for the title I wouldn't have a clue as to what was going on when the film shifted from color to black and white. I probably should have started with a more accessible film for this director, but as it is at least now I know I can expect beautiful cinematography and a dreamy atmosphere.
The Naked Gun: From the Files of Police Squad! (1988; David Zucker) - Absurdly wacky. It's good.
Night of the Creeps (1986; Fred Dekker) - The only thing I don't like about this movie is sometimes the dialogue is too cheesy, but for the most part the comedy hits. The action-y and horror-y bits are good fun though.
The Naked Prey (1966; Cornel Wilde) - Absolute action and adventure. A man runs and fights for his life the whole movie. That's the plot. No need for dialogue. I can't help but think Essential Killing drew some inspiration from this movie.
The Company You Keep (Robert Redford, 2012) 2.5
Austin Powers: International Man of Mystery (Jay Roach, 1997) 2.5
Force of Arms (Michael Curtiz, 1951) 2
Kramer vs. Kramer (Robert Benton, 1979) 3.5-
http://criticodecine.es/wp-content/uploads/2013/03/kramervskramer01.jpg
Tales of Terror (Roger Corman, 1963) 2.5
Tumbleweeds (Gavin O’Connor, 1999) 2.5+
Frankie and Johnny Are Married (Michael Pressman, 2003) 2.5+
Spin (James Redford, 2003) 3-
http://www.hollywoodjesus.com/movie/spin/01.JPG
Bait (Antoine Fuqua, 2000) 2
Melody Ranch (Joseph Santley, 1940) 2+
Birth (Jonathan Glazer, 2004) 2.5-
Galileo (Joseph Losey, 1975) 3+
http://i1.ytimg.com/vi/-UgeWfQP81A/hqdefault.jpg
Wuthering Heights (Andrea Arnold, 2011) 2+
RoboCop 3 (Fred Dekker, 1993) 2.5
Battle at Bloody Beach (Herbert Coleman, 1961) 2
Allegro non troppo (Bruno Bozzetto, 1976) 4
http://i1.ytimg.com/vi/Bh7000ciJYQ/hqdefault.jpg?feature=og
Back Door to Hell (Monte Hellman, 1964) 2
The Seventh Sign (Carl Schultz, 1988) 2
The River Wild (Curtis Hanson, 1994) 3+
Norma Rae (Martin Ritt, 1979) 3
http://24.media.tumblr.com/tumblr_m5ofmlhUzz1rqv9d2o1_400.gif
honeykid
08-22-13, 08:43 PM
I'd be interested to hear your thoughts on Wuthering Heights, mark. I remember it being universally loved over here when it was released. Do you think it was just because it was an adaptation of Wuthering Heights?
It's a very stripped-down version told almost entirely without passion and dialogue. Sometimes the atmosphere is striking, but mostly it's nebulous and almost catatonic. The most original thing is the casting of black actors to play Heathcliff as a child and adult. I wasn't very fond of the director's Fish Tank either.
Mr Minio
08-23-13, 06:40 AM
jiraffejustin: you should've started from Stalker, everybody does that :D
mark f: cute kitty ^^ made me want watch Wuthering Heights
The kitty is from Allegro non troppo.
Mr Minio
08-23-13, 08:56 AM
I know, should've added "besides you"
jiraffejustin
08-23-13, 10:09 AM
jiraffejustin: you should've started from Stalker, everybody does that :D
If I did what everybody else does, I'd be giraffejustin. But that ain't me, homie.
Miss Vicky
08-23-13, 02:31 PM
Son In Law (Rash, 1993) 2.5++
The Quick and the Dead (Raimi, 1995) 4
The Fifth Element (Besson, 1997) 4
Men At Work (Estevez, 1990) 3++
Beetlejuice (Burton, 1988) 4.5-
Sound City (Grohl, 2013) 4.5 (Initial Viewing)
Serial Mom (Waters, 1994) 3.5-
Showgirls (Verhoeven, 1994) 4
Cutthroat Island (Harlin, 1995) 3++
Signs (Shyamalan, 2002) 3.5
Hedwig and the Angry Inch (Mitchell, 2001) 5
I usually enjoy both both Signs and Serial Mom more than that, but just wasn't in the right mood for them.
HandyApe
08-23-13, 08:51 PM
Films from the Top 100 of the Nineties Countdown
Life Is Beautiful (1997) - 2.5
Good Will Hunting (1998) - 2
Others
M (1931) - 4
Rebecca (1940) - 4
The Pianist (2002) - 3
3 Idiots (2009) - 1.5
From Paris With Love (2010) - 3
edarsenal
08-23-13, 09:17 PM
Miss Vicky, which Quick and the Dead did you watch? With Sharon Stone, or the '87 version with Sam Elliott?
Miss Vicky
08-23-13, 09:23 PM
Miss Vicky, which Quick and the Dead did you watch? With Sharon Stone, or the '87 version with Sam Elliott?
Sorry, I always I forget that there are two. It was the one starring Sharon Stone, Gene Hackman, Russell Crowe and Leonardo DiCaprio and directed by Sam Raimi.
Nowhere to Go (Seth Holt, 1958) 2.5-
A Civil Action (Steven Zaillian, 1998) 3
Pawn (David A. Armstrong, 2013) 2
The Prime of Miss Jean Brodie (Ronald Neame, 1969) 4
http://farm8.staticflickr.com/7196/6815293950_31040ea546.jpg
Dopamine (Mark Decena, 2003) 2
Beer League (Frank Sebastiano, 2006) 2.5
Dreaming of Joseph Lees (Eric Styles, 1999) 2.5
National Velvet (Clarence Brown, 1944) 4
http://thehoopla.com.au/wp-content/uploads/2012/07/National-Velvet.jpg
Mr. Accident (Yahoo Serious, 2000) 2
Planet of the Apes (Tim Burton, 2001) 2.5+
Aliens vs. Predator: Requiem (Colin Strause & Greg Strause, 2007) 2
Boogie Nights (Paul Thomas Anderson, 1997) 3.5
http://24.media.tumblr.com/tumblr_ly7rupHtgX1qaxz29o1_500.gif
Predators (Nimrod Antal, 2010) 2.5
Babes in Toyland aka March of the Wooden Soldiers (Gus Meins & Charles Rogers, 1934) 2.5
13 (Gela Babluani, 2010) 2
The Sessions (Ben Lewin, 2012) 3+
https://sphotos-b.xx.fbcdn.net/hphotos-ash3/p480x480/60156_117634568390128_1187623156_n.jpg
New Jersey Drive (Nick Gomez, 1995) 3
Green Grass of Wyoming (Louis King, 1948) 2+
Together Again (Charles Vidor, 1944) 2
The Usual Suspects (Bryan Singer, 1995) 3
http://24.media.tumblr.com/tumblr_lvkwxa8ZHb1qiadpyo1_500.gif
http://upload.wikimedia.org/wikipedia/en/thumb/a/af/Batman_Begins_Poster.jpg/220px-Batman_Begins_Poster.jpg
Batman Begins - 3.5
http://upload.wikimedia.org/wikipedia/en/thumb/8/8a/Dark_Knight.jpg/220px-Dark_Knight.jpg
The Dark Knight - 4
http://upload.wikimedia.org/wikipedia/en/thumb/8/83/Dark_knight_rises_poster.jpg/220px-Dark_knight_rises_poster.jpg
The Dark Knight Rises - 4
http://upload.wikimedia.org/wikipedia/en/thumb/7/70/Ironmanposter.JPG/220px-Ironmanposter.JPG
Iron Man - 3.5
http://upload.wikimedia.org/wikipedia/en/thumb/e/ed/Iron_Man_2_poster.jpg/220px-Iron_Man_2_poster.jpg
Iron Man 2 - 2.5
http://upload.wikimedia.org/wikipedia/en/thumb/d/d5/Iron_Man_3_theatrical_poster.jpg/220px-Iron_Man_3_theatrical_poster.jpg
Iron Man 3 - 3
http://upload.wikimedia.org/wikipedia/en/thumb/f/f9/TheAvengers2012Poster.jpg/220px-TheAvengers2012Poster.jpg
The Avengers - 3.5
Basically getting all these Marvel films done. And DC, obviously.
Daniel M
08-24-13, 04:01 PM
Well I knew what you rated Boogie Nights a little before you posted that Mark, but glad you like it, and your post seems extra relevant now that it, and The Usual Suspects have shown up on the 90s list.
Love the GIFs you've included, especially the Boogie Nights one, part of what I love about it is the effort Paul Thomas Anderson puts in to creating a realistic porn industry feel to everything. I watched a 40 minutes documentary (maybe longer, can't remember) basically commentary from him talking about the source material for the film and how he based it on John C. Holmes and found it a really funny watch, really great when they compared the scenes up from Boogie Nights and actual videos of Holmes, the originals are awesomely cheesy/stupid just as portrayed in the film.
edarsenal
08-24-13, 05:17 PM
Sorry, I always I forget that there are two. It was the one starring Sharon Stone, Gene Hackman, Russell Crowe and Leonardo DiCaprio and directed by Sam Raimi.
I was hoping that it was and I didn't want to presume. VERY cool to see some love for that movie. Great film that salutes as well as has fun with the genre, from beginning to end
Miss Vicky
08-24-13, 05:22 PM
I was hoping that it was and I didn't want to presume. VERY cool to see some love for that movie. Great film that salutes as well as have fun with the genre from beginning to end
Yeah, I'll never understand why "Western purists" seem to dislike that movie so much. Sure there's not much in the way of substance to it, but it's a whole lot of fun and the cast is fantastic.
edarsenal
08-24-13, 05:28 PM
the biggest "critique" that i always seemed to hear was that it was too comic bookish and outlandish which always got me to chuckle since a lot of old wetern stories were Tall Stories. I'd shake my head, tell them "you're silly," and go watch it again and continue enjoying it
honeykid
08-24-13, 09:16 PM
Timecrimes (Los Cronocrímenes) - 2.5 This was a bit of a disappointment. Partly because I thought it had more of a horror angle/vibe than it did, but mainly because, as with pretty much any/every time travel/loop movie I've seen, it doesn't really work. Were it just that, I'd be ok with it, but the story doesn't work and this, combined with the fact that it's not really about anything, left me feeling underwhelmed. I liked it and I wouldn't warn anyone off it, but an English language remake might actually help, because they won't make it like this.
Skepsis93
08-25-13, 01:27 PM
Mighty Aphrodite (Woody Allen, 1995) 4+
Probably one of Woody's most unabashedly optimistic, upbeat films without losing his trademark neuroses and darker themes - they're just treated much more lightheartedly here than in, say, Deconstructing Harry (more on that in a sec). Mira Sorvino is brilliant: maybe one of only two female lead performances opposite Allen that challenges his on a level of pure laughs (the other, in my estimation, being Keaton in Love and Death).
Deconstructing Harry (Woody Allen, 1997) 3.5+
If Mighty Aphrodite finds Woody at his most optimistic and upbeat, this finds him at his darkest and most pessimistically neurotic. It is at times scarily honest and has a sometimes unpleasant, nasty edge. One gets the feeling that this is one of his most autobiographical films given the parallels between himself and Harry Block (even though he has denied it publicly) and it is candid almost to a fault. His common theme of retreating into fantasy to escape harsh reality is heartbreaking here - he's adored by the characters he has created in his fragmented mind but every character we meet from his real life ends up alienated, abandons him, arrested or dead.
About Schmidt (Alexander Payne, 2002) 4
Bittersweet and very honest film with a somewhat bizarre, blackly comic streak. Typical of Payne's films post-Election: a road film, with a central character going through a major transition. Nicholson is magnetic.
Nashville (Robert Altman, 1975) 4
So, so much to this film. If I were to (foolishy) try to sum it up after a first viewing, I would say it's a reflection of American society through the microcosm of Nashville music and politics. Touches on themes of celebrity obsession, cultural transition and difference, narcissism and materialism.
The Emporer's New Groove (Mark Dindal, 2000) 3
Relatively weak in comparison to Disney's best.
Burn After Reading (Coen Brothers, 2008) 3-
Some good moments and interesting throwaway characters (a thoroughly against-type Brad Pitt being the highlight by far) but it doesn't add up to very much.
http://blu.stb.s-msn.com/i/17/4B5E606B18E5BC236F75D0729E50.jpg
http://www.projections-movies.com/images/mighty%20aphrodite.jpg
donniedarko
08-25-13, 04:26 PM
Timecrimes (Los Cronocrímenes) - 2.5 This was a bit of a disappointment. Partly because I thought it had more of a horror angle/vibe than it did, but mainly because, as with pretty much any/every time travel/loop movie I've seen, it doesn't really work. Were it just that, I'd be ok with it, but the story doesn't work and this, combined with the fact that it's not really about anything, left me feeling underwhelmed. I liked it and I wouldn't warn anyone off it, but an English language remake might actually help, because they won't make it like this.
I actually really love this movie, equal to Traingle which I know you like. I feel that it worked as a horror, I found the opening thirty minutes absolutely terrifying, and later on it works psychologically. The ship environment in Triangle works better though, since its more isolated
Guaporense
08-25-13, 04:30 PM
jiraffejustin: you should've started from Stalker, everybody does that :D
I started from Andrei Rublev. Anything after was an easy ride. Anyway, Tarkovsky works differently from Hollywood directors and the language he uses is different so one has to get used to it.
honeykid
08-25-13, 05:18 PM
I actually really love this movie, equal to Traingle which I know you like. I feel that it worked as a horror, I found the opening thirty minutes absolutely terrifying, and later on it works psychologically. The ship environment in Triangle works better though, since its more isolated
That's interesting because it didn't work as a horror film for me, at all. Early on I thought
that he was the man in the pink bandage and, therefore, that he'd have an accident causing significant blood loss as a result. Actually, from the moment he stabbed him, I turned to my friend and said "That'll be him later on". I also was sure that the scientist at the lab was in on it from the 'start' and that there'd already been a loop we weren't aware of. However, this is all just time/space stuff that happens in pretty much any film like this. My real problem was a), why was the girl undressed? and, b) why did she have to die? There's no reason for her to die, other than to explain why we went around again.
Other than that, I thought it was a little too lighthearted to be horror, though that's not a criticism. For example, I liked it when
Hector 3 gets out of the pool again. Now completely used to it. Complacent even. I liked the Hector 3 because he knows he's failed and that it's all going to come out. He's fatalistic about it, but it's funny.
I prefer Triangle in almost every way.
donniedarko
08-25-13, 06:30 PM
I knew it would have something to do with time travel, but I didn't guess it as well as you did. For me time loop always fascinates me so perhaps that's why I fell so easily for it. I think humor in horrors often makes it work the best, instead of just running around screaming, to incorporate a general human to the character. Triangle is way pure horror though, while this is more toward the sci-fi/thriller side
HitchFan97
08-25-13, 07:05 PM
Nashville (Robert Altman, 1975) 4
So, so much to this film. If I were to (foolishy) try to sum it up after a first viewing, I would say reflection of American society through the microcosm of Nashville music and politics. Touches on themes of celebrity obsession, cultural transition and difference, narcissism and materialism.
Glad you enjoyed it Skepsis :) It's an amazing movie, Altman's best IMO. I've seen it several times and it never loses its charm for me.
The Way Back (Weir, 2010) 4
http://film-book.com/wp-content/uploads/2010/11/ed-harris-colin-farrell-jim-sturgess-the-way-back-2010-movie-trailer-2-header.jpg
Prisoners in a Siberian Gulag in the early 1940s escape and must face the elements as they trek 4000 miles to freedom. Well and shot and directed, and Farrell didn't drive me up the wall like he usually does.
Cobpyth
08-26-13, 04:03 PM
One gets the feeling that this is one of his most autobiographical films given the parallels between himself and Harry Block (even though he has denied it publicly) and it is candid almost to fault.
If you really want something seemingly autobiographical from Allen, you HAVE to see Stardust Memories (I'm not sure if you have already). It's a little like Deconstructing Harry in the sense that it mixes reality with fantasy, but it's even more focused to the inner mind of Woody Allen's character. It's my second favorite film of him actually and it also has some of the best funny lines he's ever written. It's also a wonderful tribute to Fellini's 8 1/2. Really a fantastic film!
I agree with most of your small reviews, by the way. I also liked Mighty Aphrodite, All About Schmidt and Nashville. I liked Burn After Reading a little bit more than you did and I have about the same opinion about Emperor's New Groove.
Skepsis93
08-26-13, 04:12 PM
If you really want something seemingly autobiographical from Allen, you HAVE to see Stardust Memories (I'm not sure if you have already). It's a little like Deconstructing Harry in the sense that it mixes reality with fantasy, but it's even more focused to the inner mind of Woody Allen's character. It's my second favorite film of him actually and it also has some of the best funny lines he's ever written. It's also a wonderful tribute to Fellini's 8 1/2. Really a fantastic film!
I have Stardust Memories ready to go, and I'm really looking forward to seeing it for the reasons you gave.
If SM is second, what's your favourite? I don't remember you mentioning it before. I'm torn between Annie Hall (in my top 10 at the moment, but don't take that too seriously), The Purple Rose of Cairo, Midnight in Paris and Play It Again, Sam (which I know he didn't direct, but I consider it his film since he wrote and starred and thus has his mark all over it).
Cobpyth
08-26-13, 04:26 PM
I have Stardust Memories ready to go, and I'm really looking forward to seeing it for the reasons you gave.
If SM is second, what's your favourite? I don't remember you mentioning it before. I'm torn between Annie Hall (in my top 10 at the moment, but don't take that too seriously), The Purple Rose of Cairo, Midnight in Paris and Play It Again, Sam (which I know he didn't direct, but I consider it his film since he wrote and starred and thus has his mark all over it).
1. Crimes and Misdemeanors
2. Stardust Memories
3. Manhattan
4. Bullets Over Broadway
5. Midnight in Paris
That's my top 5 at the moment, but it changes constantly. I also love the other films you mention. Woody really is one of my very favorite directors, so it's always hard to choose just a top 5. Crimes and Misdemeanors is his most complete movie, in my opinion, though. It's seriously one of the most thought-provoking and yet hilarious films I've ever seen. A brilliant mix between moral drama and perfect comedy.
Another big autobiographical flick for Woody is Radio Days. He's not in it, but he narrates and look who plays his "character"!
http://www.woodyallenpages.com/wp-content/uploads/2012/12/Screen-Shot-2012-12-10-at-9.29.08-PM-300x162.png
Cobpyth
08-26-13, 04:34 PM
Another big autobiographical flick for Woody is Radio Days. He's not in it, but he narrates and look who plays his "character"!
http://www.woodyallenpages.com/wp-content/uploads/2012/12/Screen-Shot-2012-12-10-at-9.29.08-PM-300x162.png
Ah yes! That one is also probably in my Woody top 10.
He made so many great films. I think in terms of quantity and quality combined, he's the best director I know.
Skepsis93
08-26-13, 04:42 PM
1. Crimes and Misdemeanors
2. Stardust Memories
3. Manhattan
4. Bullets Over Broadway
5. Midnight in Paris
That's my top 5 at the moment, but it changes constantly. I also love the other films you mention. Woody really is one of my very favorite directors, so it's always hard to choose just a top 5. Crimes and Misdemeanors is his most complete movie, in my opinion, though. It's seriously one of the most thought-provoking and yet hilarious films I've ever seen. A brilliant mix between moral drama and perfect comedy.
Same here, for sure. I remember liking Crimes and Misdemeanors but given the praise it gets I feel like I may have missed something, so I need to rewatch it. Same thing with Manhattan. I saw both before I was really fully aware of his work and screen persona.
After the four I mentioned, I would have to say it's between Hannah and Her Sisters, Love and Death, Sleeper and Mighty Aphrodite to round out the top 5. It's very hard for me to choose. It can also change quickly, since at the moment I'm averaging about 2 of his films a week. I still have a lot I want to see.
Are you a fan of his early, pure comedies?
I love Woody Allen, so far i've only seen 5 so far though. I have yet to see a bad film of his.
1.Take The Money and Run
2.Annie Hall
3.Midnight in Paris
4.Sleeper
5.Manhattan Murder Mystery
I know some people will find it weird that one of his Pure Comedies as Skepsis described it is my favourite, but i just found it hilarious. It would have been one of those films i would have listed in that laugh per minute thread.
http://i39.tinypic.com/ounrcn.jpg
http://i44.tinypic.com/2jsef8.jpg
Skepsis93
08-26-13, 05:23 PM
I really liked Take the Money and Run too, but I think that of his pre-Annie Hall comedies it's the second worst, just above Bananas (I've yet to see Everything You Always Wanted to Know About Sex* or What's Up, Tiger Lily?, or for that matter A Midsummer Night's Sex Comedy or Zelig which I guess (or I've heard) go back to that almost purely comedic angle):
Love and Death 4+
Sleeper 4
Take the Money and Run 4-
Bananas 3+
If you guys haven't seen his New York Stories segment, Oedipus Wrecks, yet, I recommend that too. It's very funny.
Made For Each Other (John Cromwell, 1939) 2
The More the Merrier (George Stevens, 1943) 3
Twenty Plus Two (Joseph M. Newman, 1961) 2
Dances With Wolves (Kevin Costner, 1990) 4
http://cdn5.movieclips.com/mgm/d/dances-with-wolves-1990/0112486_4513_MC_Tx304.jpg
Kinjite: Forbidden Subjects (J. Lee Thompson, 1989) 2
Chained (Clarence Brown, 1934) 2
St. Elmo’s Fire (Joel Schumacher, 1985) 2.5
Whose Life is It Anyway? (John Badham, 1981) 4-
http://d3gtl9l2a4fn1j.cloudfront.net/t/p/w780/7A5BbrtPbdbIdRJfYLRnyFxxbdq.jpg
Cain and Mabel (Lloyd Bacon, 1936) 2.5+
Test Pilot (Victor Fleming, 1938) 2.5-
Band of Angels (Raoul Walsh, 1957) 2.5+
It Happened One Night (Frank Capra, 1934) 3.5+
http://pre-code.com/wp-content/uploads/2013/02/ItHappenedOneNight22.png
The Hucksters (Jack Conway, 1947) 3
Betrayed (Gottfried Reinhardt, 1954) 2
Highlander: Endgame (Douglas Aarniokoski, 2000) 1.5+
A Royal Scandal (Otto Preminger, 1945) 3.5-
http://static.guim.co.uk/sys-images/Arts/Arts_/Pictures/2012/11/1/1351783182411/William-Eythe-Tallulah-Ba-010.jpg
Margie (Henry King, 1946) 2.5
You Were Meant For Me (Lloyd Bacon, 1948) 2
The Loved Ones (Sean Byrne, 2009) 2.5
Woodstock (Michael Wadleigh, 1970) 3
http://data.whicdn.com/images/65759692/large.jpg
Pleased to see you're such a fan of Dances With Wolves Mark. :up: Seems to generate a decent bit of hate around here.
Guaporense
08-26-13, 07:24 PM
The Way Back (Weir, 2010) 4
http://film-book.com/wp-content/uploads/2010/11/ed-harris-colin-farrell-jim-sturgess-the-way-back-2010-movie-trailer-2-header.jpg
Prisoners in a Siberian Gulag in the early 1940s escape and must face the elements as they trek 4000 miles to freedom. Well and shot and directed, and Farrell didn't drive me up the wall like he usually does.
Very good movie!
Cobpyth
08-26-13, 07:28 PM
Are you a fan of his early, pure comedies?
Sure. My favorite from 'his early funny ones' is (for now) Sleeper. It may not be his most purely funny one of those times, but it was just so extremely inventive, which I always appreciate A LOT in films. I was actually enjoying it a lot even besides the jokes, which always is a very positive thing for me.
Love and Death was funny AND clever and I also enjoyed Take the Money and Run, because of its ingenious jokes, but they both couldn't charm me as much as Sleeper. Still have to see Bananas and some of the few other films you've mentioned.
The Gunslinger45
08-26-13, 07:34 PM
Pleased to see you're such a fan of Dances With Wolves Mark. :up: Seems to generate a decent bit of hate around here.
I got no beef with Dances with Wolves. Avatar on the other hand... :furiousdevil:
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