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It's called the exception that proves the rule. Have you honestly ever seen a Spielberg action film with a downer ending? Hell, he has some of the most over-the-top deus ex machina scenes ever put to film; War of the Worlds and Raiders of the Lost Arc, for example, and you think he's capable of giving a false ending like that to Minority Report?
That's what makes Munich so great; it's Spielberg putting true frustration and anger on the screen.
In his defence, the ending of
Raiders was a very literal and thoroughly justified example of a "deus ex machina". I've never seen
War of the Worlds or
Munich, so I can't really comment on either of those. Besides, isn't calling it "the exception that proves the rule" basically acknowledging that he is at least capable of it? Of course he's not going to outright show that's how the film ends (what's wrong with a little ambiguity, especially in a film based around a concept like predicting and preventing murders?), but it's a valid interpretation nonetheless.
Now
I Am Legend, on the other hand...
WARNING: "I Am Legend" spoilers below
Really, the idea of a "dying dream" is the only way I can really accept everything that happens in the third act - starting with the idea that Will Smith, stuck in a crashed jeep surrounded by vampires and losing consciousness, is suddenly rescued by a woman and her kid who just appeared out of nowhere and were capable of driving off the vampires and saving him. Then he finally succeeds in curing the vampires - admittedly possible, but awfully convenient - and sacrifices himself so the woman and kid can escape to find more people and help save the world - all through the magic of editing that doesn't show how most, if any, of this is plausible. Just...damn. Up until the third act, it was a decent enough genre movie, CGI monsters notwithstanding.
Really, the idea of a "dying dream" is the only way I can really accept everything that happens in the third act - starting with the idea that Will Smith, stuck in a crashed jeep surrounded by vampires and losing consciousness, is suddenly rescued by a woman and her kid who just appeared out of nowhere and were capable of driving off the vampires and saving him. Then he finally succeeds in curing the vampires - admittedly possible, but awfully convenient - and sacrifices himself so the woman and kid can escape to find more people and help save the world - all through the magic of editing that doesn't show how most, if any, of this is plausible. Just...damn. Up until the third act, it was a decent enough genre movie, CGI monsters notwithstanding.
Last edited by Iroquois; 06-29-12 at 11:46 AM.