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2012 Director: Leos Carax
Holy Motors is a day in the life of a performer. We see Oscar (Lavant) picked up by his driver/assistant, he is told that he has a certain number of appointments that he must attend throughout his day. Soon after we learn that at each appointment he is to play a new character. Who he is performing for and why he is performing is for the viewer to decide for themselves. There in lies my problem with Holy Motors. There is no narrative to speak of, and there is no character development. Unless of course you consider the fact that Oscar becomes exhausted from all of his appointments character development.
There is one positive in Holy Motors, and that is Denis Lavant. He transitions flawlessly from one character to the next, and portrays each character convincingly. I would say that Lavant is giving my second favorite performance of 2012, next to Day-Lewis in Lincoln. However once again my issue becomes that I am given no reason to care about any of the characters he is portraying. It's as if I am watching a very good audition. If I was casting a movie I would hire Lavant, if I'm looking to enjoy a film for two hours, no thanks.
Holy Motors is deliberately bizarre and surreal so there is an audience that it is appealing too. I am just not that audience which I'm sure is no skin off Carax's back. For me Holy Motors is simply artistic masturbation.
2012 Director: Leos Carax
Holy Motors is a day in the life of a performer. We see Oscar (Lavant) picked up by his driver/assistant, he is told that he has a certain number of appointments that he must attend throughout his day. Soon after we learn that at each appointment he is to play a new character. Who he is performing for and why he is performing is for the viewer to decide for themselves. There in lies my problem with Holy Motors. There is no narrative to speak of, and there is no character development. Unless of course you consider the fact that Oscar becomes exhausted from all of his appointments character development.
There is one positive in Holy Motors, and that is Denis Lavant. He transitions flawlessly from one character to the next, and portrays each character convincingly. I would say that Lavant is giving my second favorite performance of 2012, next to Day-Lewis in Lincoln. However once again my issue becomes that I am given no reason to care about any of the characters he is portraying. It's as if I am watching a very good audition. If I was casting a movie I would hire Lavant, if I'm looking to enjoy a film for two hours, no thanks.
Holy Motors is deliberately bizarre and surreal so there is an audience that it is appealing too. I am just not that audience which I'm sure is no skin off Carax's back. For me Holy Motors is simply artistic masturbation.