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The Incredible Shrinking Man


THE INCREDIBLE SHRINKING MAN
(1957, Arnold)
A sci-fi film



"I felt puny and absurd, a ludicrous midget. Easy enough to talk of soul and spirit and existential worth, but not when you're three feet tall. I loathed myself, our home, the caricature my life with Lou had become. I had to get out. I had to get away."

The Incredible Shrinking Man follows Scott Carey (Grant Williams), who after being exposed to a strange mist in the ocean, begins to gradually shrink in size. This obviously causes serious issues in his daily life, including straining his relationship with his wife, Louise (Randy Stuart) and leading him into emotional distress.

I confess that I was expecting the usual silliness of 50s sci-fi, but I was surprised at how deep and thought-provoking this ended up being. As ground-breaking and impressive as the special effects are, the film is ultimately more interested in showcasing the effects that this transformation has in Scott's psyche and emotions, while also raising questions about existentialism and what it means to be human.

Seeing him go through the process is like seeing someone go through the 5-Step Grief Cycle, all the way from denial to acceptance, and although Carey's performance is not flashy, he does his job well. Stuart's performance as the struggling wife is also pretty good, and April Kent delivers a pretty good, but very small performance as a like-minded soul in which Scott finds temporary solace.

I don't think one can talk about this film without praising the special effects. Like I said above, they are indeed ground-breaking and impressive, but in a way that's not overpowering and in-your-face, but rather to benefit the story. The story follows a seemingly simple premise, but it's quite a feat to see a film like that executed in such an engaging way, while also being as thought-provoking as this.

In the opening scene, Scott stands on a boat, in the middle of a vast ocean, looking helpless at what was ahead of him. By the final shot, we see him once again, standing in front of a vast "new world". Only this time, he's not feeling helpless; no loathing, no worthlessness. He's at peace and willing to face whatever comes next.

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