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Cary Grant's effortless screen charisma was the primary selling point of a 1964 comedy called Father Goose.
Grant lights up the screen as Walter, a beachcomber who lives on an isolated south seas island who has been recruited by the military to spot enemy aircraft during World War II, where he is allowed to pretty much live like a hermit and drink to his heart's content who finds his quiet existence disrupted by the arrival of a teacher (Leslie Caron) and seven young girls who have become shipwrecked on the same island as Walter.
Peter Stone's screenplay, which seems to have been tailored to Grant's comic sensibilities, actually won an Academy Award, but it's not just the screenplay that works here, but the offbeat choice of character for Grant as well. Grant was always known as being suave, urbane, and sophisticated onscreen, but Grant took a calculated risk here playing a character the polar opposite of his traditional onscreen image...Walter is unshaven, slovenly, crude, self-absorbed, and a bit of a sexist and having such a character interacting with a straight-laced teacher and a group of young girls produced comic gold.
Grant offers one his best performances here and his chemistry with Caron is surprisingly solid, considering the vast difference in their ages. I guess it isn't an issue here because the relationship between the two characters is more combative than romantic and Caron somehow manages to hold her own against a cinematic legend who, even though he would make his final film appearance three years later, proved that he still had the chops to carry a movie by himself, but he gets help here from an offbeat character, an unusual story, and breezy direction from Ralph Nelson.
Cary Grant's effortless screen charisma was the primary selling point of a 1964 comedy called Father Goose.
Grant lights up the screen as Walter, a beachcomber who lives on an isolated south seas island who has been recruited by the military to spot enemy aircraft during World War II, where he is allowed to pretty much live like a hermit and drink to his heart's content who finds his quiet existence disrupted by the arrival of a teacher (Leslie Caron) and seven young girls who have become shipwrecked on the same island as Walter.
Peter Stone's screenplay, which seems to have been tailored to Grant's comic sensibilities, actually won an Academy Award, but it's not just the screenplay that works here, but the offbeat choice of character for Grant as well. Grant was always known as being suave, urbane, and sophisticated onscreen, but Grant took a calculated risk here playing a character the polar opposite of his traditional onscreen image...Walter is unshaven, slovenly, crude, self-absorbed, and a bit of a sexist and having such a character interacting with a straight-laced teacher and a group of young girls produced comic gold.
Grant offers one his best performances here and his chemistry with Caron is surprisingly solid, considering the vast difference in their ages. I guess it isn't an issue here because the relationship between the two characters is more combative than romantic and Caron somehow manages to hold her own against a cinematic legend who, even though he would make his final film appearance three years later, proved that he still had the chops to carry a movie by himself, but he gets help here from an offbeat character, an unusual story, and breezy direction from Ralph Nelson.