The action genre has changed sooooo much compared to the 1980's, and I'd like to figure out why:
Any movie, in order to be effective, must connect in some way with audiences -- with their memories and misfortunes, experiences and expectations, fantasies, and fears. Many motion pictures succeed because they connect with the individual or collective experiences of large numbers of the consuming public. We creature culture and look to it to help us make sense of the world around us. This function becomes particularly crucial in times of change, conflict, and instability.
The images we get from movies and other popular culture media, especially the images that are repeated often or are especially popular or powerful, will likely influence how we view the world, which in turn must influence how we act in it. Thus films become more than stories or pastimes. They function as myths that are an integral part of the process through which we remember history, interpret experience, and prescribe a course of future action.
All and all, it seems to me most films mirror whatever is going on in the real world. In the 1980's for example, the U.S.A. was feuding with the Soviet Union who we assumed was a big, bad, and evil country, and we feared they would beat us with strength and aggression. This was a common fear among many Americans. I believe films sometimes serve as political parables. So to subconsciously prove to American audiences that we Americans are just as strong as the Russians, in a lot of action films, you often saw a lot of unique and brawny looking bad-asses fighting with other unique and brawny looking-bad-asses. These types of films pretty much summed up the feud the U.S.A. was having with the Soviet Union.
Today in action movies, it's all mostly pretty boys or average looking men or women or young adults or even teenagers who don't look like they could kick any serious ass at all playing the action heroes and/or the villians. I think all one has to do is look at events in the real world to figure out why -
First, in the 1990's we realized the Soviet Union was no real threat afterall, and that the biggest contemporary threat we had was Vietnam - This small country filled with a bunch of rural farmers. So many Americans ignorantly assumed this tiny country of peasants stood no chance against the greatest military in the world. If only Americans then realized they were thinking the exact same thing King George III thought during the American Revolution. You'd think all Americans would be the one group of people who should know better then to underestimate anyone. So Americans thought the war with the Viet Cong would a quick and easy win, but they learned it would not be. The ones Americans least suspected were the real bad-asses, whereas the Soviet Union only appeared to be big and bad-ass, but they truly were not, and now those facts reflect many films today.
Also through out the 2000's - No one knows who to trust, or who the enemy is. They could be among us, sitting next to us on the bus, or it could be the government, and this is reflected in our action films in which "ordinary" people are either the villian of the movie or they are the heroes and are caught up in situations and have to fight.
Any movie, in order to be effective, must connect in some way with audiences -- with their memories and misfortunes, experiences and expectations, fantasies, and fears. Many motion pictures succeed because they connect with the individual or collective experiences of large numbers of the consuming public. We creature culture and look to it to help us make sense of the world around us. This function becomes particularly crucial in times of change, conflict, and instability.
The images we get from movies and other popular culture media, especially the images that are repeated often or are especially popular or powerful, will likely influence how we view the world, which in turn must influence how we act in it. Thus films become more than stories or pastimes. They function as myths that are an integral part of the process through which we remember history, interpret experience, and prescribe a course of future action.
All and all, it seems to me most films mirror whatever is going on in the real world. In the 1980's for example, the U.S.A. was feuding with the Soviet Union who we assumed was a big, bad, and evil country, and we feared they would beat us with strength and aggression. This was a common fear among many Americans. I believe films sometimes serve as political parables. So to subconsciously prove to American audiences that we Americans are just as strong as the Russians, in a lot of action films, you often saw a lot of unique and brawny looking bad-asses fighting with other unique and brawny looking-bad-asses. These types of films pretty much summed up the feud the U.S.A. was having with the Soviet Union.
Today in action movies, it's all mostly pretty boys or average looking men or women or young adults or even teenagers who don't look like they could kick any serious ass at all playing the action heroes and/or the villians. I think all one has to do is look at events in the real world to figure out why -
First, in the 1990's we realized the Soviet Union was no real threat afterall, and that the biggest contemporary threat we had was Vietnam - This small country filled with a bunch of rural farmers. So many Americans ignorantly assumed this tiny country of peasants stood no chance against the greatest military in the world. If only Americans then realized they were thinking the exact same thing King George III thought during the American Revolution. You'd think all Americans would be the one group of people who should know better then to underestimate anyone. So Americans thought the war with the Viet Cong would a quick and easy win, but they learned it would not be. The ones Americans least suspected were the real bad-asses, whereas the Soviet Union only appeared to be big and bad-ass, but they truly were not, and now those facts reflect many films today.
Also through out the 2000's - No one knows who to trust, or who the enemy is. They could be among us, sitting next to us on the bus, or it could be the government, and this is reflected in our action films in which "ordinary" people are either the villian of the movie or they are the heroes and are caught up in situations and have to fight.