Originally Posted by lucky_luke
And in that beliaveble movie, the guy go back in past because a scientist friend of his died. In the past he warned him of that. Then the scientist would die and nothing of this would happen at all? No! The scientist feing his death so that his friend that don't traveled in time can go back and warn him of that. While the guy that traveled discover that and Tada! the end. A believable ending.
That movie is called
Back to the Future. If the time traveling in
Back to the Future seems more believable to you, God bless. It is no more or less plausible there than in
12 Monkeys...though tonally, one is primarily a comedy while the other is a psychological drama. Both use the Science Fiction plot device of time travel. Because
Back to the Future is a comedy, time travel is made fairly simple. Because
12 Monkeys is a pschological thriller, time travel is a bit more complex, and at the very least there is a current strand of questioning whether or not it is even happening because our main character is questioning it.
It's tough to know just what you're trying to say about Gilliam's film, but here's an attempt to explain....
Originally Posted by lucky_luke
-Okay first step: Bruce willis character was the reason that made him go back in the past. (I won't say why since I know you saw it.)
I truly don't know what you mean by this. The reason Willis' character was sent back to the past was to gather as much information as possible on the man-made virus that has killed most of the Earth's population. In his present the virus has mutated to a point where they can't figure out its primary essence. However, they have stumbled upon time travel (though they haven't perfected it), so they send Willis' Cole backward to get information they cannot figure out in the present.
Originally Posted by lucky_luke
-Second: To him be able to go back in the past like he did he needs that reason.
-Third: To him be able to be the reason to him go back at the past he needs to have that reason.
Say what? I'm not sure if I'm losing something in the translation, but what in the Heckfire are you on about here?
Originally Posted by lucky_luke
-Fourth: How he traveled back at the first time to make himself go later? If he needed himself to go back and to go back he needed himself to be the reason...
Everytime he traveled backward was for the same reason, as far as the scientists who sent him are concerned anyway: gather information on the pure strain of the virus. Emotionally the Willis character wants to return on the subsequent visits for a number of reasons, including that he doubts his own sanity and doesn't know which reality he's experiencing is the "real" one, whether or not he's crazy he definitely likes the world of the "past" more than the underground world of the present (our future, to us) and he is falling in love with Dr. Railly (Medilne Stowe).
Originally Posted by lucky_luke
-Fifth: Then he by no means could have started the chain of events that he needed to go back without going back first.
He didn't start the chain of events, they have already happened. The man who unleashes the virus, Dr. Peters (David Morse), was going to unleash the virus whether or not Willis was sent back to the past. He wasn't there to stop him, only to discover more about the origin of the virus.
Originally Posted by lucky_luke
For instance: I go back in time and became my own father. To me to go back I need to be born...and to me be born I need to go back. But I couldn't go back If I didn't have been born, am I right? So nothing of this could never happen.
Well, that's not what happens in
12 Monkeys or in
Back to the Future, but something similar does happen in
The Terminator, where the future son sends his own father back to impregnate his mother and thereby create him. Yes, this is one of the complexities and conceits of time travel as a plot device. That same complexity is in
Back to the Future, it's just handled differently. And again, no such scenario is used as you described in
12 Monkeys. Not even close.
Originally Posted by lucky_luke
Same thing with 12 monkeys.
No, it isn't. Would you care to explian what details you are referring to? I am going to guess it's something about him witnessing his own death. Bruce Willis as Cole, who lives in the "future", is haunted by the memory he had as a child (the boy we see in the airport) of seeing a man shot and killed. This man is him
and the boy is him. The older character as played by Bruce Willis has already experienced the event of his own death years before. The witnessing of it has already happened to the boy, though it hasn't yet happened to the man until he is actually shot. His adult "future" self being shot would not cause him not to exist as a boy watching it happen.
12 Monkeys is careful not to play with that, to keep that idea of watching yourself die the central concept (as it was in the short French film
La Jetée, on which Gilliam's movie is based).
If you want to see a time travel movie where the consequences of time travel become much more complicated and the film has trouble following its own internal logic, look at
Timecop (1994). That thing is a mess.
There are many time travel movies out there, including
The Time Machine (1960),
A Connecticut Yankee in King Arthur's Court (1949),
Slaughterhouse-Five (1972),
Time After Time (1979),
Time Bandits (1981),
The Terminator series
(1984, 1991, 2003), several of the
Star Trek flicks in
Star Trek IV: The Voyage Home (1986),
Star Trek: Generations (1994) and
Star Trek: First Contact (1996),
Orlando (1992),
Donnie Darko (2001),
Bill & Ted's Excellent Adventure (1989),
Army of Darkness (1993),
The Final Countdown (1980),
The Philadelphia Experiment (1984),
12:01 (1993),
Austin Powers in Goldmember (2002),
Kate & Leopold (2001) and at least a dozen others.
They all handle the traps and problems of logic when dealing with the concept of time travel differently. Some are much more successful at following an internal logic than others. For my money
12 Monkeys is the very best. By far.