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I watched Paw Patrol The Movie. Paw Patrol is a riveting and complex political thriller that shines a light on the depravity of man. Laced with erotic undertones and pulsating with dark energy, Paw Patrol The Movie is a controversial masterpiece that challenges traditional ideas of what cinema can accomplish. Paw Patrol masterfully builds to a simmering boil and then explodes in a shocking climax of puppy cuteness. A stirring and unforgettable experience that must be seen to be believed. My rating is a
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Movie Forums Stage-Hand
Dune = 10/10



Wow, it’s on dvd already. That’s mighty quick. Netflix doesn’t have the dvd & Amazon doesn’t have it for streaming yet.
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Copenhagen, 2002

In 1941, Werner Heisenberg (Daniel Craig) pays a visit to Niels Bohr (Stephen Rea) and Bohr's wife, Magrethe (Francesca Annis). The film alternates between a recreation of their meeting and a borderline-supernatural sequence in which the three of them look back on what came after that meeting.

Many films that are adapted from plays wear that lineage on their sleeves. It's there in the slightly-overstylized dialogue, or the small cast, or the occasional monologue. It's not always a bad thing, and some really great films come from the stage.

But in Copenhagen, that stage-play origin is just a little too present. The film is awkwardly trapped between just staging a play and making a film. Scenes that would look just fine on stage feel awkward when the characters "go for a walk" in the forest, but then end up standing around and talking. This is a very talky play. And you can feel the strain as the film tries to find ways to slightly spice up sequence after sequence of two characters talking.

Craig and Rea are both actors I really enjoy, and they do a good job with the material. No one actually knows the nature of the conversation between Heisenberg and Bohr, but in one sequence the two dance around the question of the possibility of using a nuclear process to create weapons. Heisenberg, of course, reports back to Germany. Annis is strong in her role as Magrethe, but the writing of her character is a lot weaker, and she often just seems there to make observations out loud, sort of Greek-chorusing the whole affair.

This is also a made-for-TV deal, and while I'm not a snob about that, there are some VERY early-2000s camera effects used that give some parts an awkwardly dated look. I did generally appreciate the decision to have the characters just use their regular voices and not try for accents, but at the same time it's a bit disorienting to have two different nationalities smoothed into generic Britishness.

This probably works better as a stage play.






Tron, 1982

A programmer named Kevin (Jeff Bridges) gets into a conflict with a corporation who stole games he designed. A computer program which has taken on a life of its own is getting out of control, and when it sense a threat in Kevin, it pulls him inside of the computer where he must compete in various video games in order to survive. Aided by avatars of two of his real-life friends, Alan (Bruce Boxleitner) and Lora (Cindy Morgan), Kevin fights his way through the computer world.

Is this a great film? Nah. It lags a bit at certain times and while I found many of the effects to be charming, some of them are painfully dated.

However, for a film that's been in my cultural peripheral vision for the last 30 years, it was fun to finally see the reference point. Bridges is an engaging lead, and Boxleitner is fun as a user-interface that strives to communicate with the outside world.

The video game sequences are probably the best parts. I'll admit that my attention drifted a bit during some of the middle exposition. I liked the look and design of the costumes, especially the tower guardian with his Marge Simpson headpiece.

Good times. Dated. But good times.




I watched The Harder They Fall (2021) on Netflix today. Directed by Jeymes Samuel, this western stars Idris Elba, LaKeith Stanfield, Regina King, Jonathan Majors, Delroy Lindo, Zazie Beetz, and Damon Wayans Jr.. I liked it. Good performances, great soundtrack, and a lot of style. It was a little too long though and some parts don't work completely. I rated it a
. Anyone else seen it yet?



Bright light. Bright light. Uh oh.

The Harder They Fall (Jeymes Samuel, 2021)
+ 6/10
The Spine of Night (Philip Gelatt & Morgan Galen King, 2021)
5.5/10
Demigod (Miles Doleac, 2021)
5/10
Nine Days (Edson Oda, 2020)
6/10

Winston Duke interviews unborn souls for a chance to get to Earth, including one (Zazie Beetz) to whom he's particularly attracted.
What's So Bad About Feeling Good? (George Seaton, 1968)
6/10
The First Lap (Kim Dae-hwan, 2017)
+ 5/10
Trouble Along the Way (Michael Curtiz, 1953)
5.5/10
My Name Is Pauli Murray (Julie Cohen & Betsy West, 2021)
+ 6.5/10

Pauli Murray is practically unknown but was in many ways at the forefront of many civil rights movements.
This Is Not a Burial, It's a Resurrection (Lemohang Jeremiah Mosese, 2019)
6/10
DannyBoy (Ferdia MacAnna, 2020)
+ 5/10
43: The Richard Petty Story (Edward J. Lakso, 1972)
5.5/10
The Marzipan Pig (Michael Sporn, 1990)
7/10

Wonderfully narrated by Tim Curry, a humorous depiction of what happens when a boy's marzipan pig gets lost behind a sofa yet still interacts with several [mostly] non-human beings.
Falling for Figaro (Ben Lewin, 2020)
6/10
Genesis II (John Llewellyn Moxey, 1973)
+ 5/10
Once Upon a Scoundrel (George Schaefer, 1973)
5.5/10
The Witch of Kings Cross (Sonia Bible, 2020)
6.5/10

Self-described witch, artist Rosaleen Norton gets into trouble in conservative Australoa in the 1950s.
Truman & Tennessee: An Intimate Conversation (Lisa Immordino Vreeland, 2020)
6.5/10
Shuffle (Kurt Kuenne, 2011)
+ 5/10
80,000 Years Old (Christelle Lheureux, 2020)
6/10
The Eyes of Tammy Faye (Michael Showalter, 2021)
+ 6/10

Good acting in a somewhat superficial, if still entertaining, account of Jim (Andrew Garfield) and Tammy Faye (Jessica Chastain) Bakker's life makes me feel more sympathy for them (especially her) than I did when it occurred.
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Honest Thief, 2020

Tom Dolan (Liam Neeson) is a serial burglar who has robbed a dozen banks and accumulated millions of dollars in stolen cash. But when he meets Annie (Kate Walsh), the owner of the storage facility where he's stashed his loot, he decides to mend his ways and turn himself in. Unfortunately for Dolan, the two agents assigned to follow up on his phoned in confession, Nivens (Jai Courtney) and Halls (Anthony Ramos), decide that maybe they'd like it if that cash ended up in their hands.

This is the kind of film that gives you just what you expect: middling action thrills with a cast that's just good enough to hold your interest through the 90 minute runtime.

Neeson is in his default growly mode as Dolan, an ex-marine who gets grumpier and grumpier as his planned surrender goes more and more afield. Walsh exudes the kind of affectionate stability that makes her a good foil--and just about convinces you that someone could be cool with discovering a romantic partner's very criminal past. Jeffrey Donovan is also on board as a superior to Nivens and Halls who slowly starts to figure out that things aren't quite right in the office.

But this is ultimately a pretty forgettable outing. Nothing is bad, but nothing rises above fine.




I forgot the opening line.

By sidereel.com, Fair use, https://en.wikipedia.org/w/index.php?curid=19064647

Up the Yangtze - (2007)

This was a nice little documentary which mainly focused on a poor family in China living in a shack built (really poorly) by the family themselves. Their older daughter wants to go to school, but they force her to work on a cruise liner to provide for them. In the meantime, a dam is built and the family must flee their meagre home before it disappears under the floodwater of the Yangtze. The family claim they're living the 'good life' - and I'm unsure if they're being sarcastic, they're afraid of the authorities, or if they really believe less is more. They grow their own food (and lose this ability when they have to flee) amongst the squalor. Interesting look at modern China - especially on board the ship, where Western tourists are treated like Gods in the hopes that money flows from their pockets.

7/10


By May be found at the following website: IMP Awards, Fair use, https://en.wikipedia.org/w/index.php?curid=2646370

Proof - (2005)

Anthony Hopkins gives us an excellent portrayal of an older person with dementia, preceding his Academy Award performance of this year. This is based on a Pulitzer Prize-winning play, but I've seen so many films now about mathematicians and the themes that can be explored by using them that I came away from Proof feeling I'd seen it all before and that it had added nothing new to me personally. Some mathematicians have come out to say that out of them all, this film is the most realistic in terms of how mathematicians work. It's a decent film.

6/10


By The poster art can or could be obtained from Columbia Pictures., Fair use, https://en.wikipedia.org/w/index.php?curid=1128575

Tears of the Sun - (2003)

There's a moment in Tears of the Sun where our band of soldiers and civilians encounter a village where all manner of atrocities are being committed. Here the film has a serious look at what human beings are willing to do to each other, and the flimsy reasons that sometimes verge on the absurd. It's a shame this serious tone couldn't be spread throughout the whole film, which often reverts to a Rambo kind of level of exposition and action. It's not a really bad film, but it has some wasted potential - Bruce Willis produced.

6/10


Fair use, https://en.wikipedia.org/w/index.php?curid=3165327

Frequency - (2000)

The second half of this film, including it's thrilling climax, really saved it and makes Frequency well worth watching. A device through which you can converse through time is an interesting take on the whole time travel genre, and with it we also get introduced to the fact that if you meddle with time, even a little bit, the results are unpredictable and sometimes severe. Of course Johnny Sullivan (Jim Caviezel - who I learned on these forums is a complete idiot) tries to fix these problems by meddling with time even further. The introduction of a serial killer and mystery into all of this really lifted the film - and certain events raise the stakes tremendously. A good addition to the time travel sci-fi films of any era.

7/10
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Latest Review : Le Circle Rouge (1970)



I'm watching Pickup on South Street for like the fifth time, and four takeaways:

1) I like Widmark in the lead role, but the part where he keeps rubbing Jean Peters' face for like a minute straight is so off-putting. Her tolerating that and acting like it's sexy is maybe the best acting I've ever seen because just watching it makes me want to punch someone.

2) I've seen this film many times, but I never realized that the police character is actually called Tiger. As in, that is his actual name. I always thought it was a nickname, and I really didn't remember anyone but Moe calling him that.

3) The dialogue in this film is so classic noir. "You know a guy with strikes like me ain't workin' the subway." "Aw, you're a two-bit cannon and you always will be. When we find you dead you'll have your hand in a drunk's pocket."

4) Thelma Ritter is SO GOOD as Moe. Totally deserved her Oscar nomination.



Rock's excellent review of T2 in his thread made me think about reposting my old review of it in here, so I'll go ahead and do just that now:

Terminator 2: Judgement Day



No fate but what we make.

WARNING: spoilers below
Speaking personally, Terminator 2: Judgement Day (aka "T2") was not only one of the first movies I saw after I began to watch films more "seriously" as a teenager, but it was also one of the most important as well, and between it and Aliens, I was immediately ready to crown James Cameron as the undisputed KING of sci-fi/action spectacle. I mean, this baby seemed essentially flawless to me when I first saw it, and, while a recent rewatch did alert me to a few issues I didn't notice previously (and brought it down in my esteem slightly), it's still a really strong film in general, and well worth watching for just about any movie fan out there.

To get its problems out of the way first, I have to say that, while T2's plot does a good job of following up the fallout from its predecessor, some of the exposition still feels a bit clunky and rushed, and forced in that way that only unnatural movie dialogue can be. Additionally, some of Linda Hamilton's voice-overs feel unnecessary at times, like when, during a shot of a dark highway, she talks about how the future "seemed like a dark highway" in front of her; oh, really? You don't say. Finally, Edward Furlong's portrayal of John Connor is often really, really annoying here, with his voice constantly cracking with the whine of puberty, and his dialogue sounding less like a real kid, and more like a 37 year-old man's idea of what a kid would say, giving off attitude through pointless insults, "hardcore" one-liners, and general disrespectfulness. I mean, I respect how Cameron was trying to contrast his present character against his great destiny, but dangit man, tone that stuff down!

Besides all of that, however, T2 still holds up very well as an essential work of Sci-Fi Action, with a foreboding atmosphere that can best be described as positively menacing, suspensful chase sequences, and plenty of over the top, excellently choreographed stuntwork. Performance-wise, Robert Patrick does a great job as the "T-1000", with often nothing more than an icy stare, and the new Terminator's powers are taken full advantage of in both a conceptual sense (arms that become swords, physically imitating other people down to the last molecule, or slowly, painfully being frozen by liquid nitrogen), and in a visual sense as well, with the film's groundbreaking CGI rightfully winning it an Oscar for Best Effects (along with three others), as they still hold up surprisingly well today, even over a quarter of a century on.

I also appreciate how Cameron didn't let the bigger budget go to his head, and didn't just make a bigger-is-better rehash of the original, but rather, mirrored the original Terminator in smart ways throughout; of course, there's the now-famous twist of making the T-800 the good guy, but the way he becomes more and more human throughout is also a nice contrast to Sarah's arc, with her obsession with stoppng "Judgement Day" by any means necessary, even murder, almost turns her into a human Terminator herself, before she pulls herself back from that brink. And, speaking of Sarah, her relationship with John adds a lot to the film, annoyances with his character/performance aside; the scene where he cries after she berates him for risking his life to save her's, always gets me somewhere deep down. It's smart storytelling like this, along with the exciting action and spectacle, that's established T2 as an enduring essential of American cinema, and, while it doesn't hold up exactly as well now as it did for me the first couple of watches, I still like it a lot, and give it a mostly unqualified recommendation. Go watch it if you want to live (and see a really good movie in the process).



Final Score: 8.75






Intentionally ridiculous, low budget, indie action/comedy about a guy looking to avenge his fathers death at the hands of the Lake Michigan Monster. The lead actor is kind of a cross between Graham Chapman (looks) and Les Claypool (sound) and parts of the film look like a Méliès production, especially the ending. I thought it had some very funny moments, was clever, visually interesting and was never bored but some of the humor seems like an inside joke. We were rolling at the finale but I don't know if that entire sequence would go over well anywhere else in the world. Acting was passable, barely, but real good acting would have been out of place.