It's easy to understand why some audience members are only going to think about peeling potatoes or meatloaf or making beds. I'm sympathetic to the boredom. I'm even sympathetic to some of the skepticism.
But it's enraging when you or myself or Takoma or lots of other people can explain why the film works for us and there isn't the slightest engagement beyond calling such people pretentious or phonies or having agendas that have nothing to do with film.
Is it too much to ask, if someone wants to make the claim that a movie absolutely cannot be considered good, that is in fact totally worthless, that they show some basic understanding of what is happening in the film. Be at least vaguely humble to the possibility that they may have missed something? Or that some people simply like different things then them?
I think superhero movies are shit. But I at least don't claim people are pretending to like them. I can at least understand why they do like them. And if I do either of the above, I will take my critical punches because I would deserve them.
On this subject, I'd like to add that if an agenda is to be incorporated into a list, then it must use pre-existing praise for a film to make the addition feel more realistic. In other words, if BFI is indeed being feminist about this, they'd have to use the previously limitied praise for Jeanne Dielman and justify cheating with the previously limited praise by emphasizing the theme that goes hand-in-hand with modern popular politics. It's also easy to throw sexism accusations to skeptics who understand how the process works.
Having said that, I am not denying that Jeanne Dielman has touched hearts. The film must be especially painful for any female critics who had gone through such a lifestyle before finally becoming a voice in the magazines, meaning the movie represents a cruel reminder for females who have already proven themselves. Thus, we have a proper reason to appreciate the art of the film.
Having said that, not only is the artfilm such an acquired taste, but the theme itself isn't exactly the most marketable one. When you include popularity into the mix, even among critics, there is at least cause for skepticism towards the amount of votes in lieu of hard evidence. But to get angry about it doesn't necessarily help the accusation to take form. In the end, it's circumstantial evidence and nothing more, which means there's the possibility that these people are being completely honest. However, they ARE technically journalists...
Now my personal stance is simple. I don't discount the possibility that the critics were told what types of films to vote for. Having said that, I accept the list as it is because I can't change anything. But I take the list as easily as I take most other magazine lists: with a grain of salt. Rolling Stone's bull pretty much cemented that, so we got what we got, and the most I can do is work my way through the list for the sake of forum conversation, because in the end, all that really matters to me is what my fellow MoFo's say.