Stalker (Andrei Tarkovsky, 1979)
A film (and director) that seems to divide opinions around here, I thought this film was brilliant. The film's style is very minimalistic and would not have cost much to make, but Tarkovsky makes the most of the locations/buildings to create a haunting but beautiful world - the zone. The film is much like
The Wizard of Oz in how it deals with a journey of characters each with their contrasting personalities and problems, each wanting to complete the journey for different reasons, then there's the questions of faith, much like the Wizard of Oz turned out to be a opportunistic hoax, you ponder similar possibilities here. A film that stays with you after its fascinating final scene.
Mirror (Andrei Tarkovsky, 1975)
Despite being almost half the length of
Stalker,
Mirror is far less accessible and straightforward than it. The film puts together various different pieces of various characters lives, each connected through a single man who appears to be reflecting (as the title suggests) on his past mistakes. In style, the film is built like a collage, sticking together very different pieces (black and white, colour, video footage, photographs) in a dreamlike style that makes the questions poised in
Stalker seem fairly straightforward.
Lawrence of Arabia (David Lean, 1962)
Another three hour (longer) artistic film that I award five stars, but a very different one from
Stalker. Far more conventional,
Lawrence of Arabia is storytelling and film making at its very best, an absolute joy to behold. There is just so much to be admired here, just the scope of the whole thing takes your breath away, how on earth they filmed most of it I don't know, in terms of cinematography and set design, the film is flawless, and then there is Peter O'Toole as an incredibly likeable character that ensures that films content is interesting enough to make you wish the film was even longer. The film also seems quite relevant in a political context these days, with Western activities in the Middle East. Without a doubt one of the very best films I have ever seen, and I can not wait to revisit it.
The Graduate (Mike Nichols, 1967)
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An at times odd, but a delightful little film that I found myself smiling at throughout, mainly because of Hoffman's titular character. Ben Braddock is a character who you can connect with in how he is lost, at a crossroads in his life, unsure what to do, ensuring that the film works as a sort of 'coming of age' tale. There is a lot to love about the film, although the issues it deals with are serious, the films story a lot of the time feels unrealistic, but it is always aware. The music is delightful, there are a lot of funny moments, and the at times artistic directorial style ensures that the film always feels full of energy. A film I would recommend to everyone.