Some favorite scores and musical moments:
1. Under the Skin by Mica Levi (her work on this alone is more effective than most entire horror movies.)
https://m.youtube.com/watch?v=c7rY10hY8Cw
2. Interstellar by Hans Zimmer (the hate towards the man is overdone. The heights it reaches during the docking scene are a highlight of both his and Nolan’s filmographies.)
https://m.youtube.com/watch?v=DITy3T2BgbI
3. Whiplash by Justin Hurwitz
https://m.youtube.com/watch?v=mHEHq-qsVdA
4. A Most Violent Year by Alex Ebert
https://m.youtube.com/watch?list=PL-...&v=5V08nb40vAM
Moments:
Phoenix - ending. That is how you mic drop.
Whiplash - ending. Joyous almost feels like an understatement. In multiple viewing, though I still feel the urge to applaud, I see the darker side to the display from Andrew and Fletcher’s look. It’s not pride or new found respect (not entirely), it’s two rivals realizing the fight has just begun. Andrew moved up in the weight class and Fletcher is itching to let loose.
The Guest - use of Annie’s “Antonio (Berlin Breakdown version)”. On par with Drive’s use of Kavinsky’s “Nightcall.”
Inherent Vice - Vitamin C opening.
Guardians of the Galaxy - Come and Get Your Love and the use of Bowie’s Moonage Daydream to introduce the film’s second act which takes place inside the mined out head of a celestial being.
Oh, and, of course...
1. Under the Skin by Mica Levi (her work on this alone is more effective than most entire horror movies.)
https://m.youtube.com/watch?v=c7rY10hY8Cw
2. Interstellar by Hans Zimmer (the hate towards the man is overdone. The heights it reaches during the docking scene are a highlight of both his and Nolan’s filmographies.)
https://m.youtube.com/watch?v=DITy3T2BgbI
3. Whiplash by Justin Hurwitz
https://m.youtube.com/watch?v=mHEHq-qsVdA
4. A Most Violent Year by Alex Ebert
https://m.youtube.com/watch?list=PL-...&v=5V08nb40vAM
Moments:
Phoenix - ending. That is how you mic drop.
Whiplash - ending. Joyous almost feels like an understatement. In multiple viewing, though I still feel the urge to applaud, I see the darker side to the display from Andrew and Fletcher’s look. It’s not pride or new found respect (not entirely), it’s two rivals realizing the fight has just begun. Andrew moved up in the weight class and Fletcher is itching to let loose.
The Guest - use of Annie’s “Antonio (Berlin Breakdown version)”. On par with Drive’s use of Kavinsky’s “Nightcall.”
Inherent Vice - Vitamin C opening.
Guardians of the Galaxy - Come and Get Your Love and the use of Bowie’s Moonage Daydream to introduce the film’s second act which takes place inside the mined out head of a celestial being.
Oh, and, of course...